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Celebrate Father’s Day With the Best and Worst Dads in Horror History!

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It’s Father’s Day! What better way to celebrate dad than spending the day together watching movies? Movies have long explored the paternal bonds between father and child, and the emotional terror and madness that raising children often brings. Horror has given us an extensive roster of terrifying fathers that were never fit for the title, as well as many dads willing to make the ultimate sacrifice for their child.

In salute of fathers everywhere, we revel in horror’s worst and best dads:


Worst

Don– 28 Weeks Later

Don (Robert Carlyle) demonstrates what kind of father he is before his kids even enter the film. When a group of survivors holed up in a rural cottage let in a boy being pursued by infected, he pleads with his wife to abandon the boy and make a getaway. She refuses, and he barely hesitates in making his decision to abandon her and the boy as the infected descend. When Don is reunited with his kids, he lies about their mother’s fate and the part he played in it. Don is already a terrible father, but then his guilt leads to him getting infected. When most infected with the Rage Virus are content to shred anyone in their path, Don prefers to stalk his children the entire rest of the film.


Daddy – The People Under the Stairs

Anyone who prefers to go by the name “Daddy” is one you should probably give a wide berth. In Wes Craven’s The People under the Stairs, Daddy (Everett McGill) is one half of an incestuous brother and sister duo that have very high standards for their children. Mommy and Daddy have a tendency to raise a child up until the point where they deem the child too flawed to continue, cut out their offensive body parts, and then dump them in the basement where the child then has to resort to cannibalism to survive. Both are unhinged, but Daddy is far crazier and a bit more dangerous. His leather gimp outfit clearly proves it.


Jerry Blake/Henry Morrison/Bill Hodgkins – The Stepfather

Operating under many aliases, the eponymous Stepfather shares a lot in common with The People under the Stairs’ Daddy in that all he wants is the picture-perfect family. Unlike Daddy, this guy doesn’t just settle for dumping the kids in the basement when they fall out of line. He looks for vulnerable single mothers, woos them, and assimilates himself into their makeshift family. When it doesn’t work out, he slaughters them. It’s creepy enough, but when the Stepfather is played by an intense Terry O’Quinn it’s downright terrifying.


Chris Cleek – The Woman

It takes a lot to paint the feral, cannibalistic Woman (Pollyanna McIntosh) as the empathetic one. Enter Chris Cleek (Sean Bridgers), a lawyer that initially comes across as charming and put together. He captures the Woman and brings her back to his home so his family can attempt to “civilize her.” It reveals just how dysfunctional his family is thanks to his ruthless sadism. His son is following in his footsteps, observing dad rape the Woman and knock mom unconscious when she threatens to leave. Verbally and physically abusive to older daughter Peggy (Lauren Ashley Carter), it becomes painfully clear that there’s not a single redeeming quality about this father.


Jack Torrance – The Shining

Jack continues to be the standard by which all horrible fathers are measured. His previous dalliances with alcoholism resulted in dislocating his son Danny’s shoulder, a move that would earn any dad a Worst Father Ever award. When he relocates his family to the Overlook Hotel for a job as hotel caretaker, his paternal instincts go from bad to zilch as his mounting frustrations become more violent. Jack Nicholson nails Jack’s descent into madness, and the breaking point that drives Jack to murderous intent toward his wife and child remains an all-time high (or low) point in horror.


Best

Lt. Donald Thompson– A Nightmare on Elm Street series

I know what you’re thinking; how did Nancy Thompson’s father earn this spot? Divorced from Nancy’s alcoholic mother and caught up in his police work, he not only refuses to really listen to his daughter but he even uses her as bait to capture suspected killer Rod. Even still, it’s clear that he loves his daughter and was very worried over her perceived declining mental health. Also, out of the two parents, he’s the most stable option Nancy has. Lt. Donald Thompson exemplifies that all dads make mistakes; sometimes because they’re blinded by thinking they know what’s best. He makes amends for his mistakes in A Nightmare on Elm Street 3: Dream Warriors, having finally realized Nancy was telling the truth to the point of losing his career. He ultimately loses his life in his contribution to stop Freddy Krueger once and for all, and his relationship with Nancy remains one of the most touching in horror.


Captain Spaulding – The Devil’s Rejects

Sure, he may be a bit of a homicidal maniac, but Captain Spaulding sure loves his kids. It’s primarily through his fatherly love that the Firefly clan winds up being the anti-heroes of the film. When Sheriff Wydell raids the Firefly house, Baby and Otis run to their dad, Spaulding, for shelter; mind you, it’s unclear if Otis actually is Spaulding’s child, but Spaulding nevertheless acts as a father figure to him. Baby, Otis, and Spaulding are betrayed and captured by Wydell, who intends to torture them slowly out of vengeance. Dear dad Spaulding consistently tries to bring Wydell’s attention back to him so that Baby will be spared the torture and shows visceral response at her suffering. Even more heartbreaking is when the two fall into each other’s arms after reuniting. Sure, the Firefly family might be a bunch of psychopaths, but their strong family bond, love, and loyalty stems from patriarch Captain Spaulding.


Jesse Hellman – The Devil’s Candy

Jesse (Ethan Embry) is instantly relatable as the dad struggling to provide for his family. A painter often forced to paint art that goes against the grain of his personality for the sake of buying his wife and teen daughter a house, Jesse feels like an everyman. His strong bond with his daughter over music demonstrates a depth of love. What makes him one of horror’s finest fathers, though, is that his love for her overrides everything, including the strong lure of the Devil. Even when literal temptation from the Devil distracts him momentarily, he walks through fire and injury for his daughter.


John Collingwood – The Last House on the Left (2009)

This remake changed a key detail from Wes Craven’s 1972 original; the Collingwood’s daughter Mari survives her harrowing encounter with Krug and his gang. It heightens the stakes in that her injuries mean a race against the clock. Under the shock and realization of what Mari’s endured, he’s forced to give her an emergency tracheotomy using household items. He also knows he needs to get the key to the boat to get her to a hospital ASAP, with Krug’s gang staying in the guest house. With fierce determination (and rage), John gets the key by any means necessary. Including a lot of well-deserved death toward those that were responsible.


Seok-woo – Train to Busan

If you only get to choose one film to watch with dad this Father’s Day, make it this one. A divorced workaholic, and therefore absentee father, Seok-woo has made many mistakes along his journey in fatherhood. So much so that his daughter wants him to take her back to her mother’s for her birthday. So they board the train to Busan. The only problem is that his daughter’s birthday seems to coincide with a zombie apocalypse, making their trip a horrifying fight for survival. Seok-woo may not have been the ideal father, but he quickly proves he’s there for his daughter when it matters the most. Fighting tooth and nail (and zombie) to protect her during onslaught after onslaught, Seok-woo rebuilds his relationship with his daughter in the process. This is a rare horror film that will pull at the heartstrings (or rip it out) simply for its portrayal of the daddy-daughter relationship.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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