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‘The Evil Dead’ – A History of the Horror Franchise in Video Games

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Evil Dead video games
Based on the Hit Film is a series of articles looking at the video game spin-offs and adaptations of popular horror and movies.

The Evil Dead franchise has always been ripe to make the jump to video games. Thankfully, it has done just that on numerous occasions (with varying results).

With the brand new Evil Dead: The Game on the way, it seems only fair to look back at some of the various games that have used “the ultimate experience in grueling terror” as an excuse to wield a digital chainsaw and boomstick.

We begin our tour of Evil Dead video games way back in 1981…


The Evil Dead – Commodore 64, ZX Spectrum (1981)

Color me surprised when I found out this existed (and I’m not the only one). Produced by UK-based Palace Software, the game adheres to a basic idea of Ash trying to prevent demons from entering the cabin and killing him, as well as killing any demons that are already in the cabin (including the ones that possess Linda, Cheryl, Shelly or Scotty).

As the player defeats demons with shovels, shotguns, axes and Kandarian daggers, Ash’s energy level decreases. In order to increase Ash’s energy, the player must continually pick up new weapons. Once you’ve beaten all of the demons, you grab The Book of the Dead when it appears and toss it in the fireplace in order to win.

There’s not much more to say about this one. The graphics and gameplay are what you’d expect for the time, although it’s more of a curiosity for modern gamers. I just wish that I had this in school instead of Reader Rabbit.


Evil Dead: Hail to the King – Sony PlayStation, Sega Dreamcast (2000), Windows PC (2001)

Developed by Heavy Iron Studios and published by THQ, Hail to the King looked to cash in on the Survival Horror genre by aping Resident Evil. A lot. While you’d think that’d be a good idea, the execution wasn’t the greatest.

The story for this one takes place eight years after Army of Darkness. Ash (voiced by Bruce Campbell) is haunted by the memories of what happened, so Jenny takes Ash back to the cabin to help him face his proverbial demons. Unfortunately, his severed hand shows up, hits ‘Play’ on that tape recorder, and summons the demons again. The demons kidnap Jenny and unleash Evil Ash from the mirror, leaving Good Ash to have to clean up the mess.

Yeah, despite the marriage of Evil Dead and Resident Evil, the game was mediocre, at best. Those RE tank controls, compounded by the relentless spawning of enemies and the cinematic-style of camera, made combat a chore. Sometimes enemies respawn so quickly that you barely have time to recover from defeating one Deadite when another appears right behind you. You’ll end up running away more often than not to regroup.

While the graphics for the PlayStation version were adequate, the PC and Dreamcast ports suffered from using the same low-res textures and models. Overall, the derivativeness of the game makes you long to play the games that Hail to the King obviously tries to copy. Seek this one out only if you’re an absolute sucker for punishment.

Evil Dead video games hail to the king


Evil Dead: A Fistful of Boomstick – Sony PlayStation 2, Microsoft Xbox (2003)

THQ handed development this time to VIS Entertainment Limited (who used the same engine from their earlier game, State of Emergency). The story has Ash (once again voiced by Bruce) being down on his luck at a Dearborn bar during a broadcast of “Mysteries of the Occult” television show. The show, hosted by journalist and sceptic Trisha Pettywood, is attempting to expose the truth about the Necronomicon with her guest, parapsychologist and best-selling author Professor Alex Eldridge (a former colleague of Professor Raymond Knowby). While discussing the book, Trisha plays that same recording of Knowby reciting the summoning of the Deadites. You know what happens next. Ash suits up again to stop the Deadites.

Ditching Resident Evil in favour of open world combat and exploration, Boomstick is an improvement over the previous game. Ash this time can collect pages from the Necronomicon to cast spells that will either power him up or, if you mess up the combination, smack you to the ground. You also have a variety of weapons to use besides your boomstick and chainsaw.

Unfortunately, the game does start to grind a bit as you get farther along. Enemies will still endlessly respawn and follow you until you kill them, the combat is pretty simplistic (though you do get a lock-on feature), and the game relies on annoying staple of fetch quests. Even if you look past the grinding, it also doesn’t help that the game can probably be completed within a day. The graphics, simple even for the time, look worse now. But at least Bruce spouts off more than he ever did last time, which helps in the fun.

The game is still a guilty pleasure for me to this day, even with having to go back to the “at least it’s better than Hail to the King” line. It’s a budget title, but still good for the short time you take to complete it.

Evil Dead video games fistful of boomstick


Evil Dead: Regeneration – Windows PC, Sony PlayStation 2 & Microsoft Xbox (2005)

Again, Bruce is back to spit more one-liners in this game, developed by Cranky Pants Games and published by THQ. Regeneration is this time unconnected to the previous games and instead has Ash stuck in a mental hospital after being driven insane after the events of Evil Dead 2 (and also if he didn’t get sent back in time). Ash’s doctor, Dr. Vladamir Reinhard, somehow acquires Professor Raymond Knowby’s diary and the Necronomicon. Reinhard plans to unlock the secrets of the Necronomicon, but as the way things go, he unleashes the Deadites once again, leaving Ash to do his thing.

An improvement in some areas over A Fistful of Boomstick, Regeneration‘s draw this time is Sam, a half-Deadite sidekick (voiced by Ted Raimi). You gain Sam early on and can use him to solve puzzles and battle enemies. He’s also the game’s comic relief, which despite what you might think, doesn’t always play as well as you’d hope.

It also doesn’t help that Sam falls into the annoying sidekick trope with his voice, leaving you longing for solo play (or hitting mute). And the less said about the times you take control of Sam to complete objectives, the better. Plus, like Boomstick, this can probably be completed within six or seven hours.

Fortunately, it’s not all bad. The combat is an improvement over Boomstick, which is more gratifying and fluid this time. Plus, you now have infinite ammo, so you can go crazy with your shooting. And the graphics and animation have received more attention this time, with environments looking less like a grade-school project. Plus, Bruce makes up for Sam’s shortcomings in the humor department with his one-liners.

Like A Fistful of Boomstick before it, Regeneration is a flawed but fun experience that can be enjoyed in a day. These Evil Dead games have never have been masterpieces, but for fans of the series, it’s another chance to have Bruce swing that chainsaw one more time.

Evil Dead video games regeneration


Army of Darkness: Defense – Apple iOS, Android (2011)

Mobile games are a dime a dozen, and that goes double for the Evil Dead series. This game in particular was developed by Backflip Studios and has the player (as Ash) fighting off Deadites in your typical tower defense game. The Deadites come from a tunnel on the right side of the screen, while you defend your castle (which houses the Necronomicon) on the left. Surprisingly, this makes sense when you think of that moment in the film.

Ash attacks with his boomstick automatically (you annoyingly have to upgrade to get his chainsaw), but you can also perform special attacks that recharge after a time, such as a stronger blast from your boomstick, or using the Necronomicon to devour Deadites. To build up your defenses, you’ll be snagging bars of iron produced by Smithy, the blacksmith. Enemies also drop bars, along with money. The bars are used to hire units, which range from pitchfork-wielding peons to armor-clad knights. The money will be used to unlock new units and abilities.

The biggest problem with the game is the lack of a real sense of progression, as you’ll just be mowing down wave after wave of Deadites with no real end goal, meaning the game falls into a repetitive chore. Ash and company also spout the same lines repeatedly, which doesn’t help, either. If you’ve played other tower defense games, this one is really no different.


Phantom Halls – Windows PC (2017)

While not directly related to the Evil Dead series, Ash does make an appearance in the game in a crossover. In Phantom Halls, the player enters a haunted mansion to eliminate the undead terrors that lurk inside. Along the way, you recruit two teammates to help you out, pick up weapons and complete an assigned objective.

Ash was eventually added to the game along with his own mode, where he hunts Evil Ash through a series of unique Evil Dead 2-inspired quests.


Terrordrome: Rise of the Boogeymen – Windows PC (2015)

Probably the only way to have Ash face off against Leatherface, Freddy, Pinhead, or any of the other iconic modern horror figures. This one-on-one freeware fighting game was unfortunately destined to be slapped with a Cease & Desist right off the bat. Fortunately, it got pretty far in its development before that happened. You can still find the “final” version of this floating around the net if you look hard enough.

The game plays like a combination of Street Fighter and Mortal Kombat, while trying to tie in a storyline that, let’s be honest, is pure fan fiction gold.


Unlike the films (and television show) that inspired them, the Evil Dead games run the gamut of being mediocre to firmly being guilty pleasure territory. They were never going to win awards. But somehow, like the films themselves, they have their own unique charm to them that keeps fans (and developers) coming back for another round. And frankly, we wouldn’t want it any other way. Here’s hoping the next game will bring more of that charm.

Addendum: Some readers have pointed out that I missed a couple of iOS games, along with Ash’s appearance in Poker Night 2. I was bound to miss a couple of them, but it just goes to show the pull of Ash and Evil Dead as a marketable franchise. Or, I just need to be doing better research. Anyway, thanks guys!

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Editorials

The 10 Best Horror Movies of 2026 (So Far)

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We’re now officially in the back half of 2026 now that July is here, but what a year it’s been for horror so far. The sequels and reboots are still holding strong at the box office with films like Scream 7 and Scary Movie, but it’s also been a year where new voices are shattering records in unexpected ways.

Markiplier eschewed conventional production and distribution channels with his feature adaptation of Iron Lung, for example. We’re also still in the midst of Backrooms and Obsession-mania, with the former back in theaters with bonus footage and the latter extending its box office reign. Liminal horror has exploded, and low-budget indie horror is seeing just as much, and sometimes even more, success as big studio-backed fare. 

All of which to say that 2026 has been a hell of a year so far for the genre, and it’s only getting warmed up. Still on the way are Evil Dead Burn, Insidious: Out of the Further, Resident Evil, Clayface, Whalefall, and Werwulf, just to name a few. 

Also catch up with the Best Horror Books and Best Horror Games of the year so far.

Here are the ten best horror movies of the year (so far).


10) Chime

Horror master Kiyoshi Kurosawa is back with one of his most haunting yet, though one that’d likely be higher on this list if it were more accessible. The 45-minute feature was initially produced and distributed as an NFT before receiving a theatrical run earlier this year, with no plans to distribute digitally or on home media. It spins a somewhat cryptic tale, introducing a culinary teacher, Takuji Matsuoka (Mutsuo Yoshioka, Never After Dark), whose classroom becomes disrupted by a strange sound that leads to violence. It’s a quiet but haunting unraveling, one that leaves no aspect of Matsuoka’s life untouched, in true Kiyoshi Kurosawa style. That it defies any easy explanation also ensures Chime embeds itself under your skin.


9) Send Help

Sam Raimi’s splatstick return to form is a delightfully deranged two-hander that doubles as infectious catharsis for anyone who’s ever had a bad boss. Rachel McAdams (Doctor Strange) and Dylan O’Brien (The Maze Runner) face off when their characters are shipwrecked on an island, prompting a bid for survival in more ways than one. While O’Brien often matches her, It’s McAdams who shines as she deftly handles everything that Raimi, working from a script by Damian Shannon & Mark Swift (Freddy vs. Jason), throws at her. Send Help is full of vibrant personality, packed with all of Raimi’s signatures, making for one of the most entertaining films of the year.



7) Touch Me

Writer/Director Addison Heimann draws from retro Japanese horror, exploitation cinema, and perhaps even hentai for his campy, psychosexual sophomore feature. A toxic friendship plagued by trauma, codependency, and addiction gets tested to the extreme when Brian (Lou Taylor Pucci), a hip-hop-loving, tracksuit-sporting alien, gets between them. Olivia Taylor Dudley and Jordan Gavaris have an easy rapport and play off each other well as directionless, depressed Millennial besties prone to ignoring their problems until they become insurmountable. But it’s Pucci’s inspired, childlike take on the chicken nugget-loving extraterrestrial with tentacled secrets of his own that steals the show. Heimann has a lot on his mind with his sophomore feature and neatly condenses it all into a quirky, eccentric psychosexual camp odyssey that leans heavily into humor.  


6) Backrooms

Renate Reinsve in 'Backrooms' - Horror ARGs

Director Kane Parsons translates the vast liminal labyrinth of his web series to the big screen in his feature debut, one that instills existential dread with its atmospheric horror and narrative. The ‘ 90s-set horror movie introduces a protagonist with a serious chip on his shoulder over life’s many disappointments, who then discovers his furniture store harbors a hidden door that leads to an endless labyrinth. It’s not just the incredible production design that instills a disorienting sense of doom and terror, but the lead characters’ palpable and profound sense of loneliness and isolation. Parsons exudes impressive confidence and control as he methodically entrusts his quiet worldbuilding and talented leads to carry the dramatic weight. While Backrooms does deflate by the film’s cryptic, cliffhanger-y end, it’s arguably the most effective and scariest yet at capturing the uncanny valley of generative AI.


5) Leviticus

Writer/Director Adrian Chiarella uses an It Follows-like supernatural entity that relentlessly stalks its prey as a launchpad to immerse audiences in the horror of constantly living in fear for simply existing. A conversion therapy ritual among a deeply conservative community plunges a pair of erstwhile lovers into a nightmarish bid for survival when it summons a force that takes the shape of those whom the afflicted desires most. Chiarella refines the horror mechanics and metaphor with much sharper precision, ensuring that the scares and emotional gravity of the young couple’s terrifying predicament reach their intended impact. It’s the central layered performances by Joe Bird (Talk to Me) and Stacy Clausen (Thrash) that clinch emotional investment in their heartbreaking plight, ensuring that the social horror cuts deep. 


4) Redux Redux

The McManus Brothers, writer/director duo Matthew and Kevin McManus (The Block Island Sound), dials up the intensity of a classic revenge story by setting it within a multiverse, where Irene Kelly (Michaela McManus) seeks to snuff out every single iteration of her daughter’s murderer, Neville (Jeremy Holm). The more she stalks and slays every world’s Neville, the more she risks losing her humanity entirely. Through a narrative foil in Mia (Stella Marcus), Redux Redux smartly bypasses repetition as it explores the moral complexities and vulnerabilities of Irene’s extremely violent quest. Holm becomes utterly terrifying in the climax, ensuring that no matter whether Irene loses herself to vengeance for good or not, it’s justified if it means ridding the world of this sick maniac. 


3) 28 Years Later: The Bone Temple

Director Nia DaCosta takes the reins in the second entry in writer Alex Garland and original director Danny Boyle’s trilogy, picking up from the previous conclusion that saw Spike (Alfie Williams) fleeing from the infected straight into the welcoming arms of Sir Jimmy Crystal (Sinners’ Jack O’Connell). From here, DaCosta presents a stark contrast between humanity’s best and worst. The former sees the tender studies of Dr. Kelson (Ralph Fiennes) make poignant strides toward humankind’s future, while the latter unleashes more pain and bloodshed courtesy of the Jimmies. The dual paths of light and dark collide in one epic conclusion, an inspired confrontation between good and evil on a stunning set piece of heavy metal insanity. Yet it’s DaCosta’s handling of both extremes that impresses most, teeing up one epic conclusion to this trilogy.


2) Obsession

Sketch comedian turned horror filmmaker Curry Barker (Milk & Serial) wrings blood-curdling terror from a classic Monkey’s Paw wish fulfillment scenario in a way that no one could have ever anticipated. To say that it’s taken the box office by storm would be a massive understatement; Obsession is the top horror movie of the year in terms of gross. It’s not hard to see why, either. While Monkey’s Paw scenarios often yield predictable outcomes, and this outcome is practically telegraphed from the start, Barker manages to surprise with the journey itself. And it’s one insane journey paved with blood-soaked violence and no shortage of nightmare fuel. What truly sets it apart, though, is leads Michael Johnston and Inde Navarrette as the central pair undone by one vicious wish. Expect to see a lot more from breakout Navarette.


1) Hokum

'Hokum' Trailer

A surly, traumatized writer must break free from his self-imposed shackles of guilt when confronted by a wicked witch haunting a quaint Irish inn in the latest by writer/director Damian McCarthy (Oddity). Adam Scott’s Ohm makes for an atypical but rewarding protagonist, and his complicated emotional journey gives way to a deeply moving story of a man so thoroughly broken by personal trauma that he constantly dwells in darkness. In true McCarthy style, expect the creepy as hell witch to dole out some supernatural retribution for crimes committed, but never in the way you’d expect.  The filmmaker has a way of making whimsy pure nightmare fuel; Hokum distorts a kids’ show into eerie, uncanny valley-induced terror in its torment of Ohm. Channeling Stephen King, this creeper plays like a traditional campfire tale in mood and style, infusing genuine scares with a sense of magic and heart.

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