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Peter Jackson’s Savage ‘Meet the Feebles’ Invented the Offensive Puppet Shocker

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The Muppets Mayhem Peter Jackson cameo

Raunchy comedies centered around puppets doesn’t seem related to horror in the least, unless you go back to the roots with Peter Jackson’s Meet the Feebles. Self-described as a spluppet feature (splatter + puppet), Meet the Feebles was the second film in Jackson’s splatter phase in between Bad Taste and Braindead (Dead Alive). Originally intended to be a TV series, surprising enthusiasm from Japanese investors instead turned this into a feature length film that followed the cast and crew behind the scenes of a Muppet-like variety show.

There’s really no central narrative to this film, Meet the Feebles is just an exploration of the sleazy underbelly of showbiz. Though the audience spends the most time with aging star Heidi the Hippo and innocent newcomer Robert the Hedgehog, we spend time with just about every character and facet of the show, and every possible bodily fluid in the process. It begins tame enough at it introduces all of the characters, mostly just sex and cursing, but gradually builds into the most shocking puppet film that will likely ever be committed to celluloid.

There’s attempted rape, drug use, paternity battles, a Vietnam war flashback in the vein of Deer Hunter, puppet porn, puppet sex, murder, nudity and just about every crude and rude vice and joke you can think of on display here. It’s also extremely gross. Harry the Rabbit, the MC of the variety show, starts coming down with gnarly symptoms after a three-way sex scene. He’s diagnosed with a gruesome STD, a possible puppet equivalent to AIDS, and spends the rest of the film progressing into grosser states of illness with profuse vomiting and oozing, popping boils and legions all over. There’s a paparazzi Fly character that fittingly eats poop, an elephant that urinates over smaller characters, blood, and more. This is a Jackson splatter film, after all.

The grand finale is a showstopping musical number about sodomy, complete with large glittery phallic statues and backup singers. It’s spliced with a shocking mass shooting in the theater; a character pushed to their breaking point after a failed suicide who then decides to gun down everyone else instead. Considering today’s climate, it’s a finale that has a greater shock impact today than it did in 1989.

The low production values and Jackson’s no holds barred approach to the savage, sleazy nature of showbiz is a crude, low budget take on Grand Guignol theatrics. It’s as subversive as it is gross, and Jackson uses the puppets to get away with, well, everything. Meet the Feebles pushes the envelope farther than any other film and gets away with it because its characters aren’t human. Typical of this era of Jackson’s work, Meet the Feebles is meant for those with a demented sense of humor and a strong stomach. Fans of his splatter phase work will also find Jackson in the audience of the variety show in character as an alien from Bad Taste. Jackson set the bar high in 1989 (or low, depending on tastes) for offensive puppet comedies. It’s so outlandish, graphic, and disturbing, that there’s really no other audience for it outside of horror.

If you’ve yet to see the original “spluppet” film, Meet the Feebles can currently be streamed for free on Tubi.TV

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

6 More Meta Horror Games That Play You as Much as You Play Them

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meta horror games - Inscryption

If there’s one artistic medium that can perfectly recreate the despair of living through a vivid nightmare, it has to be video games. A simulated world can be just as believable as the developers want it to be, and once you add in the added complexity of actually exploring and participating in spaces and events instead of just observing them as you would in a film, it starts to become clear why so many horror titles add mind-bending meta elements that make you fear the act of playing itself.

For instance, years ago, I remember scoffing at Silent Hill: Shattered Memories due to its initial disclaimer promising that “this game plays you as much as you play it,” only to later go through unexpected heartbreak once the developers used the game’s personalization mechanics to make the ending even more impactful. This is just one example of interactive experiences reaching through the screen in order to affect gamers, and in honor of eerie fourth-wall breaks and haunted game folders everywhere, today I’d like to recommend six other meta horror games liable to melt your brain (but in a good way).

For the purposes of this list, I’ll be defining “meta” as any game that incorporates/addresses the fact that you’re playing a game into the overall narrative. That being said, this is far from a definitive guide to the meta horror genre, so don’t forget to comment below with your own favorites if you think I missed a particularly spooky one.

With that out of the way, onto the list!


6. Bubbaruka!

I was fascinated by virtual pets as a kid. Pokémon Yellow was always my favorite entry in the franchise because you could look behind you and check in on Pikachu, and you’d never find me on the playground without my trusty blue Tamagotchi. That’s why it felt like Benjamin Schade’s Bubbaruka! was made for me, personally.

A survival horror throwback where you explore an unfinished version of a nostalgic virtual pet game that a friend of yours found hidden inside a used laptop, this surprisingly lengthy title will soon have you questioning the limits of virtual life and death. Just remember not to lower your guard just because of the game’s cutesy retro graphics, as Bubbaruka! has a lot more up its lo-fi sleeves than you may initially realize.


5. Inscryption

Roguelike deck-building may no longer be the novel game mechanic that it once was, but when it works, it really works. If there’s one of these randomized titles that still hasn’t been beaten despite years of competitors attempting to one-up its card-based thrills, it’s Daniel Mullins’ infamous Inscryption.

What starts as a supernatural haunted cabin story soon with folk horror aesthetics soon evolves into a mind-bending exploration of the terrors of programming itself, though I won’t get into details as this is one genre narrative that is best experienced firsthand.

While the latter half of the game isn’t quite as mechanically engaging as that memorable first act, Daniel has since updated the title with an infinite tabletop mode so you can continue battling Leshy to your masochistic heart’s content.


4. SIMULACRA

Despite smartphones being such a crucial part of modern-day life, there isn’t a lot of media that explores this virtual aspect of our online selves in any meaningful capacity. That’s why I was originally compelled to try out Kaigan Games OÜ’s SIMULACRA – a mystery game where you find a lost phone and attempt to unravel the secrets of a missing young woman named Anna.

From fully functional apps to authentic-looking Found Footage videos detailing Anna’s life and social group, SIMULACRA will leave you feeling like a reluctant detective that can’t help but get involved in a missing persons case that only gets stranger the more you learn about it.

If you like this one, don’t forget to check out the mechanically superior sequels.


3. A Dark Place

XerStudios’ A Dark Place may be controversial due to its malware-like approach to messing with your computer systems as you play, but I’d argue that this experimental form of interactive art makes the game that much more fascinating – especially since the story behind the title is interesting enough for it to be worth dealing with what some fans jokingly consider to be legitimately cursed game files.

While this 2018 title is best experienced blind, I’m a big fan of how the game uses extremely simple mechanics to tell a complex story that lingers long after you’ve (hopefully) managed to uninstall the curse.


2. MyHouse.wad

Adding MyHouse.wad to this list is kind of a cheat since it’s technically a Doom II mod instead of a standalone release, but there’s no way that we could discuss fourth-wall-breaking meta horror experiences without bringing up the videogame equivalent to Mark Z. Danielewski’s iconic House of Leaves.

I won’t get into details in order to avoid spoilers, but Steve Nelson’s bizarre creation starts out as an architectural tribute to a deceased friend before quickly evolving into a freaky example of liminal horror and the limits of virtual obsession.

If you’ve ever felt like living through a Creepypasta, this is the game/mod for you!


1. Forbidden Solitaire

The most recent release on this list, Grey Alien games and Night Signal Entertainment’s Forbidden Solitaire, may not be a technically complex title, but it’s certainly one of the most entertaining interactive horror romps of the past few years.

This tongue-in-cheek project presents itself as an eerily authentic piece of screenlife horror where you try out a mysterious card game from the ’90s while your sister attempts to warn you about the title’s allegedly “cursed” history. While poking through the protagonist’s desktop screen and receiving fascinating FMV footage from Emily is entertaining enough, using the power of Solitaire to destroy demonic entities is terrifyingly addictive.

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