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“The X-Files” Turns 25: The 10 Best Monster of the Week Episodes!

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The X-Files 1108-1

Premiering on Fox on September 10, 1993, Chris Carter’s television blurred the lines between sci-fi, drama, mystery, thriller, and horror and quickly rose from cult hit to one of the most influential TV series of all time. The series revolved around FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who investigate the X-files, or unsolved cases involving the paranormal. Mulder is a firm believer, while his more scientifically minded partner is a skeptic, a dynamic that drives each episode’s investigation into the weird.

While there’s an overlying series’ spanning story arc involving extraterrestrials and conspiracies, the monster of the week episodes that made up most of the series was an absolute highlight. Drawing inspiration from older series like Kolchak: The Night Stalker, Night Gallery, and The Twilight Zone, tuning in to watch what weird phenomena Scully and Mulder would discover next was a blast. Sometimes, it was downright creepy. From Satanic witches to monstrous humanoids, there was no aspect of the paranormal left uncovered in the X-files. Even scarier was that the terrifying entities often escaped the episode, leaving them still out there lurking. In celebration of the 25th anniversary of this acclaimed series, we look back at the 10 creepiest monster of the week episodes.


“Humbug” – Season 2, episode 20

This episode feels straight from Tales from the Crypt and earned a nomination for an Edgar Award. Scully and Mulder head to Gibsonton, Florida to investigate a series of attacks on former circus sideshow performers after a death in the community. Twin Peaks regular Michael J. Anderson is the trailer park manager, and Vincent Schiavelli is an alcoholic with a tumor-like conjoined twin named Leonard. The episode plays around with the concept of the Fiji mermaid, but of course, the true killer is something far creepier. And predictable if you’re familiar with Tales from the Crypt. In keeping with the theme, this episode ends on a darkly humorous note.


“The Host” – Season 2, episode 2

If you weren’t already wary of Porta Potties, this episode will ensure you’ll steer clear in the future. This ep’s monster takes the concept of the parasitic flukeworm and turns it into a humanoid monster that lives in the sewer. The monster’s design, pale and slimy with a fluke mouth, is terrifying enough, but the reveal of what its bite can bring is pure icky body horror. One victim complains of a foul taste in his mouth after surviving an attack, but it’s nothing compared to his vomiting up a flukeworm hours later.


“Badlaa” – Season 8, episode 10

The opening scene in this ep has a large businessman dismissing a paraplegic beggar at the Mumbai, India airport, something he almost instantly comes to regret when the beggar violently pulls him out of the bathroom stall a short while later. Cut to the businessman checking into his hotel in Washington D.C., then bleeding out profusely on the hotel bed. The beggar is revealed to be a mystic inspired by stories of revenge-seeking Indian fakirs. This beggar is out for blood, and that he literally hitches a ride inside someone’s body to make his way overseas is chilling.


“War of the Coprophages” – Season 3, episode 12

Look. Cockroaches are scary. So, this episode already had an advantage toward spine-chilling. But then, of course, The X-Files takes it a step further by making these roaches dung eating extraterrestrial robotic probes with a penchant for swarming and killing. As if that’s not bad enough, there’s a skin-crawling scene that sees a roach burrow into an open wound of a teen. He freaks out and tries to cut it out of his skin, resulting in a bloody death. Director Kim Manners also plays a mean trick on the audience by having a roach scurry across the screen, making you question if your own home has been invaded.


“Squeeze” – Season 1, episode 3

The mystery at the heart of this episode sees Scully and Mulder investigate a series of brutal murders that seem to reoccur every 30 years. What they eventually find is Eugene Victor Tooms (Doug Hutchison), a mutant that feeds off human livers before going into hibernation for 30 years. He also has the ability to squeeze into tight places, making him hard to track without obvious points of entry in the victims’ homes. The weird hibernation nests that Tooms makes, bound together by his bile, is icky enough, but it’s Hutchison’s unnerving performance that makes Tooms an all-time creepy villain. The character returns in episode 21.


“Chinga” – Season 5, episode 10

Co-written by Stephen King, Chinga featured Scully on vacation in Maine, only to find herself drawn into the mysterious case of a creepy girl and her creepier doll when she stumbles upon a grocery store full of bloodied victims of self-mutilation. The girl’s mother lives in fear and is plagued with visions of the next victim to fall prey to the girl and her evil doll. Mulder sticks to the sidelines in this ep, leaving Scully to contend with a nightmarish killer doll on her own.


“Sanguinarium” – Season 4, episode 6

The cold open is one gnarly, gruesome foray into plastic surgery gone wrong, instilling or reinforcing the fear of being put under the knife. From there, Scully and Mulder are called in to investigate as the doctor had no recollection of killing his patient. It’s the first of many botched surgeries resulting in horrific deaths, but when Mulder finds pentagrams he suspects witchcraft. Any episode in which The X-files dabbled in black magic, Satanism, and witchcraft (see the next two entries) is a creepy delight, and this gruesome plastic surgery-themed ep is among the best. Slurpy wet sounds and all.


“Die Hand Die Verletzt” – Season 2, episode 14

When teens go into the woods to play with black magic, one doesn’t come back out alive. Enter Scully and Mulder, who find the faculty of the local high school aren’t the conservatives they appear to be, but Satanic worshippers that don’t realize they’re in over their heads. If you’re afraid of snakes, then this episode’s death by snake will deliver nightmare fuel. Even still, it’s nothing compared to the nightmare that is substitute teacher Mrs. Phyllis Paddock (Susan Blommaert).


“Familiar” – Season 11, Episode 8

The X-Files 1108-1

Two words: Mr. Chuckleteeth. With an opening feeling very familiar to It, right down to a raincoat sporting little boy wandering off alone to his violent demise, Mr. Chuckleteeth instills himself as one of the more terrifying entities of the series. He’s not the only terrifying kid’s show character to terrorize, as a demonic Teletubbies copycat also makes an appearance, but he is the most iconic. Of course, the true villain is an evil force summoned by way of witchcraft, unleashing hellhounds, spirits, and evil that’s not quite quelled by episode end.


“Home” – Season 4, episode 2

A darkly satiric look at the traditional family values of America, Home is easily one of the most twisted hours of television. Opening with the live burying of a newborn baby in the middle of a storm, only for its bloody corpse to be discovered by a group of boys playing baseball, this was the first episode to issue a viewer discretion warning for graphic content for the series. The Peacock family feel related to the pack from The Hills Have Eyes. Scully and Mulder plot to save the mother of the dead baby, believing her to be held captive by the deformed Peacock brothers, but the reveal is much, much worse; the woman is the limbless, deformed Peacock matriarch that prefers to reside under the bed. Once seen, the imagery will never leave your head.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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