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The 10 Most Brutal Kills in Halloween-set Horror Movies!

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Halloween is a holiday of chills and thrills, so what better way to celebrate than counting down the bloodiest, meanest deaths in Halloween set horror. It is a holiday deeply rooted in the fall harvest and remembering our dead, after all. Michael Myers may have slaughtered his way through 9 films (and another on the way), but he doesn’t get to hog the bloody limelight; there’s plenty of gnarly deaths to go around this season. Some in the most unexpected places. Here’s the 10 goriest, most brutal deaths to splatter across the screen in Halloween set horror movies.


Slugs – Infested Dinner Meeting

From co-writer/director Juan Piquer Simon, the director behind ultra gory ‘80s slasher Pieces, this creature feature is delightfully gruesome. Toxic waste turns garden slugs into carnivorous killers, and they are very messy eaters. Halloween is only a background detail in the small rural town where the slugs lay siege, but a final act sees the hero trying to put a stop to the toxic waste slugs amidst costumed party goers in a wooded Halloween celebration. Of all the gory demises, the most over the top is the one where the poor guy finds out why you should wash your produce well before you eat it.


Ginger Snaps – Werewolf Dinner

Poor Sam Miller. He had no affiliation at all with the Fitzgerald sisters until Brigitte enlisted his help after Ginger got bitten by a werewolf. On Halloween night, Sam teams up with Brigitte to try to cure Ginger of her lycanthropy, but it’s not that easy. First Ginger breaks his arm when he rebuffs her advances, then she later brutally mauls him. With labored breathing, he’s forced to watch Brigitte attempt to slurp up his blood, and when Ginger isn’t convinced of her sister’s devotion, well, let’s just say she hates being rejected more than once. Werewolf induced death is always vicious, but Sam really didn’t deserve that.


Deadly Friend – Slam Dunk

This Wes Craven film has one of horror’s most insane deaths of all time, so it earned a spot here. After mean neighbor Elvira (Anne Ramsey) ruthlessly destroyed robotic friend BB, Paul puts the robot’s microchip in newly dead Samantha (Kristy Swanson). The microchip takes over, turning Sam into a revenge-seeking killer machine. Cruel Elvira is on her hit list, and it turns out robots don’t understand the rules of basketball. It’s gory, physically impossible, and ridiculously fun.


Halloween III: Season of the Witch – Mask Meltdown

One of the biggest taboos in horror is killing children, and this sequel’s entire setup is about doing just that. The Silver Shamrock mask company has nefariously implanted their top-selling Halloween masks with a Stonehenge infused microchip, and a signal in their catchy earworm commercial triggers it to cause the mask wearer a twitchy, brain damage induced death. If that’s not painful enough, those nearby have to contend with the swarm of insects and snakes that’s unleashed. Even without the bloodshed, it’s intense, painful, and melty enough to earn a spot for its brutality.


Night of the Demons – Razorblade Apple Pie

The old man at the center of this death totally deserved it, but what a merciless way to go. The bookend story to the main plot, the film opens with this jerk man carrying home razorblades and apples, the clear intent to destroy any trick or treaters that dare show up at his house on Halloween night. His saintly wife bakes him a pie with the leftover apples, though he doesn’t find out until too late. It’s a violent, bloody departure that couldn’t have happened to a worthier guy. A great endcap to a horror movie that revels in holiday fun.


Trick ‘r Treat – Always Check Your Candy

This Halloween favorite interweaves various stories that teach the rules of the holiday, otherwise, death can ensue. There’s a number of great deaths, but the most gruesome belongs to Charlie, a diabetic who doesn’t bother to check his trick or treat candy for tampering before chowing down.  Too bad it was spiked with cyanide, and Charlie is painfully destroyed from the inside out. It’s violent but fairly quick, and oh so very messy. It’s a terrible enough death, but then his killer decides to carve up his head as a jack o’lantern.


Murder Party – Art Gala Melee

Jeremy Saulnier’s feature debut may be way more comedic than the taut thrillers he’s come to be known for, but that doesn’t make it any less violent. This pitch black horror comedy, in which an unwitting victim is invited to a Halloween party to be slaughtered leads to a variety of brutal deaths. The entire final act is a bloodbath, making this one a tough call. But the winner goes to Bill, in costume as a Baseball Fury, who unleashes his pent-up rage against his fellow art students. When it’s not satiated, he goes on an ax-murdering spree in an adjacent art party. The blood flows free at this party.


Halloween: The Curse of Michael Myers – Jamie Lloyd Harvested

The recasting of Jamie Lloyd was brutal enough, but the theatrical cut of this maligned sequel sees the fan favorite character dispatched in the most ruthless way in just the first act. After giving birth and then fleeing with the baby, Michael Myers chases her down and impales her on a corn thresher at a farm. It’s violent enough, but when she refuses to give up the baby, he turns the thresher on. Ouch.


House of 1000 Corpses – Dr. Satan’s Vivisection

The four friends that come upon the Firefly clan on Hallow’s Eve spend the evening and through Halloween night getting tortured. None of it is pleasant. But for Jerry, he suffers more than any of them. First, he’s partially scalped by Baby, then he’s vivisected by Dr. Satan himself in the underground layer. His girlfriend Denise finds him still alive, twitching and coughing up blood as Dr. Satan leans over his open chest cavity, surgical tools in hand. Jerry wanted a night of Halloween fun, and found himself a failed experiment instead.


Halloween II (2009) – Annie Brackett’s Bathroom Breakdown

Sometimes the most brutal deaths aren’t about the gore, but absolute emotional devastation. Whether you love or hate what Rob Zombie did with his two Halloween films, the death of Annie Brackett is a complete sucker punch. Michael Myers catches Annie off guard in her bathroom, and most of the violence happens off-screen. We see the blood-drenched aftermath, which is downright visceral. But what really drives this home in terms of brutality is Laurie Strode’s emotional breakdown as Annie dies in her arms. If you’re not moved yet, then just wait until Annie’s father Leigh arrives on the scene. Brad Dourif gives a heart-wrenching performance as the father grieving over his daughter’s death, and this is one horror death you really feel.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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