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How a Love of Horror Shapes Comedic Roguelike ‘Phantom Halls’ Into a Celebration of the Genre

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Before you even know what Phantom Halls is about, it manages to catch your attention with a mere glance at it. The papercraft visual style is certainly a unique selling point for this horror-comedy roguelike. When you delve deeper than that, however, there’s a clear ardor for the horror genre.

You’re tasked with controlling a squad of characters inside a procedurally-generated 2D mansion, and naturally, this is no walking tour. There’s something strange going on here, and your squad must take on a variety of ghouls n’ ghosts as they move around the creaking halls. There are different missions for each character and they lean into the goofier side of horror

You control your entire squad as one entity, using different keys for each of their actions. There’s gunplay, but the more satisfying side to combat is the crunchy melee that allows for some fine brain-bashing. The weapon and item drops are randomized too, so plenty of scope for experimentation in your skull-smashing-related activities.

Phantom Halls looks suitably spooky, as you guide your intrepid squad of ghoul killers through dimly-lit areas, relying heavily on a flashlight to spot the evil that lurks in the shadows, but there are many homages to horror. Not just its heroes, villains, and trendsetters, but also its faults and tropes too. Phantom Halls manages to be a celebration of the silly, the spooky, and the scary sides of the genre.

Developer Incedium is hardly shy about these influences. The game’s creative director (and founder of Incedium) Llexi Leon is clear about where Phantom Halls‘ genesis lies.

Phantom Halls really draws on all forms of B-movie horror and celebrates the visceral gore and outlandish creatures of the genre in a comical way, whilst also tipping our hat to the narrative staples of the genre and building on those concepts to create unique gameplay mechanics and character abilities,” Leon told Bloody Disgusting.

It’s hard to deny that. Phantom Halls feels like a game made by horror fans who are able to poke fun at the shortcomings and narrative crutches of the genre whilst displaying genuine affection for it.

”The whole game was built around horror movie tropes as the primary objectives. I think the often ridiculous yet comfortingly familiar scenarios for the dozens of missions will give players a good laugh if they’ve spent as much time watching horror and listening to heavy metal as we have.”

Notably, this adoration played a big part in Incedium securing a rather lucrative license for a film that is a firm favorite of the development team as a whole, and a splendid fit for the haunted house comedy horror of Phantom Halls, Evil Dead 2.

”We’re all huge Evil Dead fans and so the officially sanctioned Ash content – drawing from our collective favourite, Evil Dead 2 – is very prominent in the game.” Says Leon.

Yes, Ash himself is a downloadable character for Phantom Halls, made up in the game’s delightful papercraft form. There’s also Evil Dead-themed missions, including a battle against Evil Ash, and the iconic cabin also joins the party. The Sam Raimi classic’s inclusion is a beacon of Incedium’s love for comedic horror in particular, but while the focus is on B-Movies and low-budget classics, the focus isn’t narrowed to just that, as Leon goes on to explain.

”There’s many far more subtle nods and references to the genre throughout, whether it’s the clowns, zombies, killer dolls, or risen gargoyles. There’s a host of undead monsters to face in the mansion that draws inspiration from iconic movies and staples of horror literature like The Legend Of Sleepy Hollow, Frankenstein, and Dracula, all reimagined through our satirical papercraft lens.”

Leon also cites the King of the B-Movie himself, Roger Corman, as an inspiration. So much so that his name pops up a fair bit in Phantom Halls. ”There’s a few tributes to Roger Corman in the game world of Phantom Halls – as he’s arguably the godfather of the B-movie, we had to bring him into the mix, with Corman Valley High being the school where the kids ‘occult studies club’ is formed, and the Corman Valley Crabs being referenced as the cheerleaders squad – a nod to ‘Attack of the Crab Monsters’ for the real B-movie buffs out there!”

Phantom Halls has steadily been growing since its Early Access launch last year into the horror love-in you see today and the future could well be brighter still, with bucketloads of potential for themed tie-in content and plain expansion into more homages. It’s one thing to make a good horror game that nods to its influences, but to make one that’s funny as well is an admirable feat.

Phantom Halls is out now on Steam Early Access and has its full release on October 31st.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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