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10 Chilling Horror Shorts to Binge Right Now

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Not only are horror short films great for quick bursts of terror that don’t take much time away from busy schedules, but they’ve become a major platform for aspiring feature directors. Horror shorts don’t have to just be relegated to the month of October, either. While Hulu and Netflix both featured curated horror shorts in their overwhelming Halloween programming, there’s no wrong time to enjoy. Here are 10 great horror short films that elicit chills and thrills, and some that even make you laugh.


Mikus

Writer/directors Todd Spence and Zak White previously charmed with a spooky riff on nostalgic board game Mystery Date in Your Date is Here, but their latest horror short takes a very different approach to the horrors of childhood. In Mikus, Pete finds an old box of drawings and toys from his childhood. Pulling out a life-size cutout of his imaginary childhood friend prompts a huge grin, but that quickly fades when…well, you’ll see.


The Maiden

Director Michael Chaves is on the verge of becoming a big name in horror with The Curse of La Llorona and The Conjuring 3 on the way, and his horror short The Maiden is what put him on the map. The short takes a familiar haunted house setting and gives it a fresh spin with a unique perspective; a realtor that is willing to do what it takes to sell the house. Even with familiar tropes at play, that underlying dark humor bodes well for Chaves’ upcoming slate of horror.


Special Day

Director Teal Greyhavens and writer Nikolai von Keller turn a birthday party into the stuff of nightmares in Special Day. Emily’s 18th birthday celebration brings her family together for congratulations and cake, and a disturbing family secret too. This short has a great build up of tension, but more than that it delivers a unique mythology that leaves you wanting more.


Intruders

It didn’t take long for writer/director/producer Santiago Menghini’s latest horror short, Milk, to make its way through the film festival circuit before it was announced that James Wan would be producing a feature length adaptation. Before that was Intruders, Menchini’s stunning short that plays like an anthology connected by one sinister entity that wreaks havoc on a neighborhood. Menghini also handled some of the visual effects, further demonstrating this is one up and coming talent to keep our eyes on.


Whisper

This short is effective on the scares, but even more so if you happen to have an Echo or any smart speaker that’s behaved strangely before. It was recently announced that Amblin Partners was closing a deal to turn this short into a feature length film with its director, Julian Terry, to helm the movie. That’s not the only short of his to receive the feature length treatment either, as a full feature of his short They Hear It is also in the works.


Death Metal

Written and directed by Chris McInroy, this proves that not all horror shorts revolve around the scares. A metalhead receives a family heirloom in the form of a Satanic guitar, and immediately breaks all of the rules contingent upon its receipt. Its humor is only rivaled by the excessive gore and blood flow. So. Much. Blood. Play with the volume up.


Givertaker

This short by director Paul Gandersman and writer Peter S. Hall plays like a condensed episode of Are You Afraid of the Dark? But a bit bleaker. An aspiring teen witch conducts a ritual to enact vengeance upon the girls she feels has wronged her. Horror teaches us many things, not least of which is to be careful what you wish for. Major bonus points for cool creature design.


Tickle Monster

Sometimes all it takes is 5 minutes to find effective horror in the most bizarre places. Tickle Monster, by writer/director Remi Weekes seems absolutely silly. Until it’s not. The less said the better about this one, except that it takes a crazy concept about tickling and turns it into something completely unexpected. It works.


Closet Space

By now everyone is familiar with Lights Out and the short that inspired it, but there’s a bunch of shorts that director David F. Sandberg filmed with his wife Lotta Losten that are worth bingeing. Closet Space changes up the effective jump scares for a little Twilight Zone inspired dark humor. Sandberg and Losten star as the couple that discovers a bizarre, microcosmic reality within the closet of their new apartment. The doll of the Lights Out apparition makes an appearance. Or two.


Overtime

This Australian short film by filmmakers Craig D. Foster and Emma McKenna also boasts creature effects by Odd Studio, who won an Oscar and BAFTA in 2016 for their outstanding special effects make-up in Mad Max: Fury Road. More importantly, this short is an absolute blast and feels like an episode of Tales from the Crypt. Poor Ralph is stuck working late at the office, but he really needs to make it home before nightfall if he wants to keep his secrets locked away.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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