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[Best of 2018] How ‘Fallout 76’ Became the Franchise’s First True Horror Game

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*Keep up with our ongoing end of the year coverage here*

After five games over the span of 21 years, the Fallout series has established itself as one of the best post-apocalyptic sci-fi RPGs out there. Given its setting and the fact that the end of the world is arguably the most popular setting in horror and science fiction, it isn’t surprising that Fallout touches on the horror genre quite often.

It’s not like you’d expect a game about journeying through a nuclear wasteland to be filled with sunshine and roses, but Fallout has always surprised gamers with unexpectedly dark sense of humor, truly terrifying storylines, locations, and creatures. Yet, no one describes the series as part of the horror genre, probably because of the not-scary-at-all music and generally bright landscapes.

That all changed with Bethesda’s newest entry in the franchise, the online RPG Fallout 76. With the general consensus being that the game is kind of a messy experience that doesn’t justify the sacrifices it makes, I’m here to argue why what is considered to be the game’s worst mistake is actually its biggest blessing.

One of the biggest complaints about Fallout 76 is that the lack of NPCs takes away the dramatic weight of the story. Indeed, the lack of NPCs to talk to means you no longer have quests where you can actually make decisions and gain or lose karma points. Gone are the days where you would suffer over having to decide whether to nuke an entire town or not, as you have no one to talk to or to judge you. Instead, the only voices you ever hear in Appalachia are those from other players, robots, and holotape-recordings of long-dead quest givers.

No NPCs and the lack of companions means you have absolutely no one to walk to in Fallout 76. Sure, the whole idea is to have human players replace the NPCs, but the servers have a 24-player size limit and the biggest map size in the franchise, making the experience feel more like The Road than New Vegas. It’s quite an isolating experience, one that leaves you completely vulnerable to the hundreds of creatures that can and will kill you at any moment. From the moment you step out of your vault, you are thrown into the harsh and deadly Appalachia region. Unlike previous games in the franchise, there are no towns with NPCs to protect you, no Brotherhood with laser rifles to kill the super mutants chasing you. You are on your own. Appalachia truly feels like a desolated nuclear wasteland, and because it’s open world, it becomes too easy to wander off from a quest and end up in a radscorpion’s nest with nothing but a simple pipe-gun and a board as your weapons.

The other big change in Fallout 76 is the emphasis on survival, in the form of a thirst and hunger meter that you must fill. I don’t know about you, but I rarely worry about my radiation levels while playing a Fallout game. I completely forget about it until I’m 75% radiation or so. But with the addition of hunger and thirst, I’m constantly worrying about keeping my character well. It’s a small thing, as you don’t really suffer that much if your hunger levels go down, but it’s an added worry to an already stressful and scary experience. Having to resort to eating raw radroach meat is about the worst thing I’ve done in this game, but it was either that or starve. For added role-playing, I found the “Cannibal” perk to be both fun and creepy, as I can simply walk up to a dead moleman, super mutant, or ghoul and eat their raw flesh. It never fails to creep the real players around me.

Confession time. Despite me writing for a horror website, I am quite easily scared. I had to watch a “let’s play” video of Alien Isolation on mute just to find out how the story ended because I was too afraid to continue. Likewise, I’ve always loved the Fallout games, but the mere sight of a radroach coming straight towards me – or even worse, a Deathclaw – terrifies me as much as any “proper” horror game. But at least I could always pause the game when I got overwhelmed by a group of super mutants or ghouls, not in Fallout 76. Because this is an online game, there’s no pausing, nothing to stop the waves of attackers coming your way, and you can’t use VATS to take a short break and strategize. One mistake and you’re done for. You’re along to fend off against the harsh and endless landscape of post-apocalyptic West Virginia.

Speaking of West Virginia, one of Fallout 76’s greatest strengths is in the way it takes West Virginia mythology into the world of the game, making for some of the most horrifying creatures in the history of the franchise. Are ghouls and zombie-like scorched not scary enough for you? How about a Wendigo? Just like the scorched, a wendigo is a human that was mutated by radiation, except looking like a cross between Slenderman and Gollum. Think mutated dogs and two-headed cows are cute? How about a giant rabid sloth, or a headless juggernaut with hands like maces? Fallout 76 makes encountering each new creature a ghastly and surprising experience, as you never know what new creature will jump at you with enough strength to kill you with one punch. I’ve played about 60 hours of the game and I feel like I haven’t encountered even 25% of the game’s creatures.

Then there’s Mothman. Fallout 76 brilliantly teases the existence of this mythological creature throughout the map, as you constantly find churches where the entire congregations appear to have been sacrificed in some dark ritual, with candles forming a circle around the altar, where statues of demon-like beings are clearly being worshiped. In my time exploring Appalachia, I’ve found more cult gatherings than I’ve found Power Armor. But that’s not enough, during one of my travels, I suddenly spotted a set of bright eyes observing me from a distance. Big, bright, red eyes are the only notice you get that the enigmatic Mothman has found you. I jumped and nearly fell off my couch once I realized what was in front of me, yet the Mothman didn’t do anything. Reports from other players range from being killed by the half-man-half-moth god, to receiving a blessing by the creature before it takes off. Whatever your encounter ends up as, there’s no denying the sense of dread that looms over this enigmatic insect.

Fallout 76 may not have a time-pressing story with impactful decisions, and it may get lonely out there in the wasteland. But it only serves to make this the first horror experience in the franchise, as for the first time you actually feel like you are in a post-apocalyptic and hopeless land full of dangers. Honestly, I never knew how much I wanted this in a Fallout game.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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