Connect with us

Editorials

[Butcher Block] Tom Savini Delivers More Summer Camp Brutality in ‘The Burning’

Published

on

Butcher Block is a weekly series celebrating horror’s most extreme films and the minds behind them. Dedicated to graphic gore and splatter, each week will explore the dark, the disturbed, and the depraved in horror, and the blood and guts involved. For the films that use special effects of gore as an art form, and the fans that revel in the carnage, this series is for you.

Released only a week after Friday the 13th Part 2 in theaters, The Burning didn’t fare well at all. It didn’t help that the plot was similar, or that 1981 was a year in which the slasher boom was riding high in popularity. Within the roughly same month as The Burning’s release, slashers Final Exam, Graduation Day, and Happy Birthday to Me also dropped into theaters, crowding the market. All of this to say, The Burning slipped through the cracks and took many years to earn its reputation as a brutal, obscure gem thanks to home re-release.

Like Friday the 13th Part 2, this slasher also saw a lumbering killer that slaughtered teens at a summer camp in the name of revenge. Unlike Friday the 13th Part 2, The Burning was a fully running camp full of kids, which meant this slasher broke one of the biggest taboos- killing children and teens in the most gruesome fashion. The killer wasn’t some undead entity from the grave, either, but a seriously angry camp caretaker five years removed from the catastrophic prank at the hands of campers that left him severely disfigured from being set on fire. Had it not been for the timing of release, Cropsy’s memorable and unique appearance had the potential to launch another slasher franchise.

His look, as well as the gory kills, were handled by a talented artist well versed in slaughtering teens at the time; special makeup and effects artist Tom Savini. Having already worked on Friday the 13th and Maniac, and work on The Prowler and Friday the 13th: The Final Chapter still to come, Savini was seasoned at creating effects that delivered believable, brutal death sequences in slashers. He very nearly worked on Friday the 13th Part 2, but chose The Burning instead.

Had he not taken this project, it’s difficult to imagine what this slasher would be without the shocking event that sets off the final act; the bloody raft massacre. When the counselors and their campers notice their canoes are missing after an overnight stay at Devil’s Creek, they build a raft. Five of the young campers paddle away to seek help and find one of their abandoned canoes. Their moment of elation is quickly deflated by the appearance of Cropsy, who pops up and brings his garden shears down upon each one again and again.

That raft scene further set The Burning apart from the Friday the 13th sequel by earning the film a spot on the Video Nasties list. The gore was heavily trimmed down to an R-rating for decades in both the U.K. and the U.S., which also played a major role in the slasher only gaining popularity when DVD releases in the early 2000s reinstated the uncut gore.

On a basic plot level, The Burning falls in line with many slashers of its era. Summer camp was a popular killing ground for rampaging maniacs with a vendetta. But The Burning is better acted than most, having a number of notable actors making their debut like Fisher Stevens (the most brutalized of the kids on that raft), Holly Hunter, and Jason Alexander. Cropsy isn’t a masked killer, but a disfigured one with a very recent trigger for revenge. But the reason we love slashers so much is for the kills, and The Burning delivers in a satisfying way thanks to Savini’s uncanny talent for gore.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading