Editorials
Pushing the Envelope of Taste: The Making of ‘Postal 2’
Back in the early days of his videogame career, founder of Running with Scissors Vince Desi was in the business of producing family-friendly titles from licenses such as Hanna Barbera, Disney and Sesame Street. Seeing his time on more family-centric titles as “liberating”, in the late 90’s his content all changed with the arrival of Postal, the isometric shooter that ultimately gained the attention of the FBI and was lambasted by the American media for its depiction of violence. Once this backlash was behind them Running with Scissors went even further for its sequel and created a game in which, to name a few controversial elements, allowed the player to urinate on people, use a live cat as a silencer, decapitate, stab and burn civilians and roam the streets armed to the teeth with firepower and unleash it upon the unsuspecting public. Then again, that was all optional…
To many gamers and non-gamers who have never played it, Postal 2 is often seen as a tactless excuse to cause mayhem, but Postal 2, Running with Scissors and Desi himself need to be given more credit. Postal 2 is pure satire, a hilarious and over-the-top playground for the player to toy around with as to how they see fit. When it came to the changeup in comedic tone compared to the original Postal’s dark atmosphere Desi says, “Going with a First-Person Shooter gave us much more freedom to allow the character/player really experience a wider range of activities, and the insanity just naturally followed. During development, it just took off into a new wildly comical direction. For example, one day we went from liquid physics to pour gasoline to letting the player piss anywhere. Things like the Cat Silencer also came from a Running with Scissors member who loves cats. The one thing that has always been a part of how we design and develop is to keep in mind that it’s a game, and games are supposed to be fun to play. For me, one of the things I’m most proud of about Postal is that it’s fun and FUNNY to play. I’m always amazed at watching people play Postal and seeing their own reactions”.

Postal 2 places you in the shoes of the Postal Dude, a crass guy with a lame goatee in a long leather jacket who lives in a trailer park. The player is given many goals throughout the game, but most of them are rather mundane, including such thrilling missions as buying milk at the local convenience store and return a book to the Library. Postal 2’s missions are mundane by design, with all killing, maiming, and fun within the game being dictated by the players own actions. In speaking about this approach to gameplay Desi says, “It’s simple, we just wanted to give the player a chance to have fun doing nothing ha! I’m serious, in its own way Postal 2 is like Seinfeld; it’s about doing everyday normal things and simply experiencing everything that could go wrong, just like in real life. Hallways and zombies get boring real fast, so for us, it was important to give the player CHOICE, which includes just exploring levels, playing as you choose, be it violently or passive”. In fact, the level of choice and violence in Postal 2 even extends to the interacting with the Running with Scissors team themselves. During a mission in which the Postal Dude needs to get signatures for a petition against violence in gaming, the player can visit the Running with Scissors office itself, complete with the entire dev team for your much-needed urinating/shooting practice. Desi remarks, “I got tons of emails from fans saying they loved pissing on me! Thank God for video games!”.
Although Desi and Running with Scissors are happy to lampoon every facet of society, there is one area in which even Desi himself wants to steer clear from. “We have one line we don’t cross, and that’s kids”, Desi says. “We were falsely accused in the original of shooting kids by an idiot reporter from the Wall Street Jerkoff News. He never played the game and heard there were kids so he wrote this horrible bullshit story. Fact is we tried to send a message in the original by not allowing your weapons to work against kids and you got arrested, but no one reported it that way.”
One addition to Postal 2 that stands out is the inclusion of Diff’rent Strokes actor Gary Coleman. Coleman plays himself in Postal 2, and upon meeting him at a book signing, it’s not long until Coleman is engaged in a hilarious shootout with the Police, with the Postal Dude being caught in the crossfire. Coleman relished the idea of being in a video game, and viewed the violence within Postal 2 in a very level-headed manner. Desi remembers Coleman very fondly and remarks, “Gary is the #1 child star in TV history. We had this crazy idea how it would be so cool to have him in the game, so I called him. He was great, polite and funny. Next thing I was at the airport picking him up and its been an honor ever since. He loved the concept and just wanted a big gun ha! We’d go out with girls and shooting real guns, the guy was a true pisser, and very intelligent. Gary and I became good friends and it was very sad when he passed. He was a great human being.”

Looking back at Postal 2 and the history of Running with Scissors thus far the company, and namely Desi himself, are clearly in the business of doing what they want, pushing the boundaries of taste in the pursuit of humour and slaying every sacred cow they can get in the crosshairs of their Cat Silencer. Though some gamers may not hold Running with Scissors in high esteem, I see them as almost like the Lenny Bruce of the gaming world; Shocking, controversial and keenly interested in poking and prodding at what makes us tick, but wholly and undoubtedly necessary. In a world where modern game developers are perhaps too afraid to take risks and be controversial, Desi perfectly sums up his take on Postal 2. He says, “I think everyone has a bit of an anarchist element in their personality, and in creative mediums like games, or music, film or writing, an opportunity presents itself to let this characteristic out. After all the fake news bullshit we endured, I learned a lot of politics and corporate hypocrisy. Postal 2 became the perfect vehicle to express all our frustrations. Best thing is I’ve received endless “thank you” messages from fans all over the world who felt great feelings of relief from playing Postal 2”.
After Postal 2 came Postal 3, a failed title that even some hardcore Running with Scissors fans didn’t enjoy. Desi speaks about this misstep in saying, “Sadly, Postal 3 was a missed opportunity in so many ways. Everyone suffered the loss, the publisher and us, and worst of all the fans. I have no regrets that we planned to make a great game together, and I sure as hell have no regrets that we had to walk away and disown the ‘finished’ product. Premature publishing always results in a wasted load.”
However, with that in mind, perhaps the gaming world needs the Molotov cocktail of a new Postal title to push the boundaries a little, something that replicates what Postal 2 brought to the table. Desi keeps his cards close to his chest for now but says, “Get ready, it’s coming, we’re working on it now, fully devoted to taking it to the next level!”. I think I speak for a sizeable chunk of gamers out there when I say now, more than ever, we need this.
Editorials
‘The Mandela Catalogue’ Explained: Inside Alex Kister’s Viral Analog Horror Phenomenon
I first heard about The Mandela Catalogue through a couple of nephews who were obsessed with the ARG’s sinister mythology. It was only after watching Wendigoon’s in-depth analysis of the series that I realized just how deep this rabbit hole goes.
In fact, I’d already been exposed to the nightmarish visuals of Alex Kister’s YouTube creation for years at that point without even realizing that it was the origin of several viral “cursed images” and spooky memes that had leaked into the wider internet – with this viral element actually being a part of the Catalogue’s overarching narrative.
Flash-forward to 2026 and the unprecedented success of Kane Parsons’ Backrooms has led to Hollywood betting on horrific internet properties with existing fanbases, which means that Kister’s unique hybrid of both religious and analog horror is finally headed to the big screen with a script written by Kister himself alongside Tyler Clifton.
While this news shouldn’t be too surprising if you’ve been keeping up with the ongoing success of The Mandela Catalogue (both myself and Wendigoon having previously predicted that the series would inevitably make the jump to theaters one day), plenty of horror fans are likely confused as to why so many folks are excited for what appears to be a Hollywood adaptation of a series of creepy .jpeg images under a VHS filter.
With that in mind, today I’d like to invite fellow readers to accompany me as I explore the origins of Alex Kister’s viral hit and attempt to explain exactly why we should all be excited about the Mandela Catalogue adaptation!
From High School Writing Project to Internet Horror Phenomenon

The first seeds of The Mandela Catalogue were sown when Kister was still in high school and developed a writing project subverting religious tropes in a world where biblical history had been altered by demonic forces. A little while later, Kister came across an analog horror contest on Reddit and decided to adapt his ideas into a standalone video where he would edit a religious kids’ cartoon –The Beginner’s Bible: The Nativity, to be specific- into something far creepier. This is how the iconic Overthrone video was born, with this viral short film taking on a life of its own as fans demanded more eerie content from Kister.
Though the video was originally meant to be a one-and-done sort of affair, with Kister actually regretting some of its primitive visuals and considering the editing amateurish and “YouTube-Poop-like” when compared to his current standards, fan reaction and free time during the COVID-19 pandemic encouraged the (then) seventeen-year-old filmmaker to continue producing content set in this same world. The Mandela Catalogue name was inspired by the Mandela Effect conspiracy theory, as the series would slowly begin to explore the subtle horror of alternate histories.
Inspired by existential dread brought on by extended periods of quarantine as well as a personal crisis of faith, Kister continued to expand his alternate timeline where the rise of Christianity had been prevented by what was presumably the Devil disguised as the Archangel Gabriel. This alternate course of fictional events led to the existence of certain paranormal anomalies that had come to be accepted as “normal” by the 1990s, which is why most of the series’ supernatural horror is presented in such a matter-of-fact manner.
Most of this background information and religious lore is delivered by increasingly cryptic broadcasts and in-universe PSAs, as well as the occasional found footage video, that often have to be decoded by clever viewers. Of course, it’s the consistently disturbing imagery that made the series so popular – much of which was originally created by Kister on a smartphone!
The Alternates: Horror’s Most Unsettling Modern Monsters

The show’s early episodes mostly take place within the fictional Mandela County in Wisconsin and depict life in a world where demonic entities are capable of using media to enter our reality. This process usually involves scaring victims into killing themselves and then repurposing their bodies as horrific doppelgangers referred to as “Alternates”. This terrifying phenomenon has become so common that local police already have specialized procedures in place to deal with the issue, though this usually consists of simply ignoring calls for help so as to avoid spreading so-called “Metaphysical Awareness Disorder” any further.
Over time, Kister would expand this mythology and incorporate different kinds of Alternates into the mix, though the story never stopped deconstructing religious concepts. The series’ second volume exponentially increased both video quality and the overall narrative scope as we began to follow the lives of characters who had already grown up in this dystopian hellscape where the government is forced to prohibit religion, television, and even mirrors in the hopes of mitigating the damage done by the ongoing invasion of otherworldly entities.
The really interesting part comes into play when you realize exactly how the Alternates make use of scary media in order to spread their demonic influence, with the analog horror of it all being a diegetic part of the story and something of a memetic trap orchestrated by the false Gabriel.
I particularly appreciate how some characters begin to suspect that there’s something wrong with their version of reality and that things weren’t meant to play out this way, especially when Mark utters the haunting line “who have I been praying to all this time?” That’s why I think The Mandela Catalogue is an effective piece of religious horror even if you don’t subscribe to the Christian worldview, as the mere idea of a world where evil has already won is a universally terrifying concept in and of itself. Not only that, but the series’ uncanny analog imagery alone is already worth the price of admission, as you’ve likely already noticed by looking at the pictures accompanying this article.
Why The Feature Adaptation Could Be Horror’s Next Big Success

It’s actually been a whole year since Kister first announced that he had been working on a feature-length screenplay for a Mandela Catalogue movie since 2022, with his proposed story following an ensemble of high-school graduates who uncover a supernatural conspiracy after the mysterious disappearance of a fellow student. This premise sounds similar to narrative elements present in the series’ second volume, but I’m pretty sure that Kister is going to go the Kane Parsons route and make the movie more of a spin-off than a re-imagining of its source material.
While notable Hollywood producers like Aaron B. Koontz, Scott Stuber, and Steven Spielberg himself are backing the upcoming project, I feel like there’s no one better to adapt this deeply personal exploration of faith and the dark side of communication than the person who first came up with it. That’s why I can’t wait to see Kister’s work on the big screen, as I have a feeling that this young filmmaker is the next one on the list about to make cinematic history – especially since this is clearly a passion project that has been in the works for years at this point!
That being said, there’s always a chance that the film could end up unleashing a fresh wave of Alternate incursions, but I guess that’s just a risk we’ll have to take.
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