Editorials
‘The Head Hunter’ is the Coolest 2019 Horror Movie You Probably Haven’t Seen But Absolutely Must
What’s your favorite horror movie released in 2019 so far? Mine’s The Head Hunter.
Back in 2014, Thankskilling director Jordan Downey made a short Critters fan film titled Critters: Bounty Hunter, which won over fans of the franchise with high production values not often found in the fan film arena. For my money, it was one of the very best franchise fan films ever made, and I couldn’t wait to see what Downey would be doing next.
While I had been hoping that Downey would be hired to direct an official installment in the Critters franchise, he has instead returned here in 2019 with a completely original, feature length horror movie titled The Head Hunter, released on VOD earlier this month and next headed to DVD on May 7th. The premise, well, it won me over almost instantly.
Christopher Rygh stars in The Head Hunter as “Father,” a medieval warrior who spends his time slaying monsters and, as the title suggests, collecting their heads and gruesomely nailing them to his wall. His next target? The monster that killed his own daughter years prior.
One thing that has to be noted right off the bat is that The Head Hunter was made on a budget of just $30,000, and that’s not a typo. Filmed primarily in Portugal and Norway with a small crew, it’s as low budget as any film you’ll likely see in wide release here in 2019, but I can assure you that if you weren’t aware of the budgetary constraints, you wouldn’t notice.
Somehow, despite the lack of money at his disposal, Downey has brought to the screen a fully-realized vision of a lived-in world quite unlike our own; one that looks and feels like a polished Hollywood production made on a budget of millions. Pound for pound, it’s one of this year’s most impressive achievements thus far, as Downey and his team milk every single penny for absolutely everything it’s worth. From props to set and sound design, The Head Hunter has all the polish of an episode of “Game of Thrones,” and goddamn is it inspiring to behold.
Downey cleverly skirts around the budgetary constraints by showing us only what he absolutely needs to, and the world-building on display here is handled so well that it’s hardly even a detriment that you’re seeing so little of the suggested action. Only brief glimpses of the film’s many monsters are used to establish their existence – one quick shot of a MASSIVE monster walking across the gorgeous landscape at night is particularly jaw-dropping – but the “less is more” approach, whether forced by budget or not, actually ends up working in the movie’s favor. No, you don’t get to see any of the epic battles between Father and the otherworldly monsters he’s so adept at slaying, but that allows you to fill in the blanks and build out the world with your own mind. And often, that’s just way more effective than actually seeing a low-budget monster on screen, either practical or computer-generated.
With very little dialogue and in only 72 minutes, Downey not only establishes an entire world but also his main character at the center of it, bringing an emotional weight to Father’s quest for revenge that will likely leave you feeling gut-punched when that journey takes the most horrifying of turns in the final act. The final battle, without spoiling anything at all, doesn’t exactly go as planned, and that’s when The Head Hunter stops reminding you of “Game of Thrones” and starts channeling the insane spirit of go-for-broke ’80s horror flicks.
Let’s just say the final monster in this one isn’t quite like the others.
The Head Hunter is one of those indie marvels that makes you fall in love with the horror genre all over again, reminding that imagination and ingenuity trumps a big budget any day of the week. Rather than being held back by what wasn’t available to him, Downey made the most out of whatever was, and if that’s not indie filmmaking personified then I don’t know what is.
Brutal, bloody, gnarly and atmospheric as can be, The Head Hunter is medieval horror gold, as well as one of the coolest and craziest horror movies I’ve seen in a long time.
This is the kind of gem horror fans live to discover. When I was done with it, I wanted to buy copies for all my friends and make them watch it. And that’s the best possible feeling.
Don’t miss it.
Editorials
‘Backrooms’ Lore Explained: Async Research Institute and the Complex
The iconic line “If you build it, they will come” may have originally referred to a baseball field, but I’d argue that the record-breaking success of Kane Parsons’ Backrooms is proof that the line could also refer to well-crafted movies about ideas that young cinemagoers actually care about.
Yet, despite being based on Parsons’ existing ARG/Webseries, the A24-produced film is more of a standalone tale exploring the personal implications of the titular rooms rather than a traditional examination of the hard sci-fi elements present in the source material.
This less lore-reliant approach was a genius move, as the resulting film ended up being equally accessible to both existing fans and newcomers alike. That’s not to say that Backrooms doesn’t engage with the existing mythology in new and interesting ways, however, as the film heavily expands on the Async Research Institute and the cryptobiology of the rooms themselves. With that in mind, I’m diving a little deeper into these connections in order to help fledgling Backrooms enthusiasts find their way around the yellow labyrinth.
As is to be expected from this kind of article, there are major spoilers ahead, so proceed at your own risk if you’ve yet to see the movie!
Who is Async Research Institute in the Backrooms Movie?

Backrooms. Courtesy of A24.
Of course, if we’re going to discuss the connections between the series and the film, a good place to start would be Async itself. The California-based Foundation plays a brief yet pivotal role in the film as outside observers that only really interfere with the main plot during the final act. While the Foundation is the main focus of the ARG, they’re mostly hinted at in the film.
Chiwetel Ejiofor’s Clark runs into several Async-built “anomaly lures” during his exploration of the liminal space (mostly in the form of human-shaped cut-outs accompanied by audio recordings inspired by the 1977 Voyager Golden Record), as well as surveillance cameras and evidence that at least one of their agents has become trapped in the rooms – though we’ll get to this last detail later.
It’s only towards the end of the flick that Foundation agents finally show up in their iconic yellow protection suits and “rescue” Renate Reinsve’s Mary by pulling her back to “reality” through a familiar portal, though it’s heavily implied that they might not be all that concerned with her well-being.
After all, long-time fans are aware that Async has been researching the “Complex” (their official name for the Backrooms phenomenon) since at least the late 1980s, with their Threshold experiments being based on a Low-Proximity Magnetic Distortion System prototype developed by Oak Ridge National Laboratory in 1982. Unfortunately, their experiments have likely resulted in hidden portals appearing more frequently in the outside world, which consequently leads to more people accidentally “no-clipping through reality”. And that’s not even mentioning the occasional earthquake caused by unstable Thresholds!
Where the Backrooms Fits in the Original ARG Timeline

Kane Parsons’ “The Backrooms” horor short
Though the film takes place in 1990, the ARG’s timeline actually begins in 1996, with the original found footage upload and the ensuing research sparked by the video serving as sequels to the A24 production. Not only that, but film’s Still Life monsters (“misremembered” versions of real people who wandered into the rooms) appear to be precursors to the Lifeform from the series.
In the original videos, it’s speculated that the humanoid predator inhabiting the Complex is the result of a novel strain of hay bacillus forming a human-shaped colony, though the addition of the Still Life mythology may very well mean that the mutated hay bacillus itself is a Still Life reproduction of an existing bacteria that somehow fell into the Complex.
The film also offers us an interesting clue into the history of the Foundation when Mark Duplass’ Phil talks about how the company used to work with MRI machines. This seemingly innocuous origin for the secretive organization implies that the Complex itself might be the result of some advanced form of neural imaging – as if the Threshold is somehow opening a portal to the universe’s -or even God’s- subconscious mind.
Who is Naren Warne and Why is He Important to Backrooms Lore?

Async researches in “Backrooms” web series
One of the more direct connections between the film and the series happens to be Avan Jogia’s Naren Warne, an unfortunate Async Institute scientist who shows up in the movie’s found footage prologue. A now-deleted Discord post by Kane Parsons himself suggests that Warne was originally a part of the Missing Persons survey team that discovered a dead body taken over by “mold” (the aforementioned hay bacillus).
At some point during the expedition, Naren appears to have been separated from the rest of the team and wound up wandering alone in the Backrooms. The film opens with the desperate scientist’s VHS footage as he records his attempts to contact his superiors and is ultimately chased down by an unseen Lifeform.
While this prologue mostly serves to establish that the Backrooms contain more than empty hallways, it’s fun to see Parsons include a trail of breadcrumbs leading back to the lo-fi source material even when working on such a high-profile production.
Naturally, there are other curious connections to be found here, such as a faithful recreation of the original photo that spawned the Backrooms creepypasta in the first place, as well as audio cues harkening back to the various TikTok musical trends that often accompany liminal horror content.
However, half the fun of engaging with lore-heavy material comes from discussing theories with fellow fans, so I’d like to invite readers to comment below with your own favorite additions to the lore/references to the ARG! Just be sure to watch out for suspicious-looking furniture salesmen – especially if they’re dressed up like a pirate.


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