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“NOS4A2”: Meet Vic McQueen, a Super-Powered Horror Heroine

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NOS4A2

“I don’t want to be chosen.”

This is Vic McQueen’s response to Maggie Leigh in the “Hero’s Journey” teaser for AMC’s upcoming series NOS4A2, based on Joe Hill’s epic novel. But Maggie, who’s reached into her scrabble bag and read the future in her scrabble tiles, knows that only Vic can stop serial child abductor Charlie Manx.

In NOS4A2’s central conflict of good versus evil, it’s Vic McQueen’s unique talent that gives her a fighting chance to stop the ever-creepy Manx. But Vic isn’t cut from the traditional hero cloth. She is NOS4A2’s superpowered heroine, but it comes with great reluctance, a troubled history, and suffering. It’s not just her special ability that makes her super-powered, though, but her sense of humor, courage, and tough-as-nails fortitude.

Ashleigh Cummings as Vic McQueen – NOS4A2 _ Season 1, Episode 3 – Photo Credit: Zach Dilgard/AMC

Protagonist Vic McQueen is played by Ashleigh Cummings, a talented actress who received major acclaim for her role as Vicki in the challenging thriller Hounds of Love. An 18-year old with dreams of attending art school, Vic comes from a working-class family that can’t afford such lofty goals. Something her practical-minded mother Linda (Virgina Kull) is adamant about. Linda cleans houses for a living, namely the houses of upper class in their small New England town, while Vic’s father Chris (Ebon Moss-Bachrach) is less steady at providing an income; though he’s fond of working on bikes in his free time. Between this and his full support of his daughter’s less practical dreams, Linda and Chris consistently find themselves at odds with each other. It’s compounded by Vic’s secret gift.

When Linda loses something precious to her, Vic discovers she can locate it by driving her dirt bike over a covered bridge that was, by all accounts, torn down decades prior. Riding over that bridge drops her off right at the place where the lost object can be found, no matter the distance. The only problem is that when Vic returns, a searing pain lodges itself behind her left eye and she falls into a seriously feverish state. It costs her to use this gift.

This complicated new ability, combined with a tumultuous home life and town classicism rearing its ugly head makes it easy to see why the adolescent teen might not want any other additional responsibilities thrown her way.

JJ Smith as Maggie Leigh, Ashleigh Cummings as Vic McQueen – NOS4A2 _ Season 1, Episode 2 – Photo Credit: Dana Starbard/AMC

Enter spunky, purple-haired librarian Maggie Leigh (Jahkara Smith), someone with a talent of her own. Maggie is a medium, thanks to her handy scrabble tiles. And because of a personal interest in a missing case, the tiles have put Charlie Manx on her radar. They’ve also put Vic McQueen on her radar, as the chosen one to stop his evil, child-soul devouring ways.

Vic doesn’t want to be chosen. She’s not looking to be anyone’s savior when she’s already struggling to stay above water in her own life. She doesn’t know it yet, but it’s a trait she shares in common with some of the best heroes. Or at least the more complex and interesting ones. Charlie Manx may be a terrifying and powerful foe, but he’s rivaled be the shear tenacity of a complicated, gutsy teen. The road to becoming a reluctant hero is in large part of what makes Joe Hill’s novel so captivating, and based on the premiere, it’s clear that translates well on screen too.

It’ll be exciting to see how the rest of her journey unfolds over the course of the 10-episode inaugural season.

NOS4A2 premieres on AMC on June 2, 2019.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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