Chucky has received a makeover in just about every way in the new reboot of Child’s Play. His voice, his design, and above all, his origin. Gone is the serial killer Charles Lee Ray inhabited Good Guy Doll out to play a game of hide-the-soul with little Andy Barclay. Instead, Andy has to contend with a seriously upgraded Best Buddi Doll by tech company Kaslan Corp. Kaslan imbued their product with sophisticated software, algorithms, and over 20 sensors that means the Best Buddi can process information about its environment in realtime, comprehend speech in multiple languages, and voice recognition. Programming can be handled via smartphone, tablets, and computers, no less. That’s just the starting point. Needless to say, Andy’s particular Best Buddi is a little too advanced for anyone’s good, and his new toy becomes the epitome of tech gone wrong in horror.

Tales of technology gone awry has made for great horror for a while now; there’s something inherently terrifying about the very thing that’s supposed to make our lives easier turning against us. It’s also attributed to the fear of the unknown- technology continues to evolve at a rapid rate that it’s difficult to keep up. Especially with the advent of A.I., programming robots with sentience just seems like a bad idea, right? In other words, it’s not hard to imagine that technology could plausibly be our downfall. Chucky might be terrorizing the Barclay family, but it could happen anywhere and everywhere. We look back at other terrifying tech gone wrong horror movies that make us rethink our overreliance on technology.

The Ring

It’s funny to think of VHS tapes as technology, but it was the definitive format of the home video market for over two decades. It changed the landscape of movie consumption. So, it’s not surprising at all that horror would eventually use VHS as a basis of fear. The Ring, and the original on which it’s based (Ringu), reign supreme. The plot is simple; a journalist embarks on an investigation of a mysterious videotape that causes death to those who have watched it, a week to the day. Of all the various ways to die in horror, few are as unnerving as the slow creeping dread of Samara/Sadako. The imagery of her crawling out of the well will embed itself in your mind like a nightmare that’s taken up permanent residence.

Videodrome

This surreal, mind-melting David Cronenberg classic sees its horror unleashed by way of intercepted television broadcast picked up by an unauthorized satellite dish. That broadcast is Videodrome, a show that doesn’t seem to have a plot- just brutal torture and murder. When sleazy cable TV programmer Max Renn (James Woods) orders unlicensed use of the show, he begins to suffer hallucinations. It’s only the beginning of his terrifying new reality. In an age where viral videos and mindless entertainment still holds relevancy, Videodrome’s horror still feels timeless. Long live the new flesh.

Evilspeak

Poor Stanley (Clint Howard). He’s an orphan at a military academy, and ostracized by both peers and staff. When forced to clean the basement, he discovers an ancient book of dark magic. Of course, he can’t understand Latin, so he does what any tech-savvy person would do- he uses his computer to translate it. Reading from Satanic books never ends well for anyone, and for the bullied Stanley, it means a lot of revenge and bloodshed upon those who have wronged him. And many of them really, really deserved it.

Brainscan

One of the earlier adapters of the killer video game concept, Brainscan follows Michael (Edward Furlong) an outcast and horror fan who orders a new game touted to be ultra-realistic. Of course, he didn’t grasp how realistic it would ultimately be. The game sees him playing as a psychopathic killer, only he discovers those murders are actually happening in the real world too. It gets trippy, and pure ‘90s horror. Especially with the memorably wacky character The Trickster.

Chopping Mall

In recent years, shopping malls have begun incorporating robots to provide information services or security. They clearly haven’t seen Chopping Mall. Three state-of-the-art high-tech security robots go on the fritz when lightning strikes during a storm, damaging the computer that controls them. For the group of teens that opted to stay after hours to party, this means certain doom, as the robots are out to slaughter any living thing roaming the mall. All that separated this tech from peacekeeper to murderer was a thunderstorm.

Shutter

What Ringu did for videotapes this 2004 Thai horror movie does for cameras, demonstrating that not even the most seemingly simple of tech can frighten. For Jane and her photographer boyfriend Tun, their lives are about to be upended in the most nightmarish of ways when mysterious figures and shadows start popping up in Tun’s photos post hit and run accident. Thanks to his camera, and investigating the mystery behind its unusual activity, Tun learns you can’t ignore your past. And it’s oh, so creepy.

The Den

A found footage horror film that takes aim at the dangers lurking on the internet, The Den follows a young woman using a webcam-based social media site as the basis for her sociology graduate project. In doing so, her account is unwittingly hacked and her webcam turned on without her knowing. When she witnesses a murder online, she soon realizes she’s in over her head. It’s scary for so many reasons, between our reliance on the internet, that our own tech can be hacked by others so easily, and that those hackers can use that info to invade our privacy with ease. And the police can do nothing about it.

Event Horizon

Sure, the technology in Event Horizon doesn’t exist (yet?), but that doesn’t make it any less creepy. When a space ship with the capabilities of opening up a faux black hole to bridge two points in space and time disappears on its maiden voyage to a point over 4 light years away, its sudden reappearance prompts a rescue ship sent to investigate. The Event Horizon didn’t come back the same, and its determined to take the new crew back to the hellish dimensions of space where the last crew wound up. If ever there was a case that it’s better to leave well enough alone and forgo curiosity, this is it.

Christine

Of all the technology we wield on a daily basis, it’s our vehicles that consistently prove to be the most dangerous (and lethal). Leave it to Stephen King and director John Carpenter to take it to stylish yet chilling new depths. For Arnie Cunningham, his life changes when he buys a beat up 1958 Plymouth Fury dubbed Christine. The more he spends time repairing her, the more he transitions from awkward nerd to confident greaser. It turns out Christine is the jealous type, to the point of homicide, and anyone who gets in between Arnie and her should prepare to pay with their life. Hell hath no fury like a possessed Plymouth.

Hardware

Set in a post-apocalyptic future, a scavenger finds a robot buried in the desert. A former soldier buys and sells its parts, leaving the head intact as a gift for his reclusive girlfriend Jill, a metal sculptor. Both are unaware that the robot is a government created weapon programmed for genocide, one that’s as capable of self-repair as it is deadly. Written and directed by the enigmatic Richard Stanley, this tech-based horror delivers on the suspense and gore, which originally earned the film an X-rating. A stellar entry in tech gone wrong horror, Hardware is also worth watching to get ahead of the curve on Stanley’s upcoming adaptation of H.P. Lovecraft’s Colour Out of Space.