Editorials
Looking Back at Horror Icon Bill Moseley’s 10 Most Memorable Roles
From the get-go, Bill Moseley proved to be a scene-stealer. With 126 acting credits and counting, the actor has dedicated much of his extensive career to horror. Which means, to our fortune, no shortage of unforgettable characters. Whether it’s a small cameo or a major role, from eccentric to flat out terrifying, Moseley gives it his all every single time.
3 From Hell marks the return of one of Moseley’s most well-regarded characters, so it only makes sense to celebrate by looking back at his most memorable roles so far.
Johnnie – Night of the Living Dead
Moseley often plays morally dubious types, but in this underrated 1990 remake by Tom Savini, he plays nice guy Johnnie. You know, the one who gets to utter the famous line, “They’re coming to get you, Barbara!” Sure, he spends most of his screen time taunting his creeped out sister, but that’s sibling love. When she gets attacked by the first zombie, before anyone is aware there’s a zombie infestation happening, Johnnie rushes to her defense without hesitation. He’s a dependable brother, right until the end.
Officer Ray – The Convent
When pesky college kids try to break into an abandoned and closed off convent, Officers Starkey (Coolio) and Ray catch them and force the kids to turn right back around. Not before plucking a joint off one of the kids and partaking after they’ve left, of course. It might be another cameo spot for Moseley, but it’s another shining example of his comedic chops. He gets to play off of the equally humorous Coolio, amplifying the entertainment factor.
The Magician – The Devil’s Carnival/Alleluia! The Devil’s Carnival
In these Darren Lynn Bousman directed horror musicals, Moseley played demon accomplice and carnie The Magician. The Magician is pretty childlike and peculiar, and throws a bit of a tantrum when the Ticket-Keeper doesn’t select him for an “act.” Shame on the Ticket-Keeper, because The Magician is fun to watch. Unless you’re selected to be his assistant, anyway.
Deadite Captain – Army of Darkness
It’s Ash vs Evil Ash (both Bruce Campbell) in the third act battle of this threequel. Ash leads the frontlines of defense for Team Human while Evil Ash unites and unleashes the Army of Darkness upon them. Any strong leader needs a right-hand man, and for Evil Ash that’s the Deadite Captain. And this Deadite Captain means business, barking out orders like, “Welcome back to the land of the livin’. Now pick up a shovel and get digging!”
Ricky Caldwell – Silent Night, Deadly Night 3: Better Watch Out!
A continuation of Part 2, Moseley takes over the role previously played by Eric “Garbage Day” Freeman. The Santa Claus Killer had been shot down by police and left comatose for years, with a dome affixed over his skull to keep his brains from spilling out. When a doctor uses a blind clairvoyant girl to communicate with Ricky, he wakes from his coma and stalks her. It’s an even stranger sequel than its predecessor, but it’s even weirder in that the brain damage aspect means Moseley plays Ricky in a lowkey way that’s very different from a lot of the characters he plays. Just quiet stalking menace.
Luigi Largo – Repo! The Genetic Opera
In this horror musical, Moseley plays the eldest of the Largo siblings. Often at odds with his father and antagonistic with his siblings, Luigi is arguably the most unstable of the bunch. And certainly, the most violent. He revels in pain and gore, especially inflicting it upon others. Who plays unstable and uninhibited monsters better than Moseley? Bonus: He gets to sing a lot.
Crazy Max – “Holliston”
At Crazy Max’s Discount Store, he’s always trying to wrangle the best deals for his customers! Appearing in 5 episodes, most notably “The Christmas Special,” Crazy Max was a scene-stealer thanks to Moseley’s outlandish and hysterical performance. The accent, the energy, the mannerisms. I miss Holliston, but I also really miss Crazy Max. He earned his moniker.
Otis Driftwood – House 1000 Corpses
The most depraved member of the Firefly clan, Otis is an albino with red eyes and white hair who considers himself an artist. One that likes to mutilate victims and turn them into freakshow art exhibits for Captain Spaulding’s roadside attraction. He also likes to wear the skin of his victims as well. Here, Moseley plays Otis as boisterous and manic, like a theatric preacher delivering a sermon to his flock.
Otis Driftwood – The Devil’s Rejects
I know. This is considered cheating. But hear me out: The Devil’s Rejects is a very different film from its predecessor, and so is the Firefly family. Rob Zombie toned down the cartoonish elements of House in favor of something grittier and more realistic, and Moseley shifted gears accordingly. This Otis is rugged and no longer albino at all. He’s more feral and calculating than before, too, making his depraved proclivities even more disturbing than they already were. It may be the same character, but in many ways, Moseley created something entirely different. Think two sides of the same, warped coin.
Chop Top Sawyer – The Texas Chainsaw Massacre 2
The older brother of Leatherface, Chop Top is a deranged Vietnam vet with a metal plate grafted onto his skull. One that he can’t stop picking. He’s also a bit of a hippie, contributing to one over the top character played to perfection by Moseley in his second ever acting role. From his introductory scene crashing Stretch’s radio station, he grabbed horror fans by the collar and never let go. Dog will hunt, after all.
The penultimate season of Tales from the Crypt (1989–1996) aired its first three episodes on October 31, so it’s understandable that at least one of those three stories is set on Halloween.
Sandwiched between “Let the Punishment Fit the Crime” (Russell Mulcahy, Ron Finley) and “Whirlpool” (Mick Garris, A. L. Katz & Gilbert Adler) is the most severe episode of the bunch. Maybe the entire series? William Malone and Dick Beebe’s “Only Skin Deep” traded the show’s typical sense of fun for startling amounts of bleakness and kink.
“Only Skin Deep” is, apart from the Crypt Keeper’s intro and outro, noticeably unfunny. There are no considerable attempts at making the viewer laugh. Come to think of it, if those bookends had been replaced, and there was more of a sci-fi element in the story, HBO could have easily squeezed this tale into that successor anthology, Perversions of Science (1997). In Crypt, though, “Only Skin Deep” is much too grim for an audience that had become accustomed to campiness and levity.
What makes “Only Skin Deep” feel dark, among other things, is its protagonist. Showing up to a Halloween party where he’s not welcome, and where his former girlfriend (Diane DiLasco) is attending, Carl Schlag (Peter Onorati) first comes across as your standard bitter ex. You soon realize it’s much worse than that, once Carl threatens Linda (“You know, silly me, thinking I gave you what you deserved. If I’d have done that, I’d have killed you”). Now, I haven’t forgotten that Tales from the Crypt was teeming with vile men who did women harm. Yet Carl’s brand of misogynistic menace hits differently—it borders on being too realistic for this kind of series.
Mike Vosburg’s EC-style comic cover for “Only Skin Deep”, as seen in the Tales from the Crypt episode.
Despite donning a party mask for much of the episode, Carl can’t ever mask his true nature. The invitation did say “come as you are”, after all. That inability to change and be better, however, is why Carl ends up in such a karmic predicament. His outburst of anger at the party attracts the attention of one loner partygoer named Molly (Sherrie Rose, who was also in Season Four’s “On a Deadman’s Chest”). Her bone-white, featureless “mask” and body-bag costume don’t initially register as too strange, especially on a night like this. But at a party chock-full of colorful, cartoonish, and lighthearted ensembles, it does look out of place.
Darkness attracts darkness as Carl ditches the party and accompanies the mysterious Molly to her place. Which, by the way, should have been an immediate red flag. But perhaps she’s so hot, he doesn’t seem to mind the serial killer aesthetic. Resembling a warehouse that has been converted into living spaces, but never then decorated to remove the cold, industrial look, Molly’s home (or lair) is as gloomy as this whole episode feels. It’s like the set of a grungy music video, albeit a tad cleaner. The environments in a typical Crypt episode tend to be small, overfilled, and broken-in. Warm, regardless of any weird goings-on. All that empty space in Molly’s hovel, on the other hand, elicits a creepy feeling that Carl was unwise to ignore.
Tales from the Crypt featured more sex than it didn’t, but hands down, “Only Skin Deep” boasts the steamiest scene in the show’s history. Pushing it over the line, in addition to Onorati showing bare buns and the camera never turning down one of his pelvic thrusts, is the twisted dirty talk. Carl stays in the moment, whereas Molly unleashes charged lines like “the hurt, the anger, give it to me” and “take it out on my flesh like you want to”. It’s all quite kinky, as well as tied into the story’s theme of pain.
How else “Only Skin Deep” differs from other episodes is its twists. Or rather, its lack thereof. Nothing comes as a great surprise here, particularly because the deuteragonist’s ulterior motives are so obvious. By no means is Molly a wolf in sheep’s clothing; her face is a fright mask, she practically reeks of death, and she lives in what can best be described as a serial killer’s hideout. That last-act revelation of Molly’s mask really being her face is also nothing shocking. Cleverness is certainly not this episode’s strength.
A page from “…Only Skin Deep!”, as seen in EC Comics’ Tales from the Crypt.
While “Only Skin Deep” isn’t the most universally loved episode of Tales from the Crypt, it’s an interesting preview of William Malone’s future as a director. Most notably, he went on to helm House on Haunted Hill (1999) and FeardotCom (2002), the former of which was co-written by Dick Beebe, this episode’s writer. Dark Castle Entertainment, that genre house founded by Crypt producers Joel Silver, Robert Zemeckis, and Gilbert Adler, was instrumental in bringing out Malone’s gruesome, over-the-top vision in House on Haunted Hill. However, FeardotCom and Malone’s Masters of Horror episode, “Fair-Haired Child”, are the most stylistically compatible with “Only Skin Deep”.
As one might guess, this episode is nothing like its source material. The “…Only Skin Deep!” found in the pages of EC Comics is set during Mardi Gras in New Orleans, and save for its last couple of pages, is pretty sweet in nature. There, a man named Herbert is enamored with a woman he met five years prior to the present-day story. Every year, he has come down to Mardi Gras to see Suzanne, who’s always dressed as a hag-faced witch. Well, this time, Herbert plans on popping the question and marrying someone who is, for the most part, a total stranger. Suzanne accepts his proposal, but with one condition: they stay in costume until they’re officially hitched. You can probably see where this is going…
Once they are married, Suzanne remains incognito, even when she and Herbert have consummated their vows. A semi-predictive nightmare then rattles Herbert; he dreamt that Suzanne’s real face was as wizened as her mask. Finally, in his haste to find out the truth, Herbert winds up killing his new wife. Faceless and well on her way to bleeding out, the dying Suzanne manages to say she never wore a mask.
For more traditional EC-style ghastliness, your best bet is reading the comic. It’s wickedly sad. For something less conventional, as far as Tales from the Crypt goes, the role-reversing adaptation is worth watching. It’s not the best this show had to offer, although Malone’s visual style, plus the sexual abandon, does set the episode apart. If nothing else, “Only Skin Deep” leaves an impression that, even years later, shows no signs of fading.
Season Six of Tales from the Crypt can be streamed on Shudder, starting on June 5.
Tales from Tales from the Crypt celebrates the show’s Shudder premiere by singling out one episode from each season. So don’t even think about changing that dial, boys and ghouls. More spot-“frights” are to come.
Carl discovers Molly’s collection of human ‘masks’ in the Tales from the Crypt episode, “Only Skin Deep”.
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