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[31 Days of Halloween] Day Thirty: We’re Live-Tweeting Police Station Haunter ‘Last Shift’

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last shift welcome villain films

It’s October 30th, also known as Devil’s Night. For some parts of the U.S., it’s Mischief Night. Whatever you choose to call it, the night before Halloween is an informal holiday dedicated to pranks, mischief, and chaos. Our penultimate 31 Days of Halloween entry fits the Devil’s Night bill in more ways than one.

Last Shift, co-written by Scott Poiley and director Anthony DiBlasi, sees a closing precinct inundated by very mischievous entities on its final night of operation. If you’ve been following along with our Halloween festivities or simply have seen the movie before, then you’re aware that these entities have ties to hell. In other words, it could be a poster child horror movie for Devil’s Night.

Devil’s Night marks our final live-tweet Wednesday in October, and we’re going out with a bang. Watch Last Shift with us through Shudder at 7pm CST/8pm EST. Interact and chat with us using #BloodyHalloween. Even though it’s a night for tricks, we’ve got a few treats to disperse throughout the movie; a handful of copies of Last Shift, signed by director Anthony DiBlasi himself! You’ll have to participate for a chance to snag one.

Synopsis: Rookie Officer Jessica Loren has been assigned to watch over a closing precinct on its final night of operation…alone. With nearly everything already moved over to the new station, including rerouted 911 calls, it should be a pretty quiet night as she waits for a Hazmat team to arrive to remove biohazardous waste. Instead, it becomes a waking nightmare as she’s forced to deal with unsettling visitors.

Key Players: Juliana Harkavy plays Jessica Loren in this mostly one woman show. Hank Stone is her abrasive superior officer, Sgt. Cohen. J. LaRose plays Patrick Black, an obstacle to Loren’s quiet shift. Joshua Mikel plays the creepy John Michael Paymon.

Why It’s on the List: DiBlasi knows how to craft a good scare. Or twenty. Last Shift had a quiet VOD release, but word of mouth on its effective atmosphere and well executed scares meant it caught on among horror fans. It’s one of the biggest surprises of the decade in horror. There’s also good mystery unfolding throughout; what is happening or haunting the precinct? It gets a little complex and unnerving as the station slowly becomes a hellscape for Loren.

Holding Cell Nightmare: When a crazed homeless man won’t stay away, Officer Loren knocks him out and drags him into a holding cell. Things get crazy…

Where You Can Watch: Last Shift is currently available on Shudder, so join us tonight for the live-tweet at 7pm CST/8pm EST! Just hit play, follow us on Twitter and be sure to use #BloodyHalloween. Reminder: We’ll have signed copies of the film to giveaway, but you’ll have to participate in our live-tweet for a chance to win one!

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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