Connect with us

Editorials

Stay Home, Watch Horror: 5 Mind-Bending Time Travel Movies You Should Stream This Week

Published

on

What even is time anymore? The days and months feel as though they’ve bled into one homogenous mass lately, thanks to the strange timeline we find ourselves trapped within. So, this week’s streaming picks are dedicated to the twisted concept of time. Horror movies that prove, at best, that disrupting the flow of time adds severe complications when fighting for survival. At worst, they show that overlapping the past, present, and future can shatter the fragile human mind with ease.

These five horror movies wield time like a weapon, delivering mind-bending experiences that brings the chills, thrills, and feels…


Triangle – Prime Video, Tubi, Crackle

From writer/director Christopher Smith (Black DeathSeverance), an ocean liner-set slasher turns into something far more extraordinary thanks to a claustrophobic time loop. Melissa George (The Amityville HorrorTuristas) stars as Jess, a frazzled single mother invited along on a yachting trip for the day. A sudden storm causes the boat to capsize, forcing the passengers to seek refuge on a passing ocean liner. The ship is eerily vacant, save for a burlap masked shooter intent on picking them off. Déjà vu sets in big time, adding layers to this twisty tale that keeps you guessing.


The House at the End of Time – Prime Video, Tubi

The passage of time proves key when unlocking the supernatural mystery driving this spooky haunter. In 1981, a strange paranormal phenomenon caused a devastating tragedy that leaves Dulce implicated for the murder of her husband and her son marked as missing. Thirty years later, Dulce returns home on house arrest, allowing her to discover the truth behind the events that derailed her life. A heartfelt story of familial love wrapped up on a fresh take on a haunted house story, from writer/director Alejandro Hidalgo in his directorial debut. An engrossing story with an ingenious narrative structure makes this smaller budgeted film something special, one that became the highest-grossing horror film in Venezuela upon release in 2013.


The Endless – Netflix

Aaron Moorhead as Aaron and Justin Benson as Justin in THE ENDLESS. Photographer: William Tanner Sampson.

Directors Justin Benson and Aaron Moorhead edit, produce, and star in this impressive thriller penned by Benson. The story follows brothers Justin and Aaron, who fled a UFO death cult in their youth but never quite recovered from it. When they receive a videotape originating from the cult’s camp, they head back for answers and to reconcile with their conflicted past. What they find warps time and space, raising new questions. This gorgeous pick (Moorhead also handled the cinematography) comes with a double feature bonus: the duo’s first film, Resolution, plays into this film thematically in many ways and would make a great watch before The EndlessResolution is currently streaming on Prime Video.


Coherence – Hulu, Prime

A comet passes overhead during a dinner party among eight friends, unleashing a strange chain of events. A less-is-more cerebral sci-fi thriller, Coherence manipulates time to weave a mind-bending story that focuses on how the choices we make define us. The choices these characters tend to make are as frustrating as they are fascinating. Starring Emily Baldoni as the lead protagonist, relationships buckle under the weight of reality’s fluidity, creating tension and an unsettling atmosphere. If you’re a fan of solving puzzles, this pick is for you.


Waxwork II: Lost in Time – Tubi

This sequel opens with a reenactment to bring viewers up to speed on the events from the first film, which is also available on Tubi. Plucky heroes Mark (Zach Galligan) and Sarah (Monika Schnarre) embark on an epic quest through alternate dimensions, space, and time to clear Sarah’s name of murder. They face off against Frankenstein and his monster, deadly aliens in space, malevolent spirits, medieval tyrants, and so much more as they play “God’s video game.” In other words, if you’re in the mood for entertainment, this over-the-top sequel brings insane amounts of fun. Look for appearances and cameos by Bruce Campbell, David Carradine, Drew Barrymore, and Godzilla!

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading