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10 Fun Creature Features You Maybe Haven’t Seen

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Underseen Creature Features - Scarecrows

Recent releases like Monstrum and The Wretched continue to prove one thing: horror fans can’t get enough of monsters.

Of all the branching sub-genres of horror, one of the cornerstones belongs to the creature feature. At its most ubiquitous of definitions, the creature feature is simply a horror movie in which a monster plays a prominent role; the term says it all. It’s the creature part that’s loose for interpretation, of course. Cryptids, monsters from other dimensions, beings from outer space, and even mutated or vengeful apex predators fall under the broad umbrella.

That means there are plenty of entertaining creature features that have fallen through the cracks over the decades. And these ten under-seen gems unleash pure monster mayhem…


The Deadly Spawn

Released in 1983 under the title Return of the Aliens: The Deadly Spawn in the hopes of luring in audiences hopeful for an Alien sequel, this micro-budgeted labor of love charms with its DIY aesthetic. Think The Evil Dead gore meets 1950’s B-horror, in which a meteorite crash lands on Earth and unleashes a voracious man-eating alien upon a small town. It’s impressive in its ambition, especially for a group of amateur filmmakers, and has long since developed a significant cult following. As such, it’s far from the most obscure title, but that devout following still could grow even more prominent. 


Curse II: The Bite

1987’s The Curse made for a strange adaptation of H.P. Lovecraft’s The Colour Out of Space. Its sequel, released two years later, had nothing to do with its predecessor in any way. Edit: Reader Travis Hill pointed out that this sequel does carry forth the Lovecraft adaptation theme, as the plot is an adaptation of “The Curse of Yig.” The Bite sees young couple Clark (J. Eddie Peck) and Lisa (Jill Schoelen, The Stepfather) road-tripping through the desert, unaware that they’re driving through a nuclear test site that’s mutated the local snakes. Clark is bitten, beginning his transformation into a snake monster. This sequel is a B-movie through and through, but there’s some fantastic creature work here, and Schoelen is always a plus in horror. There’s still a fascination with horror franchises that refuse to connect in any way, save for a title. Scream Factory released Curse and Curse II as a double feature on Blu-ray in 2016, but it’s now out of print. Meaning that its window for discovery (or rediscovery) shrunk once again.


Ticks 

With Hellbound: Hellraiser’s Tony Randel in the director’s seat and Brian Yuzna attached as executive producer, you know to expect something icky, oozy, and fantastical. Enter Ticks, a direct-to-video ’90s creature feature about mutated ticks on steroids terrorizing a group of troubled teens on a wilderness retreat. Clint Howard sets up the entire plot as a pot dealer who opts to lace his plants with steroids. Notable genre actors Seth Green and Ami Dolenz also star, and look for Alfonso Ribeiro playing against type during peak popularity of The Fresh Prince of Bel-Air. Again, though, the real star is the slimy, gross-out ticks, in over-the-top practical effects-driven glory. 


Strange Invaders

An homage to the sci-fi horror of the ’50s, Strange Invaders sees a college professor (Paul Le Mat) set off on a search for his ex-wife (Diana Scarwid), whom he learns disappeared while attending her mother’s funeral. It leads him to the town of Canterville, an idyllic place seemingly trapped in 1958. That’s because aliens invaded in 1958 and took over, using the human residents as hosts. It’s a satire that plays off of other classics, like Invasion of the Body Snatchers, and favors quiet mystery. In other words, it’s not your average creature feature, and the alien reveal is effective. 


Scarecrows

Never mind the bizarre premise, in which a group of criminals hijack a plane and wind up seeking refuge on an abandoned farm. This creature feature begs the question, why aren’t there more horror movies about scarecrows? One by one, victims fall prey to terrifying scarecrows, rendered even more horrific by cool creature designs and effects by Norman Cabrera (Attack the BlockDrag Me to Hell). In a script that’s not that great, it does the critical thing that matters most in a creature feature. It makes the monsters, or scarecrows in this case, the centerpiece. 


The Outing

More aptly known as The Lamp, this creature feature unleashes an evil genie upon a bunch of teens that sneak into a museum to spend the night. Full disclosure, The Outing isn’t a conventionally good movie, and it hasn’t aged well. The teens are obnoxious, but perhaps that’s what makes their rather creative and vicious deaths very satisfying. I admit I have a soft spot for this one, not just for being one of the rare evil djinn movies that go full-blown creature feature, but also for being set in my hometown. Like a lot of schlock, it’s also shockingly mean-spirited. 


Blue Monkey

This creature feature wins entertainment points for its title alone; there are no monkeys here, let alone a blue one. Instead, it’s a hospital under siege by a larval insect monster that bursts forth from a patient and goes on an infectious rampage. Director William Fruet, who also helmed numerous episodes of Goosebumps TV series, Friday the 13th: The Series, and Killer Party, brings the fun. If you’re in the mood for zany, giant insectoid B-movie entertainment, well, this one delivers the goods.


Shakma

Horror has taught us time and time again that messing with nature rarely winds up well. At a medical school, Professor Sorenson (Roddy McDowell) experiments with a drug meant to reduce aggression in animals. His test subject, a baboon named Shakma, proves the drug has the reverse effect and instills even more rage-filled aggression. Botched euthanasia means Shakma is unwittingly unleashed on Sorenson and the group of students he’s gathered for a live-action role-playing game. Look for A Nightmare on Elm Street’s Amanda Wyss to go head to head with the fierce beast, too.


The Kindred

At her deathbed, a mother requests that her geneticist son destroy all of her research. She’s fearful it’ll fall into the wrong hands. Fulfilling her request, he discovers that he happens to have a tentacled baby brother. His monstrous brother is hardly the only aquatic inspired monster in the mix, either. This Lovecraftian tale is full of weird creatures and some notable special effects, from directors Stephen Carpenter and Jeffrey Obrow (The Dorm That Dropped Blood). It stars David Allen Brooks (Manhunter) and Amanda Pays (Leviathan). There have been rumblings for the past few years of a pending Blu-ray release of The Kindred, finally freeing it from its trapped-on-VHS status, but as of now it remains a relatively obscure ’80s creature feature.


Alligator

Likely the most widely seen film on the list, but it’s one still in need of an updated release- its 2007 US DVD release is long out of print. The plot, borrowing from a popular urban legend, follows a baby alligator that’s flushed down the toilet. It winds up in the sewer, the precise spot being used as a dumping ground for growth hormones and waste by a local laboratory. That cute baby alligator grows into a monstrous beast and wreaks havoc on the town. Only Robert Forster’s Officer David can stop it. From director Lewis Teague (CujoCat’s Eye), Alligator is legitimately good. It also earns major points for having the gall to kill a child, in a memorably suspenseful scene. 

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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