Promoting new releases isn’t always Netflix’s strong suit. Take the recent Get In, for example. Without any fanfare at all, the streaming giant quietly released the violent thriller at the beginning of May. Though Netflix is quickly being overshadowed by streaming services like Shudder, Tubi, and Prime Video in terms of the sheer volume of titles, it’s still a boon of titles for the horror fan. Especially on an international level. Netflix’s algorithm and layout take care to help you find titles you might be interested in, even when they don’t market those titles well, but perhaps it takes its categorization a little too far. That can mean it’s easy to overlook some great titles, especially the genre-benders and outliers that aren’t so easily definable.

These six titles tend to escape notice for various reasons, but all make for excellent viewing for those looking for something outside of mainstream appeal.

Calibre

The moment Stephen King tweeted about this Netflix gem two summers ago, it stopped being quite so hidden. Still, that it’s categorized outside of horror means it’s not as easy to stumble across for those perusing the genre, and it’s very much worth it for the horror fan. A Scottish thriller that sees a horrific accident turn a weekend hunting trip into a nail-biting descent into paranoia for old friends Marcus and Vaughn, Calibre is a compelling and well-executed tale of suspense. The suspense of this grisly story cannot be understated. The palpable tension and brutal moments put this on the outskirts of the genre, making it a very worthwhile watch.

Super Dark Times

Teenagers Zach (Owen Campbell) and Josh (Charlie Tahan) have been best friends for pretty much their whole life, having grown up together in the suburbs. Set in the ‘90s, an era before the Columbine High School massacre, Zach and Josh’s friendship will never be the same when tragedy strikes. The once inseparable pair take vastly different approaches to cope in the wake of the event, sending both reeling toward a darker, disturbing chain of events that will change them forever. The coming-of-age story gets an alarming, psychological horror-thriller facelift here. Super Dark Times lives up to its title, with powerful performances by its leads. While it’s more in the vein of Mean Creek, look for influences of Donnie Darko to pervade.

The Bar

Álex de la Iglesia’s The Bar is a bizarre blend of tones and genres that only this director could make work. What begins as a bustling morning in a downtown bar/café, introducing us to all the eccentric characters, turns into a harrowing thriller when a mysterious sniper outside keeps them trapped within. These friendly strangers then turn on each other as paranoia sets in, and it becomes clear that they’re under quarantine. De la Iglesia’s brand of dark comedy gets pitch black as he dissects humanity faced with death, and throws in body horror for good measure. This isn’t for everyone; the characters expose their ugliest impulses the darker things get. It’s a mean spirited, demented horror-comedy.

For more on Iglesia’s films and where to stream them, I’ve covered it here.

Girls with Balls

An all-girls volleyball team finds themselves hunted by back wooded locals when their van breaks down in the middle of nowhere. Yet, the hunters soon discover they might have bitten off more than they can chew with this resourceful group. Catty high school girls versus a backwoods hillbilly cult; it’s a gender brawl of the bloodiest variety. Girls with Balls is so unapologetically goofy that it’ll be off-putting for some. It doesn’t take itself seriously in the least. For those that like their gore with a heaping helping of irreverence, though, it’s a fun one. The film marks the directorial debut by Olivier Alfonso, a notable special makeup effects artist who’d previously worked on Raw, Leatherface, Among the Living, and more. So, you know he applies his expertise on viscera here.

Inhuman Kiss

Also known as Krasue: Inhuman Kiss, this film was submitted as the Thai entry for the Best International Feature Film at the 92nd Academy Awards. Set in rural Thailand in the 1940s, this supernatural tale tells of a coming-of-age love story among three childhood friends. Friends Noi and Jerd are vying for the affections of Sai, who has her own problems when the onset of puberty transforms her into a Krasue. Every night, the demon takes over, detaching her head from her body and using the dangling entrails to capture and feast upon both livestock and humans alike. The boys band together to protect Sai from terrified villagers looking to stop the Krasue at any cost. Inhuman Kiss does run a bit overlong and has a measured pace, but it builds into an insane climax. Inhuman Kiss is ultimately a supernatural coming of age tale meets supremely bloody teen love story.

When Angels Sleep

This Spanish thriller plays like a distant spiritual relative of Eden Lake. When Angels Sleep doesn’t get anywhere close to Eden Lake’s graphic torture and brutality, but there’s an unrelenting bleakness that gets worse as the night wears on for its characters. As for the plot, a CEO away on a business trip is desperate to make it home to his angry wife after missing their daughter’s birthday party, which results in him falling asleep at the wheel late at night. He accidentally runs over a teenage girl, and his subsequent interaction with her horrified friend puts the two on a path to destruction. Actions have consequences, and every wrong decision adds to the domino effect. That the leads continue to make the worst possible choice at every turn will frustrate some, but it’s also the point. Expect this psychological thriller to get devastatingly bleak.