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Stay Home, Watch Horror: 5 Horror-Comedies to Stream This Week

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Watching horror movies as an effective means of reducing anxiety and stress has been a frequent subject of study over the years, and we’re all probably in need of some stress relief right about now. We’re doubling down on the catharsis by compounding the scares with laughs; this week’s streaming picks belong to the horror-comedy.

That tonal balance offers up the perfect vehicle for escapism, after all.

If you’re having a bad day, these horror-comedies might offer up the perfect antidote. From a homicidal intestine-dwelling beast to a humorous new angle on hillbilly horror, these five horror-comedies spills as much blood as they will tickle your funny bone. Here’s where you can stream them this week.


Bad Milo! – Pluto TV, Tubi

Duncan (Ken Marino) suffers from severe anxiety and stress. So much so that it triggers gastrointestinal duress. At his doctor’s appointment, they discover a large polyp in his intestinal tract. It grows into a two-foot monster that emerges from his body to destroy anything that it perceives to be a stress trigger for Duncan. He’ll have to learn to reign in his anxiety if he wants to stop the monster’s rampage. Milo, Duncan’s gastro-beast, makes for one of horror’s most adorable creatures. Even when it’s ripping people apart with its teeth, Milo’s heart is in the right place. The film also stars Peter Stormare, Gillian Jacobs, Patrick Warburton, and Kumail Nanjiani.


Cooties – Peacock

Aspiring writer Clint Hadson (Elijah Wood) thinks his first day as a substitute teacher in his hometown of Fort Chicken is off to a rough start thanks to awkward encounters with the faculty. Then contaminated chicken nuggets cause a mysterious viral outbreak that transforms the children into feral zombies. Clint must lead the unlikely crew of adults if they have any hope of making it through the school day alive. Co-written by Leigh Whannell, Cooties doesn’t just want to make you laugh; it wants to gross you out at every possible turn. The stellar cast is more than up to the task of playing hilarious and unwitting horror heroes, but Whannell steals every scene as the socially inept science teacher. However, if this type of humor doesn’t work for you, the similar yet super sweet zombie comedy Little Monsters is available to stream on Hulu.


Fido – Prime Video, Tubi 

Space radiation turned the dead into zombies, spurning an apocalyptic war between the living and the dead. Company Zomcon discovered a way to control zombies, turning them into subservient slaves. In the 1950s town of Willard, housewife Helen Robinson (Carrie-Anne Moss) buys a zombie (Billy Connolly) – despite her husband Bill’s (Dylan Baker) zombie phobia – to perform daily chores. Her son Timmy names the zombie Fido and befriends it. All is well until Fido’s collar malfunctions, ensuring this idyllic neighborhood will never be the same. Fido is what happens when you cross the “aw shucks” feeling of ’50s sitcoms like Leave it to Beaver with Night of the Living Dead. It’s heavier on the humor but with plenty of bloodshed and feels.


Horns – Netflix

This adaptation of Joe Hill’s novel, directed by Alexandre Aja, showcased actor Daniel Radcliffe’s comedic chops. He played Ignatius “Ig” Perrish, the prime suspect in the brutal murder of his girlfriend, Merrin (Juno Temple). He’s ostracized by the community, sending him further on his downward spiral. Ig wakes one morning to find horns have sprouted from his forehead and that they contain the power to prompt people to give in to their impulses and spill their darkest secrets. Ig uses his newfound supernatural powers to help him catch Merrin’s killer. An outlier in Aja’s oeuvre, Horns blends horror fantasy with comedy and crime thriller. It’s a significant departure, particularly in tone, from the source material, but it’s always engaging- especially thanks to Radcliffe’s performance. Horns is an ambitious effort, a lot is going on in the narrative, and Aja leaves the comedy behind in the third act for something much more poignant and dark.


Tucker and Dale vs. Evil – Kanopy, Roku, Tubi

“We’ve had a doozy of a day, officer. There we were mindin’ our own business. Makin’ some improvements to our new vacation home. When all of a sudden, these kids start killin’ themselves all over my property.” Tucker (Alan Tudyk) sums up the movie’s charm and sense of humor with this memorable line. He and pal Dale (Tyler Labine) expected a peaceful getaway after purchasing their dream vacation home – a decrepit cabin in the woods. Instead, they’re inundated by a snobby group of college kids, who’ve mistaken the duo as murderous hillbillies; and they won’t stop killing themselves on their property. It’s splatstick with a whole lot of heart, made even more memorable for its subversion of tropes and the lead performances by Tudyk and Labine.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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