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8 Haunted Holiday Horror Movies to Get You in the Christmas Spirit

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Scrooged Christmas Ghosts

Long before the spirits of Christmas tormented Ebenezer Scrooge, it was a holiday tradition to share ghost stories. Scaring each other silly with tales around the campfire is as old as time, but Christmas specific ghost stories are thought to stem from Pagan winter solstice tradition. Meaning that by the time author Charles Dickens came around, the practice was waning dramatically as new, modern traditions took root. All of which to say that it’s high time to resurrect the haunted holiday tradition.

In a subgenre of horror long-dominated by psychos in Santa suits, holiday horror could use more supernatural entries. Paranormal entities could serve as many metaphors suited for the season, from loneliness to new beginnings, as these eight haunted holiday horror movies prove. 


The Curse of the Cat People

The sequel to 1942’s Cat People is a very different beast from its predecessor, even though the core cast all reprise their roles. It’s a holiday set ghost story that follows the young daughter of Oliver (Kent Smith) and Alice (Jane Randolph). She’s lonely and friendless and finds herself befriending her father’s deceased first wife, Irena (Simone Simon). In other words, think a feel-good Christmas tale full of ghosts and acceptance, rather than scares. It’s a touching coming of age tale with a genre spin, directed by The Haunting’s Robert Wise and produced by the legendary Val Lewton.


A Christmas Horror Story

This horror anthology set on Christmas Eve connects five seasonally themed tales of terror via a radio DJ (William Shatner). High school students investigating a holiday suicide, a son behaving strangely after the family obtains their Christmas tree, another family being terrorized by Krampus, and poor Santa Claus battling zombie elves at the North Pole all put the ho-ho-ho in holiday horror. It’s the first segment that centers around a haunting in the bowels of a high school. An unholy nativity unfurls for the trespassing students. As with all anthologies, segment mileage varies, but this movie brings the yuletide terror as a whole. 


Wind Chill

A girl (Emily Blunt) finds a ride home through a bulletin board at her college, though she’s instantly put off by how much the driver (Ashton Holmes) seems to know about her. As if the icy tensions aren’t enough to deal with on the long drive, he takes a shortcut, and they wind up stranded in the middle of nowhere. Dangerous weather conditions and no aid in sight would be problematic in the best circumstances, but this lonely stretch of the road happens to be filled with angry and relentless spirits. A psychological chamber piece, enjoyment here will likely hinge on how well you tolerate the two leads. Blunt’s character is intentionally abrasive, and Holmes must work overtime to overcome his character’s initially creepy tendencies. Still, it offers some great scares and an interesting spin on the survival-meets-paranormal story.


Dead End

It’s late, and Frank Harrington (Ray Wise) still has a long way ahead of him to get to his in-laws on Christmas Eve. His eyelids are growing heavier by the mile; Frank decides to try a shortcut in the middle of nowhere. After narrowly avoiding a car crash, Frank’s detour proves to be a nightmare when he and his family become haunted by paranormal activity and a strange hearse. Dead End is a small, quiet little haunter with a great cast. Lin Shaye plays Frank’s wife, with Alexandra Holden as Frank’s daughter. Toggling between eerie chills and dark comedy, Dead End offers an underseen and creepy holiday haunter with a twist.


Saint

Not in the mood for atmospheric haunted house fare? Leave it to Dick Maas, the mind behind Amsterdamned, to transform the Christmas ghost into a slasher. On the full moon of December 5, St. Nicholas’s murderous evil spirit comes to town to unleash terror and mayhem along with his zombie-like Black Peters. It’s precisely the type of goofy fun you’d expect from Maas, this time with an irreverent holiday twist. It’s as funny as it is bloody, with strong effects work. Just don’t take it too seriously.


Dead of Night (1945)

This British horror anthology tells multiple tales of terror, but only one relates to the holiday. Even still, it’s a stone-cold classic, and there’s no better time than now to watch or revisit. “The Christmas Party” spins a chilling story of a ghostly encounter during a children’s Christmas gathering. Hide and seek becomes the perfect recipe for one party-goer to encounter the unexpected when she finds a great hiding spot. Come for this children’s party of terror and stay for the other substantial segments as well.


The Conjuring 2

The Hodgson family begins to experience strange occurrences in their home in Enfield’s London suburb after daughter Janet (Madison Wolfe) plays with an Ouija board. As the paranormal activity ramps up with escalating horror, enter Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) to save the day. James Wan’s sequel happens to be set over Christmas, and the haunting takes precedence over any holiday festivities. That means that Christmas may not factor in as prominently as the others on this list, at least not in terms of iconography or décor. Still, The Conjuring 2 does make time to celebrate the Christmas spirit via togetherness and family. Ed even takes the time to boost morale with a sweet holiday serenade.


Scrooged

No haunted holiday horror list would be complete without at least one adaptation of Dickens’s “A Christmas Carol.” While there are a few memorable genre-leaning takes on the classic, we’re going with Richard Donner’s beloved ’80s film. Frank Cross (Bill Murray) is a cynical, selfish TV executive haunted by the spirits of Christmas past, present, and future in this ’80s retelling. Sure, it’s a comedy first and foremost, but some of those ghosts can be pretty terrifying. Thanks to Frank’s heavily decayed mentor Lew (John Forsythe) and nightmarish visions of Death, Scrooged presents family-friendly PG-13 holiday viewing that doubles as gateway horror.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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