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‘Hellsing Ultimate’: The Great Nightmare That Is Alucard [Anime Horrors]

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Welcome back to Anime Horrors – a column dedicated to exploring new and classic works of anime and manga. 

A good anime protagonist excites us, while a great one makes us feel. Think Goku of Dragon Ball or Serena of Sailor Moon – each fight for justice, care deeply for their companions, and offer an air of inspiration. Anti-heroes offer similar elements, while bringing some moral complexity into the mix. Their overall efforts are geared towards justice, but they also don’t mind getting their hands dirty. Personally, I find that anti-heroes allow for unique storytelling; it is interesting to see the impact they have on the world and the characters around them. I’ve come to enjoy several of these characters throughout anime. But in all the shows I’ve ever seen, no character gives me chills like Alucard. 

As the central character to Hellsing, Alucard is a vampire assassin that serves the titular organization. For the uninitiated, Hellsing exists to fight off the enemies of the dark – ghouls, vampires, and other supernatural threats. Though the organization has various tools and other agents to assist in battle, Alucard is their ace. He is pure devastation; while there are several anime characters who exude tremendous strength, very few come close to Alucard’s terrifying being. So, for this month’s installment of Anime Horrors, I want to examine and speak to what makes Alucard so nightmarish. 

Please note: for those familiar and not familiar with Hellsing, I will be referring to Alucard as he is depicted in the OVA, Hellsing Ultimate (since that is my favorite way to watch the show). Minor spoilers are present in the form of character abilities and brief story elements.

When we first meet Alucard, he is chained up in a basement. It is only when the heir of the Hellsing Organization is attacked, her blood spilling onto him, that he awakens. With his consciousness intact, he tears into the assailants going after the young girl, bowing down to her afterwards and stating his allegiance. Given his extraordinary strength, Alucard is loyal to his master, biding by her command – but don’t mistake that for a dog on its leash. She is fully aware of how strong he is and trusts him with no doubt in battle. 

Hellsing Ultimate does a profound job capturing the ferocity of Alucard’s combat. The manga artwork is already stunning in its detail, but Ultimate brings to life all the bloodshed. Bodies jumping about, limbs falling apart, weapons clashing – it’s delightfully chaotic. While the dramatic elements of the show are entertaining, the big appeal are the battles. Whether it is Alucard tearing into human baddies or supernatural ones, the viewer can always expect carnage. 

As a vampire, he has several qualities. His physical talents are remarkable, his fists being able to slice through bodies, his speed faster than the human eye can follow. Other supernatural gifts come in the form of regeneration and the power to summon familiars. These familiars can be demons or defeated enemies whose souls he has taken. And to cap things off, he is equipped with two pistols (each loaded with rounds that leave immense holes in their victims). 

Alucard’s skills rank him high among the bad ass characters in anime. When it comes to comparing him against his opponent, it’s like comparing a mountain to a mole hill. And this difference makes for one of the most interesting aspects to his character; for while it’s cool to see him unleash all kinds of dark magic and attacks, it is equally as intriguing to see the emotional and psychological impact he has on his foes.

Think of a time you watched one of your favorite anime heroes go up against a truly menacing villain. Consider how the hero felt in that moment – the stress and fear surging through them. Intense power levels have been a means of creating excitement and suspense throughout anime for decades. Typically, the villain will level up, instill fear, then beat up the good guys for a time (until the central protagonist or a specific character comes along and levels up beyond the bad guy). In Hellsing however, this concept is turned on its head, with Alucard proving to be a horrifying confrontation for his antagonists. Episode two has one of the best fights that highlights this. 

A force of ghouls, led by two men, invade the Hellsing headquarters. One of the men, Luke Valentine, makes his way into the headquarters and seeks out Alucard. He eventually finds him in one of the building’s lower levels. Luke shares how he has been modified to not only match Alucard, but to exceed his strength. After words are exchanged, the two draw out their pistols, each shooting the other in the head. After some brief silence, the two begin laughing. Luke jumps about the room shooting at Alucard. As blood spews from his body, his head dropping back, Alucard continues pulling his pistol trigger, his face wearing a haunting expression of joy. At this point in the story, the viewer is aware of how powerful Alucard is – that said, it is what comes next that really amps things up.

After several rounds of gunfire, Alucard gets up and addresses how interested he is in Luke. He states how he wants to see more and acknowledges his talents. He then begins uttering an incantation of sorts that will increase his power. However, this isn’t as straightforward as an increase – it’s the fact that he is unlocking a restriction placed on him. This guy is so friggin’ strong that he has restrictions on how much of his dark magic he can use. With new abilities available to him, he overwhelms Luke, tearing off his legs. As Luke strives to scramble away, Alucard screams out for him to regenerate and fight back. Luke won’t though, for he knows there is no hope. 

Coming up against Alucard is like staring into the eyes of an existential threat. No matter how hard one pushes, no matter how long they last in combat, they are never going to exceed what Alucard is capable of. His presence has the means to shake one’s core. There are several occasions where a supernatural being will come Alucard’s way and threaten him. Against any other individual, these beings would be a real challenge – but to Alucard – they are bugs. To see these bad guys walk in all sure of themselves, to then drop to their knees in horror, is brilliant and chilling.

Outside of battle, and for lack of a better word, Alucard is chill; not friendly exactly, but relaxed. It is only when things heat up with a foe that his mannerisms rise to aggressive heights. When it comes to his bloodthirst and excitement for an adversary, his movements hit like a strike of lighting. In a sense, Alucard is like a mutated Shonen protagonist who loves battle. For him, combat is very much a sport. It excites him to go up against someone who can deliver immense blows and push him. It is as if he wants to know he can get close to death.

The shock that comes over characters when facing Alucard is an element I absolutely love about the show. It not only makes for awesome deliveries of drama, but it also sells how frightening he is. There is saying a character should be feared, and then there is having their actions establish a reason to fear them. Alucard is a presence that not only scares humans, but supernatural beings as well.

Talking about Alucard’s terrifying presence is one thing, but seeing it is a whole other thing. If your interest is piqued by what I’ve shared, and you’ve never seen the show, then I encourage you to check out Hellsing Ultimate. The series takes place over 10 episodes. The original anime and manga are solid as well, but Ultimate’s animation and direction are incredible. You can find Ultimate on Hulu and Funimation at the time of this writing.

Battle is an easy, yet effective way to display how bad ass a character is. Having a protagonist use a few iconic moves and deliver some speedy punches creates the sensation that they are a force to be reckoned with. Then there are characters that make us feel – and not in the cozy inspirational sense – but in a cold, tense, and unnerving way. Alucard is a being who does not just live in darkness, but who exudes it and casts it upon his enemies. The fights throughout Hellsing are nothing short of astounding, and yet, it is those quiet moments of an enemy’s defeat that offer a sensation like no other; witnessing these characters look upon a being of extraordinary skill, knowing that annihilation is upon them.

In their last moments, they realize they are facing a monster like no other. 

Michael Pementel is a pop culture critic at Bloody Disgusting, primarily covering video games and anime. He writes about music for other publications, and is the creator of Bloody Disgusting's "Anime Horrors" column.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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