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5 Gothic Horror Movies to Stream This Week [Stay Home, Watch Horror]

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crimson peak netflix

Atmosphere plays a crucial role in Gothic horror. Beyond that, a few key characteristics define the genre—themes of death or good versus evil play a prominent role in the narrative. The setting, often an imposing house full of dark passages, cobwebs, and hidden secrets, is a character in and of itself. That setting tends to fall into disarray, or it begins in a dilapidated state. It matches the protagonists’ state of mind, as their emotions or sanity unravel the more that they’re thrust into the driving mystery. Sexual repression, fraught romances or love triangles, and damsels in distress also make for common traits. Expect ghosts and skeletons in the closet, too.

Gothic horror is as beautiful to look at as it is dark and macabre.

This week’s streaming picks traverse crumbling mansions to haunted New Orleans and feature death and disturbing romances. Here’s where you can watch them this week.


Crimson Peak – Netflix

Crimson Peak Review

Marketing may have billed this as a straightforward haunted horror movie, but Guillermo del Toro’s directorial efforts never deliver pure horror. Instead, the lover and champion of monsters provides his take on the Gothic romance. Del Toro subverts many tropes by making the lead the heroine of her own story and twisting the love triangle. Edith Cushing (Mia Wasikowska) accompanies her new husband to his derelict mansion and finds herself in grave danger. Look for Javier Botet and Doug Jones as some of the mansion’s ghostly residents, but here they’re the benign sort that serve as warnings.


The Whip and the Body – Kanopy, Shudder

So much of Mario Bava’s genre output could qualify here and most are highly recommended. Instead of the more well-known films, like Black Sunday, this week’s pick goes to one of his lesser discussed efforts. It’s easy to see why it’s not as prominent; its S&M take on romance can get uncomfortable as it seems to skirt the line with consent. As for the plot, a sadistic nobleman (Christopher Lee) seems to return from the grave to rekindle a love affair with his former lover. Ghosts, dark castles and chambers, and repressed sexuality check off all the boxes of Gothic romance. In Bava’s hands, it’s gorgeous, stylized, and extremely steamy.


Interview with the Vampire – Tubi

interview_with_the_vampire_1994_1920x1280_580904 Lestat

If any movie monster is synonymous with gothic horror, it’s the vampire. Universal Classic Horror and Hammer introduced a brooding, regal take on the bloodsucker, and Anne Rice carried on that tradition with her novel series The Vampire Chronicles. Directed by The Company of Wolves‘ Neil Jordan and adapted for the screen by Rice, Interview with the Vampire follows the vampire Louis (Brad Pitt) as he tells his life story to a reporter. Turned by Lestat (Tom Cruise), Lestat comes to regret his choice as he finds love, loss, and betrayal. Full of epic gothic set pieces from New Orleans to Paris, this one features plenty of bloodletting, death, emotional downward spirals, and romance.


The Hound of the Baskervilles (1959) – Tubi

What’s a Gothic horror list without at least one Hammer horror film? While their output offers no shortage of great Gothic takes on classic monsters, this adaptation of Sir Arthur Conan Doyle’s 1902 novel makes for another slightly lesser-seen option. This gothic mystery sees Sherlock Holmes (Peter Cushing) and his pal Watson investigating the murder of his friend, believed to have died of fright from seeing a ghost hound. A moody mystery full of danger and shadowed menace, all set within and around a grand manor, makes this another great gothic Hammer gem. And Cushing makes for a fantastic Sherlock Holmes.


The Changeling – AMC+, Plex, Shudder

If period horror isn’t for you, no matter how hard you’ve tried, this non-period selection probably will be. George C. Scott stars as a composer that relocates to a historical mansion after the tragic loss of his wife and child. Of course, it turns out that he’s not alone in his new house; its ghostly tenant draws him into a decades-old mystery. A dark mansion with an equally dark history, dusty attics, deadly secrets, and a protagonist stuck in an emotionally fragile state all make for a more modern yet chilling take on gothic horror. It’s a classic.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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