Editorials
Stay Home, Watch Horror: 5 Scary Haunted House Horror Movies to Stream This Week
This Friday brings the release of David Bruckner’s The Night House (review), a haunted tale that goes heavy on the scares from the outset. It doesn’t stop, either, further establishing Bruckner as a master of scare crafting. The Night House stars Rebecca Hall as a recently widowed woman coming to terms with her husband’s suicide. The more a presence from beyond beckons her, the more she digs into her husband’s belongings and finds a secret life she didn’t know he had.
It’s a chilling new take on classic haunted house horror, with an emphasis on chilling. So, this week is haunted house set horror that brings the scares to help cool off the blazing August heat. More fittingly, these titles feature protagonists experiencing grief and loss in varying ways. Sad characters trapped inside with things that go bump in the night? Yes, please.
As always, here’s where you can stream them this week.
The Changeling – AMC+, Plex, Shudder, Tubi
George C. Scott stars in this seminal haunted classic as a music professor attempting to start fresh after his wife and child’s death. He relocates to Seattle and moves into a historic Victorian mansion with plans to work on his music, but he experiences strange phenomena right away. The more the paranormal activity increases, the more he’s drawn into a decades-long mystery involving a child. The Changeling is a quiet chiller grounded by a fantastic lead performance and an intriguing murder mystery. Mostly, though, it’s full of dread and creepy moments – no other horror movie will make you afraid of bouncing balls quite like this one.
His House – Netflix
Husband-and-wife Sudanese refugees Bol (Sope Dirisu) and Rial (Wunmi Mosaku) have been through more than most endure in a lifetime. They’ve fled their war-torn village, crossed the ocean, survived a degrading stint in a U.K. detention facility, and have been finally granted an opportunity for housing in their new country. The home may be roomy, but they face hostility in and outside its moldy walls. Remi Weekes’s feature debut transforms the refugee experience into a petrifying horror film with expertly crafted scares. For all the existential terror that Bol and Rial face in their new lives, the director keeps a firm grip on the supernatural, too.
Ju-On: The Grudge – Prime Video
The third entry in Takashi Shimizu’s terrifying franchise introduced Kayako and her equally terrifying son Toshio to international audiences. While most haunted houses bear the imprint of past traumas through their ghostly residences, Ju-On takes it further by ensuring that the house is irrevocably cursed. Kayako and Toshio suffered horrible deaths, and their pain manifested in the form of vengeful spirits that doom anyone who steps foot into their former home to suffer the same fate. You’ll never be able to un-hear Kayako’s death croak.
The Dark and the Wicked – AMC+, Shudder
Bryan Bertino, a filmmaker with a reputation for bleak horror, creates unrelenting dread and evil in the vacuum of loss here. His latest is rife with suffocating dread, disturbing visuals, and a haunting atmosphere. Siblings Louise (Marin Ireland) and Michael (Michael Abbott Jr.) return to their childhood home to say their final goodbyes to their dying father, much to their mother’s disappointment. She’d warned them not to come, and it doesn’t take long to figure out why; an evil presence has taken root on the family’s rural land, and it wants them all. Ireland and Abbott Jr. deliver tremendous performances. The horror is intrinsic to a family coping with grief and loss, but it’s heightened to a horrifying degree thanks to Bertino’s distinct style and twisted vision of evil. It makes for a volatile, frightening viewing experience steeped in nihilism.
The Orphanage – Starz
What a debut by director J.A. Bayona (A Monster Calls, Jurassic World: Fallen Kingdom). As an adult, Laura returns to the closed orphanage where she grew up with plans to reopen it as a center for disabled children. But when her HIV-positive son learns he’s adopted and goes missing soon after, strange things begin happening within the expansive orphanage. Laura’s former friends from childhood may never have left at all. It’s creepy, it’s moving, and it takes a few unexpected turns in terms of plot. Kids in horror are creepy, but kid ghosts? Even creepier. But be sure to have tissues on standby for this one.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.
For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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