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Trading Card Treats: Six Notable Horror Trading Card Sets

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Although they’re best known as “baseball cards,” trading cards have a long association with horror, from the iconic Mars Attacks! series right through to the present. I’ve been lucky enough to collect tons of these sets through the years; I vividly recall going to the comic shop regularly to pick up packs of Gremlins 2: The New Batch cards and stickers as a kid, and taking them with me absolutely everywhere. Many of these can be found online or at comic shops, antique stores, and flea markets– they’re definitely a fun and unique way to collect horror history.

To quote HorrorHound Magazine’s trading card column, just “Don’t Eat the Gum!” 

Here are six notable horror trading card lines.


Mars Attacks! (1962)

Perhaps the granddaddy of all horror trading cards, the gory and controversial Mars Attacks! delighted kids and horrified their parents. As Karen R. Jones details in Mars Attacks! The Art of the Movie (1996), “the Brooklyn-based Topps Chewing Gum Company [developed the] trading card series to follow the preceding year’s highly successful Civil War set, which had delighted young collectors with its gruesomely rendered battle scenes.” Taking a page from H.G. Wells’ War of the Worlds, with a dash of EC Comics, artists Bob Powell and Norm Saunders created beautiful, vividly horrific scenes with pithy titles like “Beast and the Beauty” and “Destroying a Dog.” Their instantly iconic, big brained Martians had skulls for faces and mindless destruction and depravity on their minds. Kids loved them; adults, predictably, clutched their pearls. Bad press forced the company to pull the cards before they were even released nationally, but the Martians had the last laugh.

Nearly sixty years later, the cards are still revered and have inspired reprints, new sets, comics, clothing, toys, and Tim Burton’s cult classic movie.


Creature Features (1973/1980)

Universal Studios licensed these two punny sets of classic horror images firmly in the Forrest J. Ackerman tradition. Black and white shots from the likes of The Phantom of the Opera (1925), The Ghost of Frankenstein (1942), and Creature from the Black Lagoon (1954) are accompanied by groan worthy captions like “Sheesh! I better join Weight Watchers!” and “Will this cure my hiccups?” On the back were dopey jokes only grade schoolers could appreciate– which were probably the target audience for these cards.

Today they’re nostalgic, but for a generation of Monster Kids discovering these films on television, they were a fun gateway into the wonderful world of horror.


Night of the Living Dead (1987/1990)

Imagine Inc. and Fantaco Enterprises released (and re released!) a set of trading cards dedicated to the 1968 George Romero classic. (In 1992 they issued a hauntingly beautiful comics adaptation of the film.) The cards feature black and white production stills and behind the scenes shots accompanied by a green or red border and the movie logo and tagline “They Won’t Stay Dead!” The backs feature an illustrated background and the iconic Karen, with a complete recap of the plot. “Barbara flees in terror to a nearby farmhouse with her attacker following behind,” reads the first card. “Searching the house, she finds its only inhabitant; a mutilated corpse.”

Rare autographed cards and foil border cards were released, and these weren’t the only NOTLD cards issued, either; Imagine Inc. did another set of full color cards along with many other companies through the years. Pennsylvania’s long running Living Dead Festival has issued various cards of its own.


Fright Flicks (1988)

Topps really was the MVP of horror cards, producing everything from the aforementioned Mars Attacks! to the seminal Garbage Pail Kids (1985-present). With Fright Flicks they applied the Creature Features formula to more contemporary movies, pairing images from modern fare like An American Werewolf in London (1981), Fright Night (1985), and the Alien and Elm Street series with hokey one liners: “What do you mean? I just had a manicure!” As Den of Geek’s Chris Cummins wrote last year, “What made this line so unforgettable was how it utilized a bunch of R-rated films, and the images used were often packed with blood and guts – the exact sort of thing that appealed to kids and grossed out their parents. For less than a dollar, tweens could get their hands on scenes from movies that they had been forbidden to see.”

The backs identify the films but detail supposedly true stories of the paranormal under the heading “DID IT EVER HAPPEN?”, accompanied by a ghastly EC Comics style ghoul clutching a bloody knife. “*Names fictional. See disclaimer on wrapper,” reads the fine print. Whatever, brother; we came for the SFX shots.


The Ackermonster’s Cardiacards (1991)

The legendary Forrest J. Ackerman dipped into his archives for this wonderfully nostalgic set of classic posters and lobby cards. Universal Monsters are represented, as are oddities ranging from 1924’s The Thief of Baghdad (starring Douglas Fairbanks) to 1957’s The Black Scorpion, with animation by King Kong creator Willis O’Brien.

The cards are actually labeled “an educational guide for collectors,” and with their detailed descriptions of so many vintage flicks, these actually will school you on genre history. Just picture “Uncle Forry” giving you a tour of the art in his Ackermansion; that’s the vibe.


The Blair Witch Project (1999)

One of the brilliant things about The Blair Witch Project was that every scrap of merchandising was posited as a piece of the mystery, from the tie-in CD (discovered in Joshua Leonard’s car stereo!) to the “nonfiction” book The Blair Witch Dossier. Topps Trading Card series was no different: in addition to the usual story recap, the cards feature subsets on Heather’s journal entries, the search for the missing filmmakers, and “the Legend.” One card contains a believably old fashioned rendering of a little girl being pulled underwater by a spectral hand, while another depicts the Blair Witch herself! It’s all wonderfully, suitably creepy.


Honorable Mentions: 

The Nightmare on Elm Street franchise got its own trading card set, and the first three movies garnered collectible stickers and an accompanying sticker book from Comic Images. I was lucky enough to get mine signed by Mark Patton (Nightmare on Elm Street 2: Freddy’s Revenge), who added his signature to a spread on the infamous leather bar scene. “I’m gonna put my name right on Bob [Shay]’s ass!” he quipped.

In 1991, National Safe Kids Campaign and Impel Marketing Inc. launched “Trading Card Treats,” an alternative to Halloween candy, with licensed illustrations of the Universal Monsters. This was most likely in response to the hysteria over tainted Halloween candy that had taken hold starting in the late 1980s. After all, Frankenstein’s Monster may be scary, but he’s got nothing on a razor blade in a Snickers bar!

Breygent Marketing created a set of trading cards for the first season of American Horror Story, and while the bulk of the cards are fairly standard production photos, the “chase” cards were really cool. Lucky collectors could find cards autographed by cast members like Frances Conroy (“Moira” in season 1) or containing fabric pieces from Jessica Lange’s wardrobe!

The folks at Fright Rags love trading cards enough to include one in every shipment; they’ve covered everything from classics like An American Werewolf in London and Halloween III: Season of the Witch (1982) to, ahem, slightly less polished titles like Slaughter High (1986), each one featuring a fun fact. They’ve also done their own “wax packs” for Night of the Living Dead, Halloween (1978), Silent Night, Deadly Night (1984), and House of 1000 Corpses (2003).


The links below aided me in my writing for this article.

https://www.denofgeek.com/culture/topps-fright-flicks-card-horror-comedy/

https://johnnymartyr.wordpress.com/2017/09/10/night-of-the-living-dead-trading-card-history/

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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