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The Best Horror of 2022: Home Invasion Thriller ‘See for Me’ Gives Strong Start to the Year

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‘See for Me’: Complex Home Invasion Thriller Gives Strong Start to 2022! [Indie Horror Spotlight]

An indie home invasion thriller gets 2022 off to a strong start, setting the tone for what appears to be another solid year for horror. See for Me, released on VOD at the beginning of January, employs a familiar home invasion setup. But it becomes more unique and engaging through its lead character.

Sophie (Skyler Davenport) was once a highly successful and renowned skier, but blindness seems to have cut her career short. The dashed dreams and aspirations bred resentment in Sophie, leading her to push everyone away as she clings tighter to stubborn independence. When Sophie takes on a cat-sitting job at a secluded mansion, she even hides her blindness from the owner. Then three thieves break-in, not realizing anyone is home. Sophie’s only means of defense and evasion comes from a phone app that allows an army vet and gamer, Kelly (Jessica Parker Kennedy), to operate remotely as her eyes.

‘See for Me’: Complex Home Invasion Thriller Gives Strong Start to 2022! [Indie Horror Spotlight]

See for Medirected by Randall Okita and written by Adam Yorke and Tommy Gushue, is more interested in exploring the moral complexities of its protagonist. Sophie’s blindness naturally enhances the suspense, as she’s forced to sneak around an unfamiliar place to evade detection. However, that’s not the focal point. It’s her bitterness that largely shapes the events of the evening. Sophie’s guarded and abrasive, but she’s also willing to lie and steal.

Davenport, a visually impaired actor making their feature film debut, does an impressive job of imbuing a potentially unlikeable protagonist with a rooting interest. Sophie is a flawed character that often lashes out or makes questionable choices. Her caustic stubbornness can have consequences. Through Sophie’s interactions with Kelly, we get to see vulnerability and growth, as the guarded walls slowly dissolve first through necessity then friendship. 

‘See for Me’: Complex Home Invasion Thriller Gives Strong Start to 2022! [Indie Horror Spotlight]

The luxury lodge nestled in the wintry woods becomes a character in itself, with Okita using this space to maximize the suspense at every opportunity. Though Sophie and Kelly might be the focal point, Okita injects plenty of thrills. Wide angles capture both Sophie and the thieves as they sneak around, one trying to find the other yet often unaware just how close either are to detection. Okita never ceases to find distinct angles or keep things visually interesting, even when the house’s layout seems to shrink in scope as it becomes more familiar and the plot needs progressing.

See for Me isn’t the first home invasion thriller to feature a protagonist unable to see their attackers. Wait Until Dark remains the most well-known, thanks to one unforgettable climactic scare and Audrey Hepburn as the heroine. A few years later brought Mia Farrow’s See No Evil, which used home invasion as the starting point for psychological horror. Don’t Breathe notably turned the tables on the home invaders. But See for Me offers an authentic performance with a visually impaired actor and gives Sophie agency with flawed complexity.

It’s what keeps Okita’s stylish thriller fresh and fascinating; even after the home invasion thrills evolve into something else. So far, it’s one of the best horror movies of 2022.


Indie Horror Spotlight: Horror media is more crowded than ever, making it challenging to keep up with all of the genre titles available via streaming platforms, VOD, and theatrical releases. It can be overwhelming just to browse. To help prevent great indie horror from slipping through the cracks, we’ll spotlight our favorites every month.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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