Connect with us

Editorials

Five Underseen ‘80s Horror Gems You Should Stream This Week

Published

on

80s horror I Madman

The boon of home video in the ‘80s and the advances in practical special effects meant an overwhelming volume of horror. So much so that many never made the leap from VHS to DVD, and without video stores, discovering the titles that slipped through the cracks can be tricky. This week’s streaming picks are dedicated to underseen ‘80s horror movies.

These five movies run the gamut in style and tone from rare gems that won’t get a physical release any time soon and rarely appear on streaming to wild cult horror with an underground following. As always, here’s where you can watch them this week.

For more Stay Home, Watch Horror picks, click here.


The Keep – Pluto TV

The Keep 80s horror

If you only have time to stream one horror movie this week, perhaps make it this one due to its rarity. Adapted from a novel of the same name by F. Paul Wilson, The Keep is set in 1941 and tells of a group of Nazis taking refuge in an isolated castle in the Romanian mountains. When they inadvertently free an ancient evil from its prison within, an entity named Molasar, they turn to a Jewish historian to help them stop it from killing them all. In turn, it also sets the ancient force of good, Glaeken, on a quest to face off against his foe one last time. Writer/director Michael Mann (CollateralHeat) might’ve disowned the movie, but between his direction, the strange story, and Tangerine Dream’s impeccable score, you won’t see anything like The Keep.


The Seventh Curse – Crackle, Midnight Pulp, Plex

This Hong Kong action/horror/fantasy hybrid dials up the pulp insanity to eleven, delivering an insane crowd-pleaser in the process. After saving a young princess from being sacrificed to the worm god, a cop is stricken with a blood curse. He has seven days to return to the jungle to find the cure, or he’ll bleed to death. Feuds, evil sorcerers, worm gods, vengeful skeletons, monsters, and more get in his way. Expect the blood to flow freely, too, as this is from the same director behind the ultraviolent Riki-Oh: The Story of Ricky. Gather your friends and pizza, and settle in.


I, Madman – Tubi

When Virginia (played by Near Dark’s Jenny Wright) receives a package containing pulp horror novel I, Madman, reading it brings the villainous madman into her world. The lines between fiction and reality blur as Virginia becomes the killer’s target and the body count rises. I, Madman was directed by Tibor Takács (The Gate and Gate 2: The Trespassers). The Gate’s SFX artist Randall William Cook provided the stop motion animation and played the monstrous madman. Creatures, kills, and a pulpy feel make this 80s horror movie a unique slasher.


Dreamscape – IMDb TV, Kanopy, Roku, Tubi

Co-written by A Nightmare on Elm Street 3: Dream Warrior’s Chuck Russell and directed by The Stepfather’s Joseph Ruben, this sci-fi adventure tale embraces horror in a big way. Alex Gardner (Dennis Quaid) is a psychic for hire enlisted for government research to enter others’ dreams. Alex gets entangled in government conspiracy when his dream walking uncovers an assassination plot. Dreamscape frequently leans into horror thanks to recurring nightmares, from apocalyptic dystopias to a nightmarish snakeman.


Paperhouse – IMDb TV, Roku

Before Candyman, Bernard Rose directed this surreal 80s horror fantasy that sees a lonely girl making friends with a sickly boy that she meets in the dream world she created. Dreams sometimes turn into nightmares, though. Rose creates a unique aesthetic with haunting visuals, but the emotional poignancy of the central characters and their journey makes this a real standout. Bleak and heartbreaking, but with innocence and hope.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading