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Silver Scream Con – First Horror Convention from Ice Nine Kills Slays Out of the Gate [Event Recap]

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Silver Scream Con

Rock and Shock served as New England’s premier horror convention for 16 wonderful years before its reign came to an unexpected end in 2019. While several other events admirably attempted to occupy the void left in the local horror community, none were quite able to fill Rock and Shock’s sizeable shoes.

If its debut is any indication, Silver Scream Con is, at long last, a worthy successor to the throne. Created by Massachusetts’ own horror-inspired metal band Ice Nine Kills, the first ever Silver Scream Con took place August 26-28 at the Doubletree Boston North Shore in Danvers, MA.

Rock and Shock catered to the intersection of music and horror, but with Ice Nine Kills’ rabid cult following behind it, Silver Scream Con brought in a new audience beyond die-hard genre fans. Informal polls conducted before each panel consistently showed that more than half of the attendees were at their first horror convention. Moreover, INK frontman/mastermind Spencer Charnas often had the longest line out of all the celebrities.

Cancellations are an unfortunate reality when it comes to conventions, and it can hurt when a headliner has to back out at the last minute. Silver Scream lost Skeet Ulrich the week of the show due to filming commitments, but they promptly replaced him with a fellow Scream star, Jamie Kennedy.

The guest list also included Kane Hodder (Friday the 13th Part VII-X), Nick Castle (Halloween), Bill Moseley (The Devil’s Rejects), Doug Bradley (Hellraiser), Danielle Harris (Halloween 4-5), Tom Arnold (Freddy’s Dead: The Final Nightmare), James Jude Courtney (Halloween 2018), Ari Lehman (Friday the 13th), Felissa Rose (Sleepaway Camp), Paul Soter (Super Troopers), Erik Stolhanske (Super Troopers), Miko Hughes (Pet Sematary), Andrew Bryniarski (The Texas Chainsaw Massacre 2003), Dave Sheridan (Scary Movie), Ricky Dean Logan (Freddy’s Dead: The Final Nightmare), and more.

Upon entering the main floor, attendees were greeted by the sight of the Ice Nine Kills museum, complete with memorabilia from the band’s music videos and live shows. The room featured a variety of vendors ranging from handmade collectibles and artwork to shirts, toys, and posters with the outer perimeter lined by celebrity guests. Those with long lines occasionally caused traffic jams, but for the most part it worked well. A second room housed additional celebrities.

Panels are one of my favorite aspects of any convention, and Silver Scream Con did not disappoint, with MTV’s Ryan J. Downey on hand to host them all weekend. After traversing down a labyrinth of hallways to the designated area, I poked my head in on a standing-room-only Ice Nine Kills panel featuring Charnas with Moseley, Logan, and Hughes, all of whom have appeared in INK music videos.

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I was most interested in hearing Kennedy discuss how Scream captured lightning in a bottle. It came as no surprise that he was funny, but he was also insightful; he shared anecdotes about how viewers identified with his character of Randy, seeing Jaws at the age of five, Scream‘s alternate ending in which Randy asks Sidney out to a movie, and inadvertently ingesting magic mushrooms one night after filming.

When the subject of Wes Craven came up, he relayed a quote from the director that stuck with him: “Just because we’re making a horror movie doesn’t mean the experience has to be horrific.” He’s also a fan of the Radio Silence team behind the new Scream films. “The franchise couldn’t be in better hands, and I’m just lucky to be part of it,” he said, later admitting that he cried during the big death scene in Scream (2022).

A highlight of the hour-long chat was seeing Kennedy’s mind be blown when Downey exposed him to the fan theory that Billy and Stu were queer-coded, with their homicidal tendencies spawning from repressed sexuality. “I’ve gotta get on the Reddit boards,” he quipped.

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Kennedy’s panel was immediately followed by one with Doug Bradley, much of which was unsurprisingly dedicated to Hellraiser and Clive Barker. He admitted that he played Pinhead in eight consecutive movies for the money, but he also said, “I didn’t want anyone else doing it. I was possessive about the part, to a point.” Despite diminishing budgets and unrelated scripts having Pinhead added to them, he stands by his work. “The only one in the series I feel doesn’t work is Inferno, for various reasons.”

It was heartening to hear the horror icon share his thoughts on Jamie Clayton’s casting as Pinhead in David Bruckner‘s Hellraiser reimagining (which you can read more about here). He also talked about working with Cradle of Filth, meeting Ringo Starr in full Pinhead makeup at the 1992 MTV Video Music Awards, being a fan of the band Ghost, and his dream of Guillermo del Toro adapting Clive Barker’s The Scarlet Gospels.

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Cosplayers were out in full force throughout the con, but they were giving a chance to shine during a costume contest on Saturday evening. The kid’s competition was stolen by a Krampus, while the adults featured with a plethora of worthy entrants ranging from Dani from Midsommar in a hand-painted dress (who took home the top prize) to a Wendigo on stilts and two different takes on Stranger Things‘ Eddie Munson.

The weekend’s festivities also included in-costume photo ops with Ice Nine Kills, Hodder, Moseley, Harris, Bryniarski, and hip-hop duoTwiztid. Friday night featured a karaoke party, complete with celebrity participants. On Saturday night, Ice Nine Kills headlined an intimate, sold-out concert at the nearby Cabot Theater in Beverly, MA with support from Twiztid and Lehman’s band, First Jason.

In all my years attending conventions, rarely have I seen a first-year operation run as smoothly and with such a strong turnout. Everyone I spoke to celebrities and attendees alike seemed impressed as well. I’d love to see it expand to utilize more space, thereby creating room for additional vendors and a less cramped environment in the future. Sequels are almost always inevitable with horror movies, after all, so I’m already looking for Silver Scream Con Part 2.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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