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10 ‘Scooby-Doo!’ Episodes and Movies That Are Perfect for Halloween!

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scooby halloween

The Scooby Gang can’t take a step without running into some kind of villain; they’re constantly chased by things that go bump in the night. Ever since 1969, the iconic Great Dane and his loyal companions have found themselves in trouble wherever they go, in or out of Coolsville. And though it may seem unnecessary to work Halloween into any given story, seeing as Scooby-Doo! doesn’t ever need a special occasion to get creepy, there’s something irresistible about those mysteries set on All Hallows’ Eve.

The long-running franchise has certainly amassed a staggering amount of cases over the years, but these ten stand out due to their Halloween backdrops.


Scooby-Doo, Where Are You!
To Switch a Witch

Scooby-Doo

In this episode from the series that started it all, the Scooby Gang visits a friend named Arlene (voiced by Judy Jetson actor Janet Waldo) in Salem. There’s no time for Halloween shenanigans, though, because the people of Salem are being stalked and menaced by an evil witch! What makes this mystery even stranger is the fact that the witch looks just like Arlene, who happens to be witch’s descendant.

To Switch a Witch, which was later repackaged as an episode of The Scooby-Doo Show, is available on HBO Max.


The Scooby-Doo Show
The Headless Horseman of Halloween

halloween

New Scooby-Doo! episodes produced in the ’70s, with the exception of The New Scooby-Doo Movies, were repackaged as The Scooby-Doo Show for syndication and home video. This includes select episodes from Where Are You! The Headless Horseman of Halloween, which was originally made for The Scooby-Doo/Dynomutt Hour, takes place in Sleepy Hollow when the village was still called North Tarrytown. The official name change came about in 1996.

In the episode, Mystery Inc. and Scooby-Doo’s cousin Scooby-Dum are at a Halloween party at Crane Manor when they encounter the infamous Headless Horseman. This episode can also be found at HBO Max.


The New Scooby-Doo Mysteries
A Halloween Hassle at Dracula’s Castle

When ratings started to slip in the ’70s, the franchise pulled a “Cousin Oliver” and introduced Scrappy-Doo. As Scooby-Doo’s young nephew started to receive top billing, other characters were written out; Daphne, Fred and Velma were all dropped until the ’80s, with only Daphne returning at first in The New Scooby and Scrappy-Doo Show (later The New Scooby-Doo Mysteries). Fred and Velma, who hadn’t been seen for five years, eventually had recurring roles in the series.

In the two-parter A Halloween Hassle at Dracula’s Castle, the whole Scooby Gang is reunited. They’re all invited to a costume party, where the hosts turn out to be real monsters. Dracula and his friends all seem menacing until it’s revealed they need help getting rid of a ghost. These two episodes are available at Tubi.


A Pup Named Scooby-Doo
Ghost Who’s Coming to Dinner

A Pup Named Scooby-Doo de-aged the core characters so they were back in elementary school. “Babyfication” was popular among late ’80s and early ’90s cartoons, yet in this case, the treatment breathed new life into the series. This fresh take on the Scooby Gang is outright irreverent, with some of the more distinct characteristics carrying over into future properties.

In the Halloween episode Ghost Who’s Coming to Dinner, the kids’ night of trick-or-treating comes to an abrupt stop when they land an unexpected case; a real ghost asks for their help. If they can’t solve their client’s mystery, the ghost may end up moving on to the afterlife. This episode and the rest of A Pup Named Scooby-Doo are available through Boomerang.


The Scooby-Doo Project

As part of a Scooby-Doo! marathon on Halloween in 1999, Cartoon Network aired an original segment called The Scooby-Doo Project. The live-action animated short was initially shown in parts before the whole thing was played in full at the end of the marathon. An extended ending was included, too.

As the title suggests, this featurette parodies the box-office hit The Blair Witch Project. Now, it wasn’t uncommon to see media imitations of the popular found-footage horror movie around this time, although some critics thought The Scooby-Doo Project was one of the better takes. The success of the short inspired Cartoon Network to make another Halloween special in 2001 called Night of the Living Doo.


What’s New, Scooby-Doo?
A Scooby Halloween

halloween

Scooby-Doo had largely become a direct-to-video franchise starting in the mid-’90s, all thanks to the success of Zombie Island and its follow-ups. However, Mystery Inc. finally returned to the small screen with What’s New, Scooby-Doo? in 2002. This was the first all-new TV show since A Pup Named Scooby-Doo ended in 1991. The series was essentially an update of the original, though there were changes, especially to Fred. In addition, popular musicians often performed the chase songs.

In A Scooby-Doo Halloween, the group visits Velma’s aunt, uncle and cousin for the October holiday. Once there, the Scoobs get enmeshed in a new case; sinister scarecrows and a ghost are on the attack. The chase sequence here is accompanied by “Shout It Out Loud” by KISS, who make an appearance in the episode. What’s New, Scooby-Doo? can be found on HBO Max.

Anyone wanting more scarecrow scares can also watch the 2013 featurette, Scooby-Doo! and the Spooky Scarecrow, on the same platform.


Scooby-Doo! and the Goblin King

halloween

The twelfth entry in Warner Bros. Animation’s series of Scooby-Doo films is fairly unique for the time. For the most part, the villains in these stories almost always turn out to be regular people in disguises, or  they’re using advanced technology to pull off their schemes. Meanwhile, The Goblin King is reminiscent of The Boo Brothers, The Ghoul School, and The Reluctant Werewolf. Like that trilogy of movies, the supernatural elements of this story are genuine.

On Halloween night, the Scooby Gang encounters the Goblin King and learn magic is indeed real. This leads to Shaggy and Scooby then entering the underworld to save their friends. Fans can find this and other WB Animation Scooby movies on HBO Max.


Be Cool, Scooby-Doo!
Halloween

halloween

Scooby-Doo! Mystery Incorporated was a tough act to follow, but at the same time, there really was no way to outdo such an unparalleled series. On the other hand, the serialized storytelling of the aforesaid show might have been seen as an obstacle, so the franchise resumed an episodic format. On top of that, Be Cool, Scooby-Doo! is notably quirky and less serious. The ultra-stylized character designs divide fans as well.

In Halloween, Fred’s issue with the holiday is revealed when he and the other Scoobies come across a mean witch named Baba Yaga. This underappreciated series is streaming in full on HBO Max now.


Happy Halloween, Scooby-Doo!

The newer Scooby-Doo! movies have only gotten bigger and bolder with age. Happy Halloween, Scooby-Doo! sees Mystery Inc. teaming up with the Mistress of the Dark herself, Elvira, when a mysterious ooze turns pumpkins into monsters. The addition of Dr. Jonathan Crane, who Batman fans recognize as The Scarecrow, only adds more fuel to the fire.

The 2020 movie reaches near spectacle level as several opposing forces converge on Halloween night. At the moment, Happy Halloween, Scooby-Doo! is available at many digital retailers as well as on home video.


Trick or Treat Scooby-Doo!

The most recent Scooby-Doo! movie begins with Mystery Inc. capturing the mastermind behind all the other villains’ costumes: a genius fashion designer named Coco Diablo. Crime everywhere takes a nosedive with Coco now in prison, but the Gang needs her help when a pack of ghoulish lookalikes show up around Halloween.

Trick or Treat is the first movie to use the character designs from Scooby-Doo and Guess Who?, and it’s also the first property to openly identify Velma Dinkley as queer after a history of coding. The movie can be found on home video and at digital retailers, and it will have its TV premiere on Cartoon Network on October 14 before finally becoming available on HBO Max.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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