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‘Scream VI’ – Identifying All the Franchise Easter Eggs in the Ghostface Shrine!

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Scream VI Easter Eggs

“I’m something different.” So says Ghostface to Gale Weathers in the new trailer for Scream VI, reinforcing the “New York. New rules.” tagline. And while that may be true, there’s certainly no shortage of references to the past. The trailer reveals Ghostface’s macabre shine featuring wardrobe and props from both past killers and their victims.

Here are all the Scream VI Easter Eggs we spotted in the new trailer…

Steve’s varsity jacket – Ghostface’s first victim in the original Scream is Casey’s boyfriend, Steve (“He’s big and he plays football, and he’ll kick the shit out of you!”). His Woodsboro High School varsity jacket is on a mannequin along with the duct tape that was used to bound him and, it appears, the actual chair he was murdered in.

Stu’s robe – I know a lot of fans want to see Stu return, but all signs point to him being dead. The Hugh Hefner-esque red robe that he rocks over his sweater at the party in Scream is on display.

Stu’s TV – Speaking of Stu’s fate, brightening the footage reveals the TV that crushed his head in the background of the shrine.

Tatum’s outfit – Who could forget the loud outfit that Tatum wore to the house party in Scream? Both the short sleeve turtleneck sweater and the kaleidoscopic skirt are on display.

Billy’s shirt – Billy made a posthumous return in Scream (2022), but his shirt from the original film is prominently displayed. The white tee is stained red with a combination of real blood and corn syrup (“Same stuff they used for pig’s blood in Carrie.”)

Kenny’s hat – A baseball hat is displayed backwards on a mannequin. That has to belong to Kenny, Gale’s ill-fated cameraman from Scream.

Aeschylus props – A mask from Windsor College’s stage production of Aeschylus’ Greek tragedy Agamemnon is featured, along with the sun prop on which Derek was crucified before being shot in Scream 2.

Debbie’s outfit – The blazer that Debbie Salt (AKA Nancy Loomis) wears during Scream 2‘s big reveal is on a mannequin, accompanied by the pistol she used to shoot Mickey.

Stab 3 production materials – The slate from the set of Stab 3, a script for the movie, and a film reel from Scream 3 are visible.

Fax machineScream 3‘s infamous, electricity-defying fax machine can be glimpsed, half charred as the result of the explosion that killed Tom.

Frying pan – Bodyguard Steve Stone is hit with a frying pan after being stabbed in the back by Ghostface in Scream 3, and that very pan appears to be part of the collection.

Olivia’s shirt – Olivia suffered one of the franchise’s most grisly demises in Scream 4, and Ghostface has her bloody, tattered shirt to prove it.

Jill’s outfit – Sorry for those hoping for Jill to return, but her bloody flannel shirt from Scream 4 seems to confirm that she’s gone for good. But hey, at least Kirby is back!

Woodsboro Police uniform – A bloody Woodsboro Police uniform can be seen behind Dermot Mulroney. It’s hard to tell for sure, but it could belong to Dewey from Scream or Scream 2 or either Hoss or Perkins from Scream 4.

Gale Weathers books – Several of Gale’s books — including College Terror, Hollywood Horror: the True Story of Stab 3, Knife of Doom, Clock of Doom, and Knife of the Hunter — can be seen in a display case.

Ghostface robes – Nine different black robes are carefully arranged on stage. That’s one for each killer (Billy, Stu, Mickey, Debbie, Roman, Charlie, Jill, Amber, and Richie), so our new Ghostface is nothing if not thorough.

Stab memorabilia – A case full of Stab memorabilia features a mask, fake knife, and costume like the ones handed out in the opening of Scream 2, along with Blu-rays, a shirt, and more.

Woodsboro High flag – What appears to be a Woodsboro High flag hangs from a flagpole. The school is prominently featured in both the original Scream and Scream (2022).

Bloody knife – The trailer shows Sam inspecting a bloody knife from the Ghostface collection. Although its origin is impossible to define, I wonder if it’s from the events of Scream (2022) — perhaps the one she used to kill Richie — given Sam’s attraction to it.

Various character sketches can also be seen throughout the shrine, along with other Easter Egg objects I wasn’t able to identify from the brief glimpses we get in the Scream VI trailer.

Did I miss anything? Let me know in the comments!

Scream VI Easter Eggs trailer

Scream VI Easter Eggs shrine

Scream VI Easter Eggs ghostface shrine

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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