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Shudder’s ‘Attachment’ and 5 Great Dybbuk Stories from Film and TV

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Jewish horror certainly isn’t new. ‘The Dybbuk,’ a play by S. Ansky about the Jewish folkloric demon, was first performed in 1920. Since, there have been many stories of the mythological nightmare, from stage to screen and otherwise. The dybbuk is named for the word “to cleave” or “to cling,” referencing the demon’s way of latching onto a living body. It’s a soul of a dead person that takes up a living host, possessing them until it is able to accomplish its goal.

Unlike Christian demons we’re used to seeing in films, dybbuks aren’t cohorts of the devil, but souls of the dead who are unable or unwilling to move on due to unfinished business. Movies like The Unborn (2009), The Possession (2012), and Ezra (2017) used the dybbuk, but each fell into a common trap. We won’t spend time tackling the 2003 created “dybbuk box,” but suffice it to say that film adaptations that used it were leaning on a bit of a modern ruse rather than ancient lore.

Now, in a post The Vigil world, Jewish horror has again begun to lean on Jewish folklore, and Gabriel Bier Gislason’s Attachment has given us a new dybbuk story with the scent of the old world. Inspired by this beautiful film’s use of Jewish folklore and mysticism, here are five dybbuk stories worth checking out.


Attachment — Shudder/ AMC+

Of course, we should start with the inspiration. Attachment, which recently landed on Shudder, is a tale of two women in love struggling to fit into each other’s lives. After a fast and furious love connection, Maja (Josephine Park) follows Leah (Ellie Kendrick) back to her London flat that’s part of a duplex shared with her mother, Chana (Sofie Gråbøl). There, Maja witnesses what seems like religious fanaticism turned into mental illness where Chana is constantly and meticulously controlling Leah’s space using amulets, potions, and obsessive organization. Getting hints from Leah’s uncle, Lev (David Dencik), Maja tries to grasp the strange happenings and to rescue Leah before her mother harms her. But as the mystery progresses, it becomes less clear who the real danger is, Chana seeming to believe that Leah might be hosting another soul. This special movie leans heavily onto ancient Jewish mystic practices and demonology to tell a stunning tale of love, fear, and possession. Staying close to the folkloric roots, it makes for an exciting adaptation of fear and what it might push a religious person to do to handle it.


Demon — Roku/ Tubi/ Kanopy

With shades of S. Ansky’s infamous play, Marcin Wrona’s Demon centers on a possession at a Jewish wedding. This Polish feature from 2015 tells the story of a groom, Piotr (Italy Tiran), possessed on his wedding night by the soul of a bride who was buried near his home. Demon is a rich story that leans on Ansky’s play (about a bride being possessed by her would-be groom) to create an allegory about the Polish and Jewish relations before and after the second World War. Historically, dybbuks were a common scapegoat for many illnesses, particularly mental illness. In this story, a doctor and a priest disagree about Piotr’s ailment, and it’s the Jewish teacher who suspects he is being tormented by a dybbuk. Demon is a stunning horror story that captures all the messiness of a possession at a grand affair and uses ancient lore and early Jewish horror texts to create something magical.


A Serious Man — VOD

Joel and Ethan Cohen’s story of a physics teacher’s series of unfortunate events is mostly a pitch-black comedy leaning on Jewish culture for its themes. While the Coens allege the film’s opening scene has no bearing on the rest of the story, it suggests a Jewish curse might be following Larry (Michael Stuhlbarg). In a spooky prologue set in a nineteenth century shtetl, a man is convinced he’s spent time with a chum named Reb. His wife is less convinced, knowing Reb to have passed long before, insisting the man he saw was a dybbuk. It’s not certain what they encountered when a seemingly living Reb comes by their home for some soup, but the unphased woman plunges a sharp object into his chest and happily sets evil on its way. Not spending much time with the dybbuk lore, the greater film focuses on stumbling through faith for comfort in trying times and this story of a Jewish curse sets the stage.


Possessions — HBO Max

This French and Hebrew language series is more murder mystery than demon haunt. Reminiscent of Ansky’s play and Demon, this story starts with a tragedy at a wedding. Natalie (Nadia Tereszkiewicz) has just been wed to Eran (Imri Biton) and is about to cut the cake to celebrate their union. Before the knife has a chance to slice the confection, the lights go out, and turn back on to reveal Eran has been stabbed to death with it. Of course, Natalie looks guilty, but with her insistence of her innocence, the story turns into an investigation into who really killed Eran and what might be behind Natalie’s perplexing behavior. The secrets of this six-episode HBO Max thriller are best kept, but by leaning on weddings, mysterious happenings, denial of violent behavior, and Jewish superstition, Possessions (I mean, really, the title alone) is dusted in dybbuk themes. Though nothing like The Exorcism of Emily Rose in style, the stories share the method of pitting folklore and rituals to remove a curse up against the rational world’s desire for a scientific explanation. Intentionally blending the two, Possessions gets to have a murder mystery soul attached to a supernatural story’s body.


Difficult People — Hulu

Billy Eichner and Julie Klausner’s riotous comedy series often highlights their Jewish roots, including when Billy’s character visits his brother who lives Orthodox. In the third season episode, Code Change, Billy is summoned by his sister-in-law Rucchel (Jackie Hoffman) when she suspects she might have a dybbuk in her house. Though dybbuks aren’t particularly known to haunt homes like a lost poltergeist, the show’s writers probably leaned on the comedic theory that words with the sounds “kuh” are funny and wanted to use that piece of Yiddish lore for the bit. This theory is completely evidenced by how funny it is when Billy keeps repeating “dybbuk” as he argues with Rucchel about what is really making the clanging sounds in her basement. The reason this whole gag works is because it allows the show to take Billy’s version of Judaism and bring it to his brother’s Orthodox house, showing the different versions of the religion and ethnicity that all exist within his family. Then it has a big laugh when Billy is forced to gather a minyan and create a sure-fire way to exorcise the demon from his brother and sister-in-law’s home.

Editorials

The 6 Most Skin-Crawling Moments in Shudder’s Spider Horror Nightmare ‘Infested’

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Infested Shudder - Spider Horror Moments

Director Sébastien Vaniček has been set to helm the next Evil Dead movie, and it’s easy to see why with his feature debut, the spider horror movie Infested. Playing like a cross between Attack the Block and Arachnophobia, Infested makes you care about its characters while delivering no shortage of skin-crawling spider horror moments.

Available now on Shudder, Infested follows Kaleb (Théo Christine), a lonely 30 year old who’s estranged from his best friend and at odds with his sister over their crumbling apartment. His dreams of opening a reptile zoo get drastically thwarted when he brings home an illegally acquired desert spider, one that happens to be gravid, and it gets loose. One hatched egg sac gives way to hundreds more, plunging the apartment building into a visceral arachnophobic nightmare.

It’s not just that Infested employs real spiders for many of the skin-crawling horror moments that make it so effective, though that certainly is a factor. Or in the way the spiders’ venom inflicts a painful, grotesque demise. It’s in the constant escalation of the horror and the way Vaniček captures the arachnids on screen. These eight-legged terrors may not exist in the real world, thankfully, but the movements look authentic enough to make you squirm. That authenticity, the high octane energy, and the constant rise and fall of palpable tension as the spiders skitter about and wreak devastation are enough to leave viewers curling into the fetal position.

While Infested offers no shortage of arachnophobia-inducing moments, from tiny shoebox origins to giant garage encounters, we’re counting down six of the most skin-crawling moments of spider terror. Warning: some plot and death spoilers ahead…


6. Shoe Babies

Infested web covered shoe

Poor Toumani (Ike Zacsongo). He finally gets a shiny new pair of coveted sneakers after wearing his to the point of falling apart, only to get bit by a spider when he tries them on. It’s a move straight out of Arachnophobia. Director Sébastien Vanicek draws out the tension in this unsettling scene; the audience knows there’s a spider somewhere in that box as Toumani struggles with the light switch (hell, foreshadowing) before finally giving up to test his new kicks on the stairwell. That his sweet canine companion is with him heightens the suspense as we wait for the metaphorical shoe to drop. Vanicek doesn’t give his audience a reprieve when Toumani smashes the culprit behind his bite, though. A second look inside the shoe reveals the spider had a host of small babies that skittered across Toumani and inflicted even more spider trauma.


5. Air Duct Infestation

Spider in Infested

Madame Zhao (Xing Xing Cheng) is introduced as the tough building custodian who tirelessly works to get the crumbling building in order, which is no easy task. That makes her one of the first to notice the infestation as she carefully picks up a smashed spider and arms herself with bug spray, and she notices telltale signs of webbing. Zhao uses caution when handling the carcass and even more when attempting to clear the vents with her spray. In a normal world, the pesky spider problem would’ve been handled or at least slowed until professionals could show up. But this isn’t a normal spider situation and the moment Zhao pokes her head up into the vent to check the aftermath, she’s face hugged by a venomous arachnid. Vanicek ensures this terrifying moment comes with maximum suspense. We know what’s going to happen, and that makes it all the more excruciating to watch.


4. Never Put Your Face in a Spider Hole

Spider horror movie Infested

Vanicek paints a visceral picture of what happens when you put your face in a spider hole in the film’s opening sequence. That brutal lesson lingers as Infested unfurls one of the most intense spider invasions on film in a long while. Seeing the consequences of an illegal trapper getting face hugged in the intro makes what happens to Moussa (Mahamadou Sangaré) all the more skin-crawling. His attempt to squash a giant spider lurking on his bedroom wall creates a hold in the wall, and Vanicek again slows time to an unbearable degree to let Moussa discover the hard way why some dark crevices, holes, and hidden spaces are better left alone.


3. Prime Time TV Watching

Spider horror moment sees spider crawling out of human mouth

When the infestation has fully taken root, and the dire situation has convinced the protagonists to finally flee, Kaleb insists they also attempt to save the long-term residents that were there for him and Manon (Lisa Nyarko) when their mom died. It heralds a harrowing montage that demonstrates the physical and emotional devastation the spiders are causing. Most unsettling of which highlights the fate of Claudia (Marie-Philomène Nga), a parental figure to the siblings. Kaleb and Mathys (Jérôme Niel) enter her dimly lit apartment and find her seated in front of the TV. Though she appears to be sleeping peacefully, Vanicek terrifies with the sudden burst of spiders from the back of Claudia’s head. A quick shot later reveals that Claudia was infested from the inside out, and the image is pure nightmare fuel.


2. Bathroom Attack

Infested drain spiders, the horror!

Lila (Sofia Lesaffre) is deeply arachnophobic, so she understandably freaks out when she spots a giant spider while she’s using the bathroom. She screams for her boyfriend, Jordy (Finnegan Oldfield), to rescue her, who gallantly brings a glass to collect it. Of course, it doesn’t go well. Jordy eventually gives up and smashes it, scattering the babies on its back everywhere, just in time for dozens more to bubble up from the shower drain. Vanicek dials up the intensity of this scene from the start by showing the audience that there are far more spiders lurking about than an oblivious Lila knows. Keeping her in the dark lends unpredictability, but the anxious screaming from everyone, including nervous friends in the hall, only increases the stress of the unexpected attack. The constant misdirection and frenetic camerawork ensure this sequence gets your heart pumping out of fear.


1. Bad Timing in the Webbed Corridor

Infested Manon

Early foreshadowing made it clear that the building’s broken timer on a crucial light switch would become a problem later. And boy does it. When the protagonists come upon it in their bid to escape, they find it now transformed into a webbed tunnel filled with an obscene amount of venomous spiders. The only path forward is through it, but the faulty timer leaves them vulnerable to death when the lights go out. Naturally, Vanicek wrings as much dread from this scenario as possible, leaving Manon (Lisa Nyarko) very nearly caught. The group hits a dead end, forcing them right back into the webbed corridor, which leads to one of the film’s most emotionally painful scenes. Everything about this particular hallway is a skin-crawling nightmare, from the close brushes with spider bites to the dizzying way Vanicek captures the sheer scale of the infestation within this hall alone. 

Infested is now streaming on Shudder.

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