Editorials
Six of the Best Modern ‘Frankenstein’ Retellings While You Wait for ‘Poor Things’ This Year
Have you ever had a vacation so iconic that people are still talking about it over two centuries later? Mary Shelley sure did, with her infamous getaway alongside Percy Shelley, John Polidori, Claire Clairmont and their host Lord Byron resulting in some of the most influential genre fiction of all time. And while Byron’s Darkness and Polidori’s The Vampyre have their merits, it’s pretty clear that Frankenstein remains the most enduring product of that fateful literary holiday.
That’s why it’s no surprise that we’re still seeing fresh adaptations of The Modern Prometheus well into 2023, with Yorgo Lanthimos’ Frankenstein inspired Poor Things proving that there are still new ways of exploring the tragic horror of Shelley’s immortal yarn. And with so many great adaptations to choose from, we’ve decided to come up with a list celebrating six of the best modern Frankenstein retellings for your viewing pleasure.
For the purposes of this list, we’ll be considering any Frankenstein film that attempts to update the Victorian story for contemporary sensibilities as a modern retelling even if the movie itself was produced decades ago.
As usual, don’t forget to comment below with your own favorite Frankenstein retellings if you think we missed a particularly good one.
Now, onto the list…
6. Frankenstein (2004)
Originally meant to be a pilot for a un unproduced television series, USA Network’s Frankenstein had a lot going for it. Produced by Martin Scorsese and directed by Marcus Nispel (who previously helmed 2003’s The Texas Chainsaw Massacre remake), the TV movie was supposed to be a collaboration with acclaimed genre writer Dean Koontz until the troubled production led the author to abandon the project and adapt his ideas into a series of novels instead.
While the finished film isn’t exactly a masterpiece (with the script’s origins as a pilot resulting in a haphazard finale), there’s still a lot of fun to be had with this stylish little murder mystery. It also boasts a great cast, featuring everyone from Parker Posey to Michael Madsen as it tells the story of a New Orleans detective who teams up with one of Frankenstein’s creations in order to take down his fellow monsters.
5. Frankenhooker (1990)
One of the most underrated directors of his generation, Frank Henenlotter is the master of high-quality schlock. From Brain Damage to Basket Case, you know you’re in for a wild ride when you step into a Henenlotter picture, and that’s exactly why Frankenhooker makes it onto this list despite only loosely adapting Shelley’s original idea.
Sure, the story of a mad scientist attempting to rebuild his fiancé from dead hooker parts is decidedly goofy and in bad taste, but there’s a surprisingly poignant message behind the blood, guts and sexual innuendo here. Hell, even Bill Murray promoted the film back in the day, saying that “if you see one movie this year, it should be Frankenhooker”; and I’m not about to argue with Dr. Venkman.
4. Frankenstein vs Baragon (1965)
Some films speak for themselves, and that’s definitely the case with 1965’s Frankenstein vs Baragon. Directed by Ishirō Honda (who previously helmed the original Godzilla), FvB tells the story of Japanese Imperialists who acquire the heart of Frankenstein’s Monster from the Nazis and experiment on it during the Second World War. Unfortunately, their research compound is located in Hiroshima and is promptly destroyed by America’s nuclear attack. 15 years later, a feral boy is found amongst the ruins, with scientists discovering that this miraculous child is resistant to radiation and can grow to an enormous size. Naturally, this leads to a fight between gigantic monsters as the growing child must face a burrowing dinosaur that puts all of Japan in danger.
If that batshit crazy plot summary isn’t enough to convince you to seek out this forgotten Toho gem, I don’t know what will. Just be prepared for plenty of rubber suits and miniatures as the reborn Frankenstein is reimagined as a budding Kaiju.
3. Monster Squad (1987)
Fred Dekker’s Monster Squad isn’t exactly a retelling of Mary Shelley’s opus, only featuring her iconic creation as one part of a larger monstrous ensemble, but the film still boasts one of the best modernized versions of the character (as well as the rest of Universal’s classic monsters).
In fact, the flick makes it onto the list because the so-called Monster actually decides to aid the titular squad instead of joining Dracula’s evil gang, making him one of the protagonists of this cult classic piece of gateway horror.
And here’s a fun fact for you: Monster Squad’s incarnation of Frankenstein’s Monster was brought to life by Tom Noonan, who had previously played the monstrous Francis Dolarhyde/Red Dragon Killer in Michael Mann’s Manhunter!
2. Frankenstein (2015)
While horror fans mostly remember him for 1990’s Candyman, Bernard Rose has directed quite a few memorable films over the years. One of my personal favorites of his genre output is his 2015 reimagining of Frankenstein, a monster-focused drama which leaned heavily into the tragic elements of Shelley’s somber tale.
The film’s reliance on soap-opera-esque melodrama means that it’s not exactly everyone’s cup of tea, but even the harshest critics have to admit that the passionate direction and memorable performances (courtesy of a talented cast including the likes of Carrie-Anne Moss, Danny Huston and Xavier Samuel as our lead character) elevate this familiar story to a genuinely emotional piece of filmmaking.
1. Depraved (2019)
We’ve already raved about Larry Fessenden’s reinvented monsters in the past, but the New York director remains unmatched when it comes to adding genuine human pathos to what could easily have been run-of-the-mill creature features. This is best exemplified by his Frankenstein adaptation Depraved, which adds a whole new level of tragedy to the story by focusing on the difficulties of raising a monstrous “child”.
Sure, the film is much sadder than it is scary (even more so than Bernard Rose’s version), but the memorable finale makes it my favorite retelling of Shelley’s story, modern or otherwise. And that’s why I can’t wait to see what Fessenden does with his updated take on the Wolfman in his upcoming Blackout.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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