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Five Horror Fairy Tales to Stream This Week

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Snow White A Tale of Terror
Pictured: 'Snow White: A Tale of Terror'

One of this week’s most notable new releases is Lionsgate’s big screen horror movie Cobweb, a horror fairy tale of sorts from first time feature film director Samuel Bodin. Bodin’s no stranger to the realm of violent fairy tales for adults; the filmmaker’s direction on Netflix’s Marianne unleashed no shortage of visceral scares unleashed from a fairy tale realm.

This week’s streaming picks center around horror fairy tales, whether they’re direct adaptations or inspired by them. All blend horror and fantasy to deliver cautionary bedtime tales.

Here’s where you can stream these horror fairy tales this week.

For more Stay Home, Watch Horror picks, click here.


The Company of Wolves – AMC+, Kanopy, Shudder

Horror Fairy Tales The Company of Wolves

In Neil Jordan’s film, young Rosaleen falls asleep at her home and dreams of menacing wolves, many of which disguise themselves as men. All of which makes for a dark metaphor for Rosaleen’s sexual awakening in adolescence. Fairy tales often double as coming-of-age horror stories to impart invaluable cautionary tales. The Company of Wolves uses dream logic to walk the fine line between childhood and adolescence through multiple tales that use “Red Riding Hood” as a narrative base. Beware the man whose brows meet in the middle. 


Fragile – AMC+, freevee, The Roku Channel, Shudder, Vudu

fragile 2005

Before Jaume Balagueró teamed up with Paco Plaza to unleash one of the most terrifying movies of the decade, [REC], he proved an aptitude for delivering chills with this underseen haunted hospital fairy tale. Calista Flockhart stars as Amy, a nurse brought on to the night shift in the children’s ward at an old hospital in the process of closing. Amy has her demons to battle, but her new gig comes with a malevolent ghost. Fragile is creepy and atmospheric with effective scares, but even better is that Balagueró gives this ghost story an emotional center loosely inspired by Sleeping Beauty.


Nightbooks – Netflix

Horror Fairy Tales Nightbooks

Alex (Come Play’s Winslow Fegley) adores scary things. So much so that his birthday party looks more like a Halloween party, complete with costumes, décor, and candy. But when no one shows up, prompting a concerned but hushed conversation between his parents, Alex runs away. Alex doesn’t get very far; he passes by an apartment with an open door and the TV playing The Lost Boys. It’s a trap. Alex gets stuck inside the magical apartment and forced to tell an evil witch (Krysten Ritter) a scary story every night if he hopes to live. Alex must team up with another prisoner, Yasmin (Lidya Jewett), to find a way to escape. It’s a whimsical horror-fantasy movie produced by Sam Raimi, aimed at the horror-loving monster kid, young or young at heart. Come for the vibrant gateway fairy tale terror, and stay for Ritter’s scene-chewing performance as a wicked witch.


Snow White: A Tale of Terror – The Roku Channel

Snow White A Tale of Terror Horror Fairy Tales

The opening sequence, which sees Sam Neill’s Lord Hoffman forced to perform a cesarean section on his dying wife amidst wolves and snow, signals a drastic departure from Disney’s version of Snow White. Hoffman’s daughter Lilli (Freddy vs. Jason‘s Monica Keena) does grow into a fair maiden forced to seek refuge from seven miners thanks to homicidal wicked stepmother Claudia (Sigourney Weaver). Still, this horror twist affords more empathy for its villainess. It’s Weaver’s compelling portrayal of Claudia and embrace of blood, sex, and Satanic conjurings that makes this worth checking out.


Tale of Tales – AMC+, Kanopy, Tubi

Horror Fairy Tales Tale of Tales

Based on a collection of stories by Italian poet Giambattista Basile, Pentamerone, this dark horror fantasy film is an anthology that delves into the earliest versions of well-known fairytales. With three stories about obsession, all taking place in one kingdom, this fairytale isn’t afraid of gruesome bloodshed. With monstrous fleas, aquatic dragons, ogres, witches, and a vain king who prefers to flay the skin of his victims, this is not a bedtime story for kids. It also boasts a large ensemble cast of recognizable talents like Salma Hayek, John C. Reilly, and Vincent Cassel.


Bonus: Mal de Ojo (Evil Eye) – ViX Premium

Evil Eye (Mal de Ojo)

Director Isaac Ezban (The SimilarsThe Incident) shifts gears for a horror fairy tale that blends Dominican myth and Mexican folklore with modern sensibilities for an emotionally charged, witchy story full of blood. It follows Nala (Paola Miguel) as she’s left alone with a grandmother she’s never met and a sickly younger sister, Luna (Ivanna Sofia Ferro). A haunting bedtime story leaves Nala convinced that Grandma is a nefarious witch, and horror ensues. Because Mal de Ojo is currently only available in Spanish, consider this a bonus watch.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

5 Things We Learned From The ‘Whalefall’ Trailer

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Whalefall trailer breakdown

Pulitzer Prize-winning author Daniel Kraus took the literary world by storm back in 2023 with the release of his hit novel Whalefall. A terrifying yet intimate survival thriller with mythological undertones, the book was almost immediately bombarded with offers from movie studios wanting to adapt its claustrophobic imagery to the big screen.

Fast forward to June of 2026, and we finally got our first glimpse at Brian Duffield’s long-awaited adaptation of Whalefall, starring Austin Abrams as our unfortunate lead who gets swallowed alive by a sperm whale. While this two-and-a-half-minute teaser only covers the beginning of the story, it’s already been making waves online (and in-person at select 4DX promotional screenings) as one of the most stressful cinematic experiences of the year.

In fact, my own wife had to cover her eyes and exclaim, “You’re definitely not dragging me to watch this one” when we saw the whale’s jaws begin to close in on Abrams, with this incident alone already leaving me convinced that this will likely be one of the biggest genre hits of the year. With that in mind, I’d like to invite you to take a closer look at the teaser in order to break down interesting details and get a better idea of what’s in store for genre fans when the movie finally comes out this October.

Of course, as usual, don’t forget to comment below if you noticed something we didn’t!

Now, without further ado, here are five things we learned from the Whalefall trailer!


5. Austin Abrams Performed Many of His Own Stunts

Much like in his previous film, No One Will Save You, Duffield insisted that this visceral experience should be grounded by our main character’s believable reactions, regardless of the plot’s effects-heavy setup. That’s why the camera always makes sure to linger on Abrams through his diving mask, so we know that it’s really him going through this ordeal alongside the audience.

While plenty of CGI was used in order to bring this larger-than-life story to the big screen without killing our leading man, Abrams apparently insisted on performing many of his underwater stunts himself (several of which are visible in the trailer) – much to the chagrin of a worried Duffield and the flick’s stunt coordinator, Shauna Duggins.


4. The Film Seamlessly Transitions Between the California Coast and Underwater Sets

Duffield obviously wasn’t about to drag his crew out to the middle of the ocean and shoot inside a real sperm whale, but it’s reassuring to see the filmmaker blend on-location footage with the underwater tank segments and the literal belly of the whale set.

There may be plenty of CGI stitching these elements together, but the trailer shows us that only the truly impossible shots are completely digital, meaning that the filmmakers didn’t take the easy way out when it came to adapting this unique story.


3. The Whale is Only Part of the Story

Book adaptations tend to leave out inner monologues and the occasional flashback in order to streamline the narrative (which is one reason why it’s so difficult to translate Stephen King novels to the big screen), but a claustrophobic parable like Kraus’ Whalefall would get a bit dull after a while if the whole thing was entirely set within the creature’s stomach.

That’s why it’s such a relief that the trailer hints at how Duffield will also be adapting many of the book’s introspective moments chronicling our protagonist’s harsh upbringing under his troubled father. Not only do these inclusions give the audience some much-appreciated breathing room, but they also give Josh Brolin a chance to shine as a truly complicated character.


2. The Movie is Keeping the Book’s Scientific Accuracy…

Whalefall

While Kraus’ novel was inspired by a viral video of kayakers nearly being swallowed by a humpback whale, the writer ended up consulting with marine biologists about exactly what kind of situation might lead to a whale actually eating a human being alive.

The answer was surprisingly specific, as cetaceans are almost universally known to be friendly towards humans. However, even a gentle giant can make mistakes, and as we see in the trailer, Abrams’ unpleasant fate is more of an accident than anything else – with the massive sperm whale only trapping the poor diver in the first (and thankfully acid-free) chamber of its stomach due to a mix-up involving a giant squid.

Fortunately for the film’s special effects artists, they can now reference the first-ever footage of a real-life sperm whale chowing down on one such squid, as this freaky recording was released late last year.


1. …With a Catch!

whalefall movie trailer

Duffield may be doing his best to recreate the grounded (or is it submerged?) thrills of Kraus’ novel, but there are limits to what can be depicted onscreen while still guaranteeing an entertaining movie. That’s why it’s no surprise that Whalefall will take advantage of certain cinematic parlor tricks as the director tests the limits of both physics and biology so we can actually watch his movie.

For starters, the innards of the whale itself have been greatly exaggerated so there’s enough space to make out the action, and in the spirit of movies like Neil Marshall’s The Descent, there also seems to be plenty of non-diegetic lighting meant to show us what’s going on even if Abram’s character wouldn’t necessarily be able to see anything.

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