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‘The American Scream’ – ’80s Horror Comedy Is a Hidden Holiday Gem

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american scream

It’s become common for movies once trapped on VHS to make that great leap to Blu-ray. And thanks to boutiques like Culture Shock Releasing, hidden gems like The American Scream are available again after being nearly lost to time. Those uninitiated viewers could be hesitant as they try making sense of this 1988 movie’s poster. Is this a slasher? A holiday travelogue? A teen comedy? The simple answer is “yes to all of the above.” The American Scream is indeed a mélange of familiar beats and elements, but everything is put together so strangely that the final product comes across as unique.

Made with a budget of around $200,000 and shot in just ten days in Camp Nelson, California, The American Scream turned out better than expected. Especially since director and co-writer Mitchell Linden threw the script together in a hurry; he was set to go on his honeymoon when he received the last-minute request to make a new horror movie. That fast turnaround isn’t evident on screen, but not everyone agrees. As critic Brian Orndorf said in his own review back in 2022, the movie “barely comes together as a complete idea” and it lacks coherence. These shortcomings and others notwithstanding, there is still something quite charming about Linden and Phil Hopper’s weird and delirious story.

The American Scream is what National Lampoon’s Vacation might have looked like as a horror movie. However, this movie focuses on its younger characters rather than a bumbling father. That’s not to say the heads of the Benziger family are neither clumsy nor overlooked; Pons Maar and his character’s equally awkward spouse (played by Jennifer Darling) take a backseat as their son and daughter uncover the goings-on in Wilson Creek. The parents could be defined by their fantastic ability to ignore red flags, yet it becomes clear that their ignorance serves more of a purpose than originally suggested.

american scream

Image: Ed Simpson lies dead in the snow with his stuffed dog nearby.

While considered a horror movie, The American Scream deals far more in bizarreness than in scariness. There is, however, a decent amount of gore and mayhem to go with all the tourist shenanigans and misunderstandings, especially for a comedy as goofy as this. The carnage promptly begins with the one set-piece fans still talk about to this day; they vividly remember how the teenage characters watched in disbelief as a father murdered his own baby. But like all the other deaths shown in this movie, the little one’s execution is absurd and over the top. It’s not the least bit frightening. The best Linden can do is take the audience by surprise, which he does on multiple occasions.

As a whole, the eighties enjoyed its horror comedies. So The American Scream was certainly not the first of its kind. Movies like Student Bodies, Saturday the 14th and Wacko were all different by design, though. They were made to be irreverent stabs at the genre as opposed to fairly straightforward horror stories with moments of levity stitched in. Linden’s work, on the other hand, sits between stations. The parody quality of those aforementioned movies is unmistakable, whereas The American Scream exercises some semblance of restraint. The threat at hand is taken seriously even as preventive measures become increasingly ridiculous.

A horror comedy tends to single out a subgenre. Slashers, vampires, haunted houses — every hoary setup or situation has been mocked and dissected over the years. The American Scream pokes fun at those unsuspecting characters who leave behind the comfort and safety of cities, then develop a life-threatening case of culture shock. True to form, realization is a piecemeal effort; the hazards of being young in Wilson Creek don’t immediately dawn on siblings Matt and Bridgett Benziger (Matt Borlenghi, Riley Weston) and their best friends (Kevin Kaye, Jeanne Sapienza). Yet like most teens in horror, they perceive something is amiss before the adults do. The audience also has a good guess of what lies ahead for the four characters, although the story still manages to squeeze in one last curveball at the end.

american scream

Image: The Benziger family has breakfast at the diner when officer Sam shows up.

The American Scream introduces its sense of unreality with no explanations. Viewers will either sink or swim as the inanity grows with every passing minute. The director’s preference for wacky and inscrutable humor isn’t for everyone, but there’s no denying it adds to the movie’s overall uneasiness. And so often this story relies on a character’s capacity to distinguish between normal and abnormal. Everything always appears ordinary enough until the eye catches an anomaly of some kind. While Linden doesn’t ever come close to achieving sheer terror — fright wasn’t his main objective — he did a hell of a job of making the characters question their sanity at every turn.

This movie keeps everyone on their toes. This includes viewers whose expectations are rarely met. Urbanites becoming entangled in the freaky local culture of the backwaters they visit isn’t a novel concept, yet for the most part, The American Scream is unpredictable. Of course that random nature stems from the abstract and patchy ideas hastily assembled into a story with no firm grip on itself. In addition to the rampant vagueness are those brainsick set-pieces that lead to even more unanswered questions. From an inserted snuff film detailing the murders of George “Buck” Flower‘s character’s family to a sudden scene of baby cannibalism, the script is prone to erratic, not to mention disturbed moments.

The American Scream requires its audience to fill in the gaps when the movie can’t decipher its own story or provide a logical ending. Even before that puzzling conclusion rolls in, the movie presents a parade of offbeat thoughts and images. The plot dots don’t easily connect, but the line they form is marked with dark delights and amusing nonsense. This cozy winter oddity still has a long way to go before it becomes more recognized; most folks don’t know it exists in the first place. However, those who decide to travel with the Benzigers will undoubtedly have a lot to think about upon returning from this hellish odyssey.

You can grab The American Scream on Blu-ray from Vinegar Syndrome.

american scream

Image: Someone’s decapitated head is mounted on a rake.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside. Bluesky: paulle.bsky.social

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Editorials

‘Other Mommy’ Trailer Hints at Big Changes from Novel ‘Incidents Around the House’

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Other Mommy Trailer Breakdown

There’s been a lot of talk about how Christopher Nolan snuck in some horror elements into his epic adaptation of The Odyssey. However, even before the Cyclops began to eat Ithican soldiers and Circe subjected them to magical body-horror, cinemagoers were already witnessing supernatural terror through a certain trailer that was attached to most IMAX screenings of Nolan’s film.

It turns out that this trailer was for Rob Savage’s Other Mommy, an adaptation of Bird Box author Josh Malerman’s horror novel, Incidents Around the House. With the teaser now available online and revealing that the award-winning Jessica Chastain is playing the titular antagonist (as well as her ill-fated human counterpart), not to mention the fact that the picture is being helmed by the director of hits like Host and The Boogeyman, genre fans are understandably hyped for this upcoming thriller.

That’s why I’ve decided to take a closer look at the trailer and share four things we learned from this sneak peek at Other Mommy!


4. Rob Savage is Going Back to His Supernatural Horror Roots

I know I’m in the minority when I admit that Dashcam is my favorite Rob Savage movie, but even I understand why the filmmakers’ fans have been waiting a while for the director to get back to telling more grounded paranormal stories as he did with 2020’s Host.

Other Mommy obviously isn’t a found footage movie, but moments like the poltergeist activity on the kitchen table combined with the nature of the source material, which actually features a full-on exorcism, indicate that this adaptation is more than a simple creature feature. That’s why I think Savage is once again going to borrow from the same ghostly narratives that made his debut film such a viral hit.


3. Other Mommy is a More Convincing Doppelganger in the Adaptation

Part of the horror from Malerman’s original novel came from the fact that the entity taking on the form of Bela’s (Arabella Olivia Clark) mother wasn’t very good at passing itself off as human. This resulted in several uncanny moments where other characters began to notice that there was something visibly wrong with the family and decided to keep their distance.

Savage’s film appears to be taking a different route, with the trailer showing a version of the entity that can, at least physically, imitate Chastain’s character perfectly. This change is likely the result of the filmmakers wanting to incorporate more paranoid scenes where Bela and her father, played by Jay Duplass, are confused about which Mommy is safe to interact with.


2. The Family is Also Better Off This Time Around

Incidents Around the House featured some interesting subtext about how poverty can negatively affect American family dynamics. After all, the main characters were already feeling scared and isolated before the entity emerged from Bela’s closet and began scratching at their emotional wounds. The trailer for the movie, however, depicts the family as being relatively well off before these incidents begin to occur.

I can only imagine that this part of the story was changed so that the family’s fall from grace can be even more dramatic as the mom and dad’s pasts are revealed and Bela falls further into the clutches of the demonic antagonist.


1. Jessica Chastain is Embodying Evil Dead Rise’s Alyssa Sutherland

other mommy trailer

Mothers turning against their children is one of the most disturbing horror tropes out there (just check out classics like Hereditary and Carrie if you need proof), but it takes a remarkably skilled actress to pull off such a monstrous transformation. This is especially true when both a regular, loving mother and the Other share the screen in the same film.

That’s why I appreciate how Chastain appears to be channeling another evil redhead mother that recently traumatized audiences with her performance. It’s too early to be sure, but I’m fairly confident that Chastain’s character has at least some amount of Ellie in her cinematic DNA – Ellie being the iconic deadite brought to life by Australian actress Alyssa Sutherland in 2023’s Evil Dead Rise.


Let us know in the comments if you think we missed any important details from the trailer, and don’t forget to check out Other Mommy when it hits theaters on October 9!

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