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Stylish Murder: Six Modern Giallo Films Worth Your Time

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Pictured: 'The Last Matinee'

Every culture puts its own unique spin on horror tropes, with people from different times and places being frightened by different things. One of the most fascinating examples of this occurred during the 60s-70s in Italy, with a group of genre filmmakers collectively deciding that, to them, horror meant gory whodunnits with surreal visuals and blood that looked more like paint than corn syrup.

And while that initial Giallo movement has long since faded into obscurity (with modern audiences being less receptive to obvious dubbing and cheesy practical effects), there are still some intrepid filmmakers out there who are attempting to keep the spirit of the genre alive with neo-Giallo productions meant to remind us that horror movies don’t always have to be realistic. And in honor of these stylishly retro features, we’ve decided to come up with a list celebrating six modern-day Giallo flicks for your viewing pleasure.

After all, there’s nothing quite like watching stylish murder to the tune of Italian progressive rock!

As usual, don’t forget to comment below with your own neo-Giallo favorites if you think we missed a particularly fun one.

With that out of the way, onto the list…


6. The Last Matinee (2020)

From a mysterious killer wearing black gloves to a deliciously meta location brought to life through colorful lighting, Maximiliano Contenti’s The Last Matinee boasts all the classic Giallo tropes that we’ve come to know and love. However, this Latin-American co-production is a lot more than a simple re-hash of its inspirations, with the film also serving as a heartfelt salute to the traditional moviegoing experience itself.

After all, the majority of the flick takes place inside an aging movie theater as a vicious murderer takes advantage of the distractions on the big screen in order to dispatch his victims in increasingly absurd ways – always making sure to collect their eyeballs in a clever nod to the importance of visual storytelling.


5. The Old Man in the Rocking Chair (2022)

We don’t usually include short films on these lists due to their limited availability (I mean, what’s the point of recommending a movie if it’s only available on the festival circuit?), but Eric Yoder’s The Old Man in the Rocking Chair is currently streaming for free on YouTube – and it also happens to be one of the most entertaining flicks on this list.

A retro love-letter to the great Giallo features of yore, this short combines all the classic genre staples (from neon red blood to POV murders) with an absurd original story that would have been right at home on 1970s cinema screens. The short also repurposes music from artists like Goblin and even Ennio Morricone, making it a must-watch for cinephiles!


4. Piercing (2018)

Nicolas Pesce’s disturbing indie thriller Piercing may have been based on a novel by Japanese author Ryū Murakami, but it’s no secret that this criminally underseen film takes most of its tonal and aesthetic inspirations from the heyday of Italian horror cinema.

Starring Christopher Abbott as a deeply troubled father who decides to take out his homicidal urges on a prostitute (played by Mia Wasikowska) in order to protect his own family, Piercing relies less on gore and more on the inherent psychological tension of its cat-and-mouse premise (not to mention the dreamlike atmosphere) in order to entertain viewers.

And did I mention that the flick also includes Goblin on the soundtrack?


3. Knife+Heart (2018)

Telling a surprisingly poignant story about a 1970s gay porn producer who discovers that her crew is being stalked by a vengeful masked killer, Yann Gonzalez’s Knife+Heart features a perfect blend of retro exploitation and modern genre sensibilities.

While it’s a bit less surreal (and a lot sleazier) than most legitimate Giallo productions, Gonzalez’s film stands out by making the story surrounding the over-the-top murders nearly as interesting as the genre elements – especially when you consider that Vanessa Paradis’ main character is based on the real-life adult filmmaker Anne-Marie Tensi.


2. The Editor (2014)

Adam Brooks’ and Mathew Kennedy’s retro horror-comedy The Editor shouldn’t be your first Giallo experience, but it’s still one hell of an entertaining ride through the dark side of filmmaking – as well as a passionate love-letter to Italian genre cinema. A low-budget period piece, the film tells the tongue-in-cheek story of a troubled film editor who finds himself caught up in a bizarre murder investigation while attempting to finish post-production on his latest project.

Combining retro visuals with hilarious in-jokes and even a few creative attempts at cosmic horror, The Editor is certainly not for everyone, but it’ll definitely appeal to Giallo fans looking for something a little less serious.


1. Malignant (2022)

I’ve been scoffed at for admitting that Malignant is my favorite James Wan movie, but I can’t help but respect a filmmaker that decides to direct a big budget version of a Frank Henenlotter production immediately after breaking $1 billion at the box office with Aquaman. That being said, while Malignant clearly lifted several of its ideas from ’90s schlock, it’s pretty clear that Wan was aiming towards Giallo when the time came to develop the overall mood and tone of this oddball horror flick.

Not only does Malignant capture the surrealist flair of a classic Giallo feature (and that’s not even mentioning the over-the-top gore and sci-fi elements), but the film does so without retreading the same ground as masters like Argento and Bava – which is why I believe it earns its place at the top of the list.

Born Brazilian, raised Canadian, Luiz is a writer and filmmaker that spends most of his time thinking about movies.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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