Editorials
Wednesday 13 Counts Down His Top 10 Horror Movie Soundtracks
In celebration of the release of his tenth album, Mid Death Crisis, horror rock icon Wednesday 13 gave Bloody Disgusting a rundown of his favorite horror soundtracks.
“They all strike an emotion within me,” The Duke of Spook tells us. “Horror movie soundtracks have provided me with endless satisfaction and are the soundtrack to my life and death.”
Without further ado, these are Wednesday 13’s top 10 horror movie soundtracks…
1. Halloween III: Season of the Witch
I love the music from the first two films, but part three just took it to the next level with the addition of Alan Howarth and John Carpenter. Just that little touch of the ’80s synth makes all the difference to me.
2. The Return of the Living Dead
I love the score to the film, however the soundtrack compilation with all of the punk rock tracks from T.S.O.L. to Rocky Erickson is my favorite mixtape.
3. Creepshow
This is one of the first horror movies I remember seeing. The score to this terrified me and to this day, it still gives me the creeps… literally. The creepy, eerie keyboard sound is just a staple in my mind.
4. Christine
I don’t really care for cars, however, I made an exception with Christine. I love this movie, and I don’t know if it’s just because of the story or how the music just ties it all together. The soundtrack really just makes this a horror film. Without that music, I don’t think it would even have half of the impact.
5. The Exorcist
The sound of those tubular bells will forever be embedded in my brain as evil. Because of this, we have the great Halloween theme as John Carpenter tried to replicate this. Music should always strike a nerve with someone, this is a perfect example of that.
6. Phantasm
The creepy music of the soundtrack matches perfectly with the eerie story of the Tall Man. Another example of how the music is just as important as the movie with this film. Without that music, you don’t have the impact of this film and the characters.
7. Day of the Dead
This movie has always made me feel uneasy. The music for this almost sounds like elevator music just waiting around for the inevitable… waiting to die. I knew at the very beginning of this movie — it wasn’t going to end well. This music sets that up perfectly.
8. The Shining
The uneasy soundtrack of this movie strikes every nerve in me to my core. Visually and sonically, Stanley Kubrick brings you into his world. So many parts of this soundtrack just brings this movie to life. Abandoned, alone, trapped inside with a crazy person. I don’t think I could ask for anything more with the music provided.
9. Friday the 13th Part 3
Just like what the Halloween films did by part three, the ’80s had kicked in full gear and this soundtrack came to life. This is my favorite of the Friday the 13th scores, and it’s also my favorite film in the series. The ’80s synth keyboard and Scooby Doo-type melody was a home run for me on this.
10. Demons
Next to Return of The Living Dead, this is my second favorite compilation soundtrack. From the creepy score to having Mötley Crüe, this was perfection in my book. The main theme to this movie is quirky, but somehow fits and makes me feel uneasy.
Wednesday 13’s Mid Death Crisis is available now via Napalm Records.

Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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