Editorials
Salem Horror Fest 2026 Opening Night Scratches the Surface with Dee Wallace [Event Report]
The theme of the ninth annual Salem Horror Fest, which kicked off last night at Salem’s Peabody Essex Museum, is “scratch the surface.” The phrase conjures a variety of implications when it comes to the genre and beyond, but Victoria Price — daughter of horror legend Vincent Price — eloquently encapsulated the message in her keynote address: “What you find when you scratch the surface is our tell-tale hearts.”
Accompanied by her dog, Allie, Victoria shared a multimedia presentation featuring lore from her father’s illustrious life and legacy while tracing her own journey to finding joy in horror despite not being a fan of the genre. She also participated in a brief Q&A with returning master of ceremonies Xero Gravity, self-proclaimed cousin to Salem Horror Fest.

Victoria Price & Allie
Festival co-directors Leslie Adams and Brody Bellamy took the stage to announce this year’s jury award winners: Blood & Guts by Carlye Rubin, Katie Green, & Tina Grapenthin for Best Feature, Very Prosperous Men by Josiah Walker for Best Interlude (films running 15-60 minutes), and Mangittatuarjuk (The Gnawer of Rocks) by Louise Flaherty for Best Short.
The pair also presented this year’s George A. Romero Foundation recipients: Ricardo Albarrán, director of the shor Pelacaras, will be mentored by Matt Leslie (Summer of 84); Wendy Wang, director of the interlude The Man Upstairs, will be mentored by Travis Stevens (Girl on the Third Floor); and Donnie Hobbie, director of the feature Jump Scare, will be mentored by Jenn Wexler (The Sacrifice Game).
A screening of Mangittatuarjuk followed. The 14-minute Inuit folk horror tale about two young women trapped in the titular monster’s lair is beautifully told through stop-motion animation with textured characters and detailed environments. It’s easy to see why it took home the jury award.

Mangittatuarjuk (The Gnawer of Rocks)
The guest of honor was cinematic icon Dee Wallace, who, despite being under the weather, exuded the same maternal warmth that she’s brought to the screen for the last 50 years. She left her life as a Kansas school teacher behind to pursue an acting career in spite of many naysayers. “In less than seven years, I starred in E.T., so if you’ve got a dream, say ‘fuck you’ and go anyway,” Wallace advised the audience.
Interviewed by Rue Morgue’s Andrea Subissati, Wallace shared anecdotes about many of her most beloved films — The Hills Have Eyes, The Frighteners, Rob Zombie’s Halloween, and more — but the highlight was hearing her speak on life in general. Much like when she’s in front of the camera, Wallace was not afraid to get vulnerable as she recounted how she has overcome tragedy with love.
The evening concluded with a screening of 1983’s Cujo starring Wallace. The film holds up better than many Stephen King adaptations of the era, and the viewing was enriched by the context Wallace provided beforehand — including working with the 13 dogs used to create the illusion of a rabid St. Bernard.

Dee Wallace & Andrea Subissati
Salem Horror Fest will continue through May 3 with screenings of official feature selections Blood & Guts, Deep Hallows: A Brazilian Gothic Fable, Frankie, Maniac Woman, Jump Scare, Lily’s Ritual, Regression, The Barn Part III, and The Mid-Night Driver, along with over 40 interludes and shorts.
There will also be repertory screenings of Blood Shine, both the 1942 and 1982 versions of Cat People, Let the Right One In, Pet Sematary, and Sorority Babes in the Slimeball Bowl-O-Rama with live commentary, plus a special showing of The Vincent Price Legacy accompanied by dinner prepared with recipes from Price’s cookbooks.
Additional events include meet-and-greets with Wallace, Price, Michael Berryman (The Hills Have Eyes), and Linnea Quigley (The Return of the Living Dead), panels, live podcasts from Girl, That’s Scary and Movie Jawn, a horror drag show, vendor markets, and more.
Salem Horror Fest 2026 passes are on sale now.

Master of ceremonies Xero Gravity

Victoria Price

Allie Price

Salem Horror Fest co-director Leslie Adams

Dee Wallace
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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