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Images Hope to Survive the ‘Killing Ground’
In Australian director Damien Power’s Killing Ground, which we already reviewed out of the Sundance Film Festival, Ian and Samantha arrive at an isolated campsite to find an SUV and a tent—with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point.
IFC Midnight just sent us a handful of images for the film arriving in limited theaters and on VOD platforms July 21, 2017.
Fred Topel reviewed the film for Bloody, calling it the Australian Hills Have Eyes.
“Tension builds as the narrative threads wind together; danger escalates and Sam and Ian’s options narrow drastically. The Australian bush setting plays a significant role in the film, and Killing Ground is part of a long tradition of Australian cinema – from Picnic at Hanging Rock to Wolf Creek – that finding a deep sense of unease in a hostile wilderness.”
Aaron Pedersen, Ian Meadows, Harriet Dyer, and Aaron Glenane star in Killing Ground.
One of contemporary horror’s best werewolf movies is 2017’s Good Manners, and it’s finally set to receive a proper physical media release.
Icarus Films is partnering with OCN Distribution to unleash a new Blu-ray that’s now available to preorder via Vinegar Syndrome. and with a limited edition slipcover.
Set in São Paulo, the film follows Clara, a lonely nurse from the outskirts of the city who is hired by mysterious and wealthy Ana to be the nanny of her soon to be born child. Against all odds, the two women develop a strong bond. But a fateful night marked by a full moon changes their plans.
Good Manners is the second collaboration between filmmakers Juliana Rojas and Marco Dutra, who write and direct. Zama’s Rui Poças‘ cinematography captures this unique werewolf tale described as “Disney meets Jacques Tourneur.”
Our own Trace Thurman wrote in his review, “With Good Manners, Rojas and Dutro have made one of the best werewolf movies ever made. That they are able juggle commentaries on racism and classism while still managing to tell two deeply affecting love stories is remarkable.”
BONUS FEATURES:
- Commentary from film critics Shelagh Rowan-Legg and Carolyn Mauricette
- 12-page booklet with an essay by film critic Nicolas Pedrero-Setzer
- Making-of short film: The Making of a Werewolf (2 mins)
- Two additional short films from the filmmakers: A STEM (15 mins), directed by Juliana Rojas & Marco Dutras, and DOPPELGANGER (24 mins), directed by Juliana Rojas
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