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FOX Orders Both “Lucifer” and “Minority Report”
FOX, who canceled “The Following” this past week, has ordered both “Lucifer” and “Minority Report” to series.
“Lucifer”, pictured above, stars Tom Ellis (Rush) in the title role, who, bored and unhappy as the Lord of Hell, resigns his throne and abandons his kingdom for the gorgeous, shimmering insanity of Los Angeles, where he gets his kicks helping the LAPD punish criminals. Co-starring alongside Ellis are Lauren German (Chicago Fire) as Chloe Dancer, an LAPD homicide detective who finds herself both repulsed and fascinated by Lucifer; Lesley-Ann Brandt (Spartacus) as Lucifer’s best friend Maze, a fierce demon who takes the form of a human woman; Nicholas Gonzalez (Sleepy Hollow) as Dan, an LAPD homicide detective wary of Lucifer; D.B. Woodside as Amenadiel, an angel sent to L.A. to persuade Lucifer to return to hell; and Rachael Harris as Linda, Lucifer’s therapist.
“Minority Report”, below, stars Stark Sands and Meagan Good (pictured), along with Wilmer Valderrama, Daniel London, Laura Regan, Li Jun Li and Zhane Hall. The project from Amblin, Paramount Television and 20th Century Fox TV, inspired by the 2002 feature film, picks up 10 years after the end of pre-crime in DC when one of the three pre-cogs struggles to lead a normal human life, and remains haunted by visions of the future when he meets a detective who may help him find a purpose to his gift. Scribe Max Borenstein exec produces with Spielberg, Justin Falvey, Darryl Frank, Mark Mylod (director) and showrunner Kevin Falls.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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