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‘Doorways: Holy Mountains of Flesh’ Has An End Date
Saibot Studios has revealed the launch date for the third and final act — “the bloodiest episode so far,” says the press release — in its episodic horror game Doorways: Holy Mountains of Flesh. When the free content update rolls out on Steam on August 10, it’ll unlock the final area of El Chacal, The Temple, where special agent Thomas Foster will finally confront The Roaster.
I’m digging the nickname. Personally, I would’ve gone with The Toaster so my victims could have a quick laugh before they’re flayed alive. It’s more humane that way.
When Holy Mountains of Flesh is made whole next month, it’ll cap off the series that first debuted back in 2013 with the original . With Doorways behind them, it’ll be interesting to see what the talented team at Saibot Studios does next.
Features:
Old-school style puzzles
First person and third person point of view
Minimalist HUD: no hints, no overlay texts. Immersion is the key
Atmospheric, psychological horror story with strong doses of gore
Featuring the voice of Sam A. Mowry (Alexander in Amnesia the Dark Descent) as Thomas Foster
Dark storyline set on a nightmarish place inspired in the real world town, Iruya, located in the North region of Argentina.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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