Images
Boss Logic’s Latest Art Imagines Ruby Rose as The CW’s Batwoman
As announced earlier today, The Meg star Ruby Rose has been cast as DC’s Batwoman for The CW, her iteration of the character debuting in December as part of the network’s annual DC Arrowverse crossover event. *Potentially,* Rose’s Batwoman will then be getting her own standalone television series, though that’s not yet set in stone.
In the meantime, our pal Boss Logic just put his skills to the test, whipping up a piece of art that imagines how Rose could look as Batwoman. Of course, we really have no idea what the character is going to look like at this point, but Boss Logic’s art is based on the version of Batwoman that debuted back in 2006, which Rose’s version seems to be based on.
Check out the fan art below!
In The CW’s Batwoman, written by Caroline Dries…
“Armed with a passion for social justice and a flair for speaking her mind, Kate Kane (Rose) soars onto the streets of Gotham as Batwoman, an out lesbian and highly trained street fighter primed to snuff out the failing city’s criminal resurgence. But don’t call her a hero yet.
In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope.”
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
You must be logged in to post a comment.