Horror Interviews
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Haunting Broadway & Beyond: Director Felix Barrett On Adapting ‘Paranormal Activity’ To The Stage
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‘Train to Busan’ Director Yeon Sang-ho Explains How AI Inspired the Zombies in ‘Colony’
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Adam Wingard Delivers An ‘Onslaught’: “If The Blood Is Spraying, It’s Gonna Be Exciting” [Interview]
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Chuck Wendig on ‘The Calamities,’ Demons Running the World, and Why Reality Feels Scarier
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Adam Cesare on ‘Clown in a Cornfield 4,’ Upcoming Vampire Novel, and Stepping Back from Slashers (For Now)
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Chris Carter Talks Scarier ‘The X-Files: I Want to Believe’ Director’s Cut and Teases Third Movie
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10 Years Later, Filmmaker Yeon Sang-ho Reflects On How ‘Train to Busan’ Changed Korean Cinema
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Jane Schoenbrun on Challenging ‘Teenage Sex and Death at Camp Miasma’ One-Take Massacre
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‘Fallout’ Production Designer On Bringing Bethesda’s Wasteland To Life And “Even Bigger” Season 3
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How The ‘Teenage Sex and Death at Camp Miasma’ Stars Prepared for Their First Slasher Role
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How ‘Widow’s Bay’ Production Designer Built A Haunted Coastal Community Filled With Horror Easter Eggs
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Lily Sullivan and Kate Dolan on Killer AI ‘SOULM8TE’: “I Want You to Feel the Silicone”
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Eli Roth Wanted ‘Ice Cream Man’ to Have More Kills Than All His Previous Movies Combined
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‘Silent Hill: Townfall’ Director on Reinventing the Series With First-Person Terror and Scotland Setting
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‘Chucky’ – Brad Dourif, Fiona Dourif, and Alex Vincent Reunite to Talk the Past and Tease the Future [Video]
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‘Rubberhead’ Director Nick Taylor on FX Maverick Steve Johnson, Practical Effects, and Seven-Year Journey
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Paul Tremblay on Fighting AI with Horror in New Novel ‘Dead But Dreaming of Electric Sheep’
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Avalon Fast on Women, Witches, and the Intoxicating Nature of Girl Horror ‘Camp’
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‘Don’t Move’ First Look: James “Murr” Murray & Maclain Nelson Preview Giant Spider Horror Feature That’s “Better Than The Book” [Exclusive]
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The Work ‘Grind’ Is Hell, So Brea Grant & Ed Dougherty Made a Horror Anthology About It [CFF 2026 Interview]
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‘Rose of Nevada’ Director Mark Jenkin On Turning Time Travel Into A Ghost Story
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‘The Death of Robin Hood’ Director Michael Sarnoski on Brutal Violence and Reinventing the Legend
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George A. Romero’s ‘Day of the Dead’ Gets New Life After Search for Long-Lost Film Elements
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‘Death Stranding’ Movie Will Be “A Different Kind of Dark,” Says Director Michael Sarnoski