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Inside the Head of Pamela Voorhees [Part 2]!!

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Broadcast Thought is the collective name for a creative cabal of three forensic psychiatrists (H. Eric Bender, M.D., Praveen R. Kambam, M.D., and Vasilis K. Pozios, M.D.) who also happen to have a vast and unquenchable thirst for pop culture knowledge.

Last week we published Part One of their look inside the head of Pamela Voorhees and now it’s time to conclude the process. Which means we’re getting to the REALLY juicy stuff. You might want to refresh a bit by visiting last week’s article first. Then come back here and dive in.

Be sure to follow BTdocs on Twitter and head below to go Inside The Head Of Pamela Voorhees!!
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DISCLAIMER 1: In real life, we would need an adequate evaluation:

Various diagnoses might help explain Pamela Voorhees’ mental state as seen in Friday the 13th (1980), but to truly understand her struggles, we would need to conduct a psychiatric evaluation and gather necessary information to properly diagnose anything. It might be tough to interview her given that she’s been decapitated.

DISCLAIMER 2: There is an overblown link between mental illness and violence:

While we can try to offer hypothetical explanations for Mrs. Voorhees’ behaviors, clinical mental illness, in and of itself, doesn’t typically increase one’s risk for violence except in a few narrow circumstances (e.g., alcohol and drug use disorders, acute paranoia).

We know that most serial killers can’t be classified as “insane,” and that her status as one wouldn’t be directly related to a mental illness. That being said, was Mrs. Voorhees a serial killer?

Dr. Bender: Technically, yes, according to the 2005 FBI Serial Murder Symposium’s definition of serial killing: “The unlawful killing of two or more victims by the same offender(s), in separate events.”  Also, it appears Mrs. V had a “cooling off period,” or period of time in which no killing occurs, between her killings, which is an element of serial killing.

Dr. Pozios: But we may not really consider Mrs. V a serial killer, even if she meets the FBI Symposium’s definition.  In the real world, the semantics of the definition and intuitively knowing that someone is a serial killer are two separate things.  Additional characteristics that aren’t formally part of the definition would be considered – things like motivation, modus operandi, rituals, and signature aspects of the murders.

Dr. Kambam: These characteristics are also carefully analyzed by law enforcement agents, like members of the FBI’s Behavioral Analysis Units, in the investigation of possible serial murders.  The agents might also consider whether the killer is getting any gratification from the killing.  Most experts would argue that the killings of serial killers involve some sort of psychological gratification – and often some aspect of sexual gratification.

Dr. Bender: Instead of psychological gratification, it could be that the purpose of her killing was to try to shut Camp Crystal Lake down and keep it closed.  In this way, she might be considered an instrumental offender: the killings were simply business.  Instrumental killers, like mafia hitmen, kill for such gain and are generally not considered to be serial killers, even though they may meet the semantics of the FBI Symposium’s definition.  

Dr. Pozios: Unlike an instrumental offender, she seemed emotionally invested in the killings and was not killing to achieve an external material gain, such as money or goods.  Mrs. V’s killings seemed more vengeful, much like some school shooters or disgruntled employees “going postal.”

Dr. Kambam: But back to arguments for her being a serial killer… Mrs. V’s killings perhaps reflected some rituals – need-based behaviors that are unnecessary for the successful commission of her crimes – like posing a body, displaying a body, overkill.  Ritualistic behaviors are often seen in the acts of serial killers; her tying up Steve’s body and displaying Bill’s body might have reflected such rituals.  And perhaps Mrs. V could be categorized as a “visionary” serial killer, a type of serial killer that experiences psychotic directions or commands to kill.  Mrs. V may have experienced commands from Jason to kill the counselors, as she conveyed when talking with Alice.  Additionally, like most visionary serial killers, Mrs. V is focused on the act of killing itself, rather than getting than getting off on the a longer process of torturing and killing (she’s “act-focused” as opposed to “process-focused”).

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Dr. Bender: Mrs. V’s pinning of Bill’s body to the door and throwing Brenda’s body through the window could be viewed as meaning to induce fear in the remaining victims, right?

Dr. Pozios: Possibly, but Mrs. V’s style of killing may be considered more “disorganized” rather than “organized.”  (Visionary serial killers typically engage in more disorganized killing.  The disorganized nature of the killings and crime scene may be an extension of disorganized thinking, due to psychosis).

Dr. Kambam: Right.  An organized killer will usually kill in one place and deposit the body in another.  They painstakingly plan out their killings and are careful about not being detected.  Disorganized killers, on the other hand, are haphazard in their killing.  They are more impulsive and will often leave murder weapons and the bodies of their victims where they were killed.  Recall the axe in the bed left by Mrs. V…

So was she insane? If she had been caught and charged with these multiple counts of murder, would she have been able to plead insanity?

Dr. Kambam: To examine this question, we need to talk about what it means to be “insane?”  Insanity is actually a legal term, not a colloquial term meaning “crazy” or even a medical term.  And each state has its own definition or guidelines for insanity.  Current New Jersey insanity statutes (http://www.newjersey-legal-guide.com/) indicate that someone is not criminally responsible for his or her actions when acting as he or she did if “at the time of committing the act the defendant was laboring under a defect of reason such that he did not know the nature and quality of the act he was doing or if he did know it, that he did not know what he was doing was wrong.”  [Note: In real life, we would need to use the legal statute in effect at the time of Mrs. V’s acts, i.e., 1957 (killing of two counselors), 1958 (poisoning of the water supply), and 1980 (murdering several counselors and a camp organizer).]

Dr. Bender: Okay, so, let’s tackle the first part of this: Did she have a mental disorder at the time of her crimes?  Well, there is some evidence that Mrs. Voorhees might have had some sort of psychotic disorder or dissociative disorder at the time of her crime(s) as we discussed previously.

Dr. Pozios: For the other part of the insanity test, what evidence do we have that Mrs. V knew that what she was doing was wrong?

Dr. Kambam: Even if Mrs. V were genuinely experiencing a hallucination of hearing Jason’s voice telling her to kill, there is no evidence that she believed that killing wouldn’t be illegal.  What’s more, even if she were genuinely experiencing a delusional belief that the camp personnel let Jason die, this belief would not prevent her from understanding that killing is illegal.

Dr. Pozios: She also had the rational alternative motive of seeking revenge (maybe partially driven by guilt) for Jason’s death as opposed to killing because of psychotic command auditory hallucinations.  

Dr. Bender: More evidence to show that Mrs. V knew wrongfulness is reflected in her possible efforts to avoid detection and capture.  She presumably cut the phone line (although we don’t see her do this).  She turns off the generator and lights (so as not to be seen).  When she needs to find Alice to kill her, Mrs. V later turns on the generator and lights.  Mrs. V hid Ned’s body (hiding evidence) from the others.  She hid under Jack’s bed, then grabs him before spearing him through neck.  She also tied Steve’s body to a tree branch (presumably so no one finds him).

Dr. Pozios: Okay then, what about evidence that Mrs. V knew the nature and quality of her acts (and therefore was not legally insane)?

Dr. Kambam: Even while possibly psychotic and having a conversation with herself, Mrs. V explicitly talked about killing and not letting Alice live.  This indicates that she understood that she was not only killing but killing a person, not a doppelganger, alien, or some other non-human entity.  She also specifically targeted the camp personnel because she thought that they failed in their duties as counselors to supervise children in the camp.  This indicates that she understood that they were human beings with a specific job.

Dr. Bender: We all know the lawyers would argue about this… The defense would undoubtedly bring up various counterpoints.  They might mention that Brenda was already dead when Brenda was thrown through the window.  And Mrs. V displayed Bill’s dead body by pinning it to the cabin door with arrows.  If Mrs. V were trying to avoid detection, why would she do this?

Dr. Pozios: Well, the prosecution’s argument would probably be that Mrs. V was trying to induce fear in the surviving counselors.

Dr. Bender: But Mrs. V didn’t wear any disguises, gloves, or clothing to conceal her identity.  She didn’t run away from the camp to avoid capture after her acts.

Dr. Kambam: Maybe she just wasn’t finished killing yet.  She wasn’t caught in the past.

Dr. Bender: Her hiding and turning off the lights may just indicate that she was trying to ensure that her actions were carried out without resistance (i.e., an effort to most effectively attack her targets).  If she believed that what she had been doing wasn’t wrong, she would want to ensure that her actions were carried out.  

So there you have it. Mrs. Voorhees, based on the evidence at hand, was technically a serial killer. And, while she might have had psychotic symptoms or episodes, she would not be a good candidate for the insanity defense since most signs point to her knowing that what she was doing was wrong. But, as evidenced above, this case is just as complicated as Mrs. Voorhees herself.

Happy Belated Mother’s Day, Pamela.

 

 

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Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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