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[Exclusive] Director Dishes On the Gory R-rated Cut of ‘The Meg’ You’ll Never See

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The Meg

The Meg is a giant shark movie, so you’d expect it’d be pretty gruesome. Alas, it’s also a big budget studio movie, so you know what that means. It’s gotta be PG-13 for the studio to spend all that money to bring a giant megalodon to life. Even director Jon Turteltaub regrets that he couldn’t quite go all the way with the shark carnage (although he goes as far as he can).

Knowing that this is for Bloody Disgusting, I am so disappointed the film wasn’t more bloody or disgusting,” Turteltaub told us. “My wife is glad about it and I’m glad my kids can see the movie, but the number of really horrifying, disgusting and bloody deaths we had lined up that we didn’t get to do is tragic. There was some really good shit that didn’t survive to the final cut.”

Turteltaub actually filmed some gory deaths, but during post-production the decision was made that The Meg would be appropriate for teenagers.

We shot or even did a lot of visual effects for [gory scenes],” Turteltaub said. “We just realized there’s no way we’re keeping this PG-13 if we show this. It’s too fun a movie to not let people who don’t like blood and people who are under, say, 14 years old into the theater. I was very hesitant to cut out a lot of blood and gore. I wouldn’t have if I thought it was wrecking the story but it wasn’t. It still looked okay. I’ll sit down privately with your audience and take them through some really nasty shit.”

And don’t get your hopes up for an unrated DVD or Blu-ray, because all of those gory deaths require visual effects that would be too expensive to justify.

The problem nowadays with those unrated DVDs is you used to have a bunch of scenes that were easy to either shoot or leave on the cutting room floor,” Turteltaub said. “Now to finish a scene costs millions in VFX. No one’s going to be spending millions of dollars just to have a little extra bonus footage.”

So since we’ll never see it, Turteltaub told us about one gory death scene. The character still dies, but not as graphically.

I don’t want to spoil too much but there was a death in the movie of one of the leading characters where you thought he was still alive and you realized it was only his head,” Turteltaub said. “Then the reveal that that was all that was left was awesome, but needless to say quite a few people told us it was creepy and I had to cut it.

That being said, don’t worry that The Meg is too tame. The Meg still eats a lot of people, and destroys other marine life. At least whale gore is perfectly fine in a PG-13 film.

Oddly enough, the ratings people don’t mind chunks of whale as much as they mind chunks from a neck,” Turteltaub said. “Yet, it’s still right on the edge. I have to say there was a bite missing from a whale, it’s really gross and I think it looks really cool.”

And if you’ve seen the trailer, don’t worry too hard about Pippin the dog.

All I can say is anyone who knows anything about movies knows that you can kill 10,000 people and the audience doesn’t care, but you harm one dog and everyone writes a letter,” Turteltaub said. “While shooting, we went through about 15 dogs. That’s just a joke.”

The Meg opens this weekend, Friday, August 10.

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New Documentaries Explore the Cult Legacies of ‘The Keep’ and ‘Wolfen’; Watch the Trailers Now [Exclusive]

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The Keep and Wolfen documentary

Undersung werewolf gem Wolfen and Michael Mann’s The Keep get the spotlight in a pair of feature documentaries acquired by Antenna Releasing.

A World War II Fairy Tale, which covers the infamous production of and reception to The Keep, will receive a limited theatrical release in October, followed by a TVOD release on Apple/Amazon. The Keep will also screen as a double feature for some showings.

For Uncovering Wolfen, Antenna eyes a limited theatrical release for 2027. Both films are currently available for booking via Antenna prior to their theatrical and digital releases.

Both documentaries are directed by Stewart Buck, who co-helms with Stéphane Piter on A World War II Fairy Tale.

We at Antenna are obsessed with film history,said Chief Acquisitions Officer Billy Ray Brewton.Stewart has done such a remarkable job of really diving into the deepest recesses of how these films were made and, in doing so, has created the definitive histories of both projects.

We’re delighted to be partnering with Antenna Releasing!said director Buck.It’s refreshing to see a filmmaker-friendly approach to distribution with people who know what it’s like to be in the trenches with independent projects that struggle to find a home in the crowded marketplace.

Check out our exclusive trailer and poster reveal of both documentaries below.

Released in 1983, Michael Mann’s The Keep was a notorious box office bomb, critically lambasted and all but forgotten for years, save for the fascination with Tangerine Dream’s iconic score. In recent years, the film has enjoyed a bit of a resurgence and is widely considered a cult classic, though director Michael Mann and many cast members refuse to acknowledge it.

Wolfen, on the other hand, was critical success but was overshadowed heavily by its flashier 1981 siblings An American Werewolf in London and The Howling. It’s also a trailblazer for socio-political horror, and the doc will explore that via the craftspeople who made it.

Look for them both in theaters soon. Stay tuned for more as it arrives.

 

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