Connect with us

Exclusives

[TIFF Interview] ‘Violation’ Co-Directors Discuss Creating a Different Kind of Revenge Thriller

Published

on

One of the hottest titles at the ongoing Toronto International Film Festival hails out of Canada and features a breakout performance by one of the film’s directors.

In Violation, set for a World Premiere on Sept. 14th, a traumatic experience drives a woman towards a vengeful extremity.

Madeleine Sims-Fewer and Dusty Mancinelli co-direct the film that also stars Sims-Fewer as the victim of trauma, who senses that her sister is in danger and decides she must protect her at all costs.

Violation is a different take on the trauma-revenge film, one that stems from personal experiences by both filmmakers, and one that the duo hope will help engage people in conversation about sexual abuse, especially by family members. Suggestive spoilers follow.

“The idea for Violation came from a really personal place for both of us. Having both dealt with instances of sexual abuse in our past we were fascinated by the tantalizing idea of revenge,” Sims-Fewer and Mancinelli tell Bloody Disgusting. “What if the person who hurts you is not some stranger in a dark alleyway, but someone close to you? It turns out that this is usually the case for victims of sexual violence, but no one is really talking about this in films about revenge. Probably because it’s more uncomfortable. But these are the ideas that really excite us as filmmakers — looking at the aspects of human nature that people get weird talking about.

“Because Violation is told completely from Miriam’s perspective — it gave us the opportunity to be very in-depth and specific when exploring her motivations,” the duo continue. “There is a sequence in the middle of the film where we see this act of revenge. There is no dialogue for a long time, we just follow Miriam as she goes through these meticulous actions. And what we realize is that her plan, though well thought-out, is unbelievably emotionally and physically taxing. She’s not prepared, and we watch the real horror of her actions play out through her visceral emotional responses. The editing is focused and relentless; never letting you stray from her experiences and emotions. We are forcing you to experience things you might not want to in an unflinching way, guiding you through this post-traumatic landscape where the past and present are constantly speaking to each other. This stylistic choice allowed us to say very specific things in our limited timeframe.”

They add: “Using a non-linear structure to gradually piece together the full story of who our protagonist is and how she arrives at her devastating decisions allows us to add more nuance than we could with a straight linear timeframe. We hope that Violation will add to the continuing debate surrounding the #MeToo movement and get people talking about our responses to trauma, as well as opening up about sexual abuse that is perpetrated by people you trust.”

Sims-Fewer and Mancinelli are trying to approach this subgenre from a different perspective and hope to deliver a new kind of experience with Violation.

“A lot of revenge films (and don’t get us wrong, we love revenge films!) have explored the idea of revenge against the ‘stranger in the alleyway’ – which is pure cathartic wish-fulfillment,” the duo tells us.

“We wanted to add something new to the space, a sort of anti-revenge film. Violation explores what it would feel like to get revenge against someone you love.

“Families are so complicated, and there are a lot of tiny resentments and dynamics that build a portrait of these relationships,” they add. “It was important for us to give depth to all our characters. We wanted to challenge people’s perceptions — creating characters and situations that you can interpret in a myriad of different ways — and the cast of Violation really brought a wealth of intricacy and depth to their roles. It is impossible to see them in just one light.

“We really wanted to make a revenge film that pushed the boundaries of the genre,” they insert, “challenging the tropes of the half-naked woman becoming empowered by violent revenge against a menacing stranger, and that revenge is the cathartic climax we are all seeking at the end of the movie. Yes, it is a film about seeking retribution, but also about the cost of that retribution. It is a film about violation, but also about lack of empathy and selfishness, and how both can erode your morality and the relationships around you.”

Violation has a lot to say and because of this, it walks a fine line between the drama, horror and thriller genres. Sims-Fewer and Mancinelli talk a little bit about how they approached the material and what audiences can expect when they finally experience the film.

“Violation imagines, in unflinching detail what the real-world implications of an act of revenge could look like, and this definitely places it in between a psychological thriller and a dark family drama. There is a sense of dread that we wanted to run through the narrative, even in the lighter moments between the characters. It is definitely radically different in terms of how cinema traditionally frames revenge narratives – but where is the fun in staying within the realms of tradition?

“Our use of full-frontal male nudity reveals the double standards we have in the differences of on-screen representation of male and female bodies,” they add. “We wanted to sexualize the male body – giving power to the female gaze.

“While the nudity is provocative, and will definitely be reacted to quite strongly, we think that it really underlines a fragility and vulnerability that has been eroded from the sheer volume of similar depictions of women. Why is it so rare and surprising and even shocking or funny to be confronted with male nudity?

“While Violation is definitely horrific, it draws more parallels with films such as Don’t Look Now, or Cache; films that revolve around relationship dynamics but are punctuated with moments of extreme and shocking violence.

“At its heart, this is a film about two sisters, which hopefully will open the door to people who might normally avoid straight-up genre.”

Violation has its World Premiere at the prestigious Toronto International Film Festival next Monday, September 14th. Watch for our review.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Exclusives

Brazil’s Fantaspoa Film Festival Announces Second Wave of Titles for Epic 20th Edition This April

Published

on

Azrael SXSW 2024
Pictured: Samara Weaving in 'Azrael'

Brazil’s Fantaspoa film festival is celebrating its 20th anniversary this year, and the festival is breaking numerous records, presenting an impressive total of 114 feature films, 22 of these as World Premieres, marking the largest number of feature films in Fantaspoa’s long history.

The final selection of feature films for Fantaspoa’s highly-anticipated 20th edition has been exclusively presented to Bloody Disgusting, so read on for everything you need to know!

The festival tells us this week, “With a diverse selection, the feature films screening at Fantaspoa XX have been divided into seven distinct competitive categories: International, Ibero-American, National, Documentary, Animation, All-Nighter, and Low Budget, Great Films. These categories promise audiences a variety of cinematic experiences, from the fringes of horror and fantasy to the depths of the human imagination.

“In addition to feature films, Fantaspoa will screen 123 short films, totaling 237 participating works, making this edition of the festival the largest in its history.

“The stunning lineup of competition titles includes the International Premiere of E.L. Katz’s SXSW charmer AZRAEL and the World Premiere of The Butcher Brothers’ new Devon Sawa-starring thriller CONSUMED, and Fantaspoa is also proudly presenting a diverse selection of special screenings, including Demián Rugna’s recent Argentinian hit WHEN EVIL LURKS with the writer/director in attendance. The fest will also feature special screenings of two Argentine films, 2014’s JORGE & ALBERTO VERSUS THE NEOLIBERAL DEMONS, Fantaspoa’s first original production which is celebrating its tenth anniversary, and TRENQUE LAUGUEN, which was selected as the best film of 2023 by Cahiers du Cinéma.

“Fantaspoa XX will also have the honor of presenting a special screening of Robin Hardy’s classic British folk horror film THE WICKER MAN (1973) in the presence of the director’s sons, Justin and Dominic, who will be also attending the festival for the previously-announced World Premiere of their stunning new documentary, CHILDREN OF THE WICKER MAN, which offers a very unique perspective on the lasting legacy of this cinema masterpiece.

“Among the confirmed guests for the festival’s second wave of films are Alejo Rébora and Daniela Jimenez (7 Lives), Paulo Caldas (Atmosphere), Jaco Bouwer (Breathing In), Karim Lakzadeh and Arash Jooyandeh (Dark Matter), Ryan Ward and Mackenzie Leigh (Daughter of the Sun), Nando Martínez (Fantastic Golem Affairs), Mike McCutchen and JJ Weber (A Game in the Woods), Mario Mayo and Jaime Arnaiz (I’ll Crush Y’all), Roger Elarrat (I, Nirvana), Mike Hermosa (The Invisible Raptor)Gonzalo Quintana and Hernán Quintana (Jorge & Alberto Vs. The Neoliberal Demons), Benjamin Pfohl (Jupiter), Gabriel Papaléo (Liminal Space), Igor Bastos (Motherboard), Armando Fonseca (Remind), Julio Cesar Napoli (Road to the Mouth of Hell), Gonzalo López-Gallego (The Shadow of the Shark), Máncel Martínez (Shit Happens and Miracles too), Guto Parente (A Strange Path), Juliana Muras (Trenque Lauquen), Kenichi Ugana (Visitors – Complete Edition), and Demián Rugna (When Evil Lurks).

The 20th edition of Fantaspoa takes place between April 10 and 28, 2024, and is presented by the Ministry of Culture, Fantaspoa Productions, and Instituto Ling, with sponsorship from Crown Embalagens, America Embalagens, and Banrisul.”

Below is the full second wave of feature films to screen at Fantaspoa XX:

  • 7 LIVES (dir. Alejo Rébora. 2024, Argentina, World Premiere)
  • ALBERT PYUN: KING OF CULT MOVIES (dir. Lisa D’Apolito. 2023, United States, International Premiere)
  • ANNA’S FEELINGS (dir. Anna Melikyan. 2023, Russia, Latin American Premiere)
  • ANOTHER CURSED MOVIE (dirs. Alberto Andrés Fasce and Mario Gonzalo Varela. 2023, Argentina, Brazilian Premiere)
  • ATMOSPHERE (dir. Paulo Caldas. 2023, Brazil/Germany, Regional Premiere)
  • AVIVA (dir. Boaz Yakin. 2020, United States, France)
  • AZRAEL (dir. E.L. Katz. 2024, United States/Estonia, International Premiere)
  • BA (dir. Benjamin Wong. 2024, United States, International Premiere)
  • BABY ASSASSINS 2 BABIES (dir. Yugo Sakamoto. 2023, Japan, Latin American Premiere)
  • BEYOND THE INFINITE TWO MINUTES (dir. Junta Yamaguchi. 2021, Japan)
  • BREATHING IN (dir. Jaco Bouwer. 2023, South Africa, Latin American Premiere)
  • CLARICE’S DREAM (dirs. Fernando Gutierrez and Guto Bicalho. 2023, Brazil, Regional Premiere)
  • THE COMPLEX FORMS (dir. Fabio D’Orta. 2023, Italy, Latin American Premiere)
  • CONSUMED (dir. Mitchell Altieri. 2024, United States, World Premiere)
  • DARK MATTER (dir. Karim Lakzadeh. 2023, Iran, Latin American Premiere)
  • DAUGHTER OF THE SUN (dir. Ryan Ward. 2023, Canada, United States, Brazilian Premiere)
  • DEMIGOD: THE LEGEND BEGINS (dir. Chris Huang Wen-Chang. 2022, Taiwan, Latin American Premiere)
  • DIE NIBELUNGEN: KRIEMHILD’S REVENGE (dir. Fritz Lang. 1924, Germany)
  • DIE NIBELUNGEN: SIEGFRIED’S DEATH (dir. Fritz Lang. 1924, Germany)
  • EIGHT EYES (dir. Austin Jennings. 2023, United States/Serbia, Brazilian Premiere)
  • ENCOUNTERS (dir. Dmitry Moiseev. 2023, Russia, Latin American Premiere)
  • ENTER THE CLONES OF BRUCE (dir. David Gregory. 2023, United States, Latin American Premiere)
  • THE FANTASTIC GOLEM AFFAIRS (dirs. Juan González and Nando Martínez. 2023, Spain/Estonia, Latin American Premiere)
  • THE FUNERAL (dir. Orçun Behram. 2023, Turkey, Latin American Premiere)
  • A GAME IN THE WOODS (dir. Mike McCutchen. 2024, United States, World Premiere)
  • THE GLASS HOUSE (dir. Taras Dron. 2023, Ukraine/Cyprus/Romania/Germany, Latin American Premiere)
  • THE HANDS OF ORLAC (dir. Robert Wiene. 1924, Germany, Austria)
  • THE HYPERBORIAN (dir. Jesse Thomas Cook. 2023, Canada, Brazilian Premiere)
  • I’LL CRUSH Y’ALL (dir. Kike Narcea. 2023, Spain, Brazilian Premiere)
  • I, NIRVANA (dir. Roger Elarrat. 2024, Brazil, Regional Premiere)
  • THE INVISIBLE FIGHT (dir. Rainer Sarnet. 2023, Estonia/Greece/Finland/Latvia, Latin American Premiere)
  • THE INVISIBLE RAPTOR (dir. Mike Hermosa. 2023, United States, Latin American Premiere)
  • JORGE & ALBERTO VERSUS THE NEOLIBERAL DEMONS (dirs. Gonzalo Quintana and Hernán Quintana. 2014, Argentina/Brazil)
  • JUPITER (dir. Benjamin Pfohl. 2023, Germany, Latin American Premiere)
  • KIM’S VIDEO (dirs. Ashley Sabin and David Redmon. 2023, United States, Regional Premiere)
  • THE LAST SPARK OF HOPE (dir. Piotr Biedroń. 2023, Poland, Latin American Premiere)
  • LIMINAL SPACE (dir. Gabriel Papaléo. 2023, Brazil, Regional Premiere)
  • M (dir. Vardan Tozija. 2023, North Macedonia/Croatia/France/Kosovo/Luxembourg, Latin American Premiere)
  • THE MONSTER WITH MANY NOSES (dir. Abigail Schaaff. 2023, Spain/France, Latin American Premiere)
  • THE MOOR (dir. Chris Cronin. 2023, United Kingdom, Brazilian Premiere)
  • MOTHERBOARD (dir. Igor Bastos. 2023, Brazil, Regional Premiere)
  • THE MUTATION PROTOCOL (dir. Marcelo Leguiza. 2024, Argentina, World Premiere)
  • THE OTHER SHAPE (dir. Diego Felipe Guzmán. 2022, Brazil/Colombia, Regional Premiere)
  • PANDEMONIUM (dir. Quarxx. 2023, France, Brazilian Premiere)
  • REMIND (dir. Armando Fonseca. 2024, Brazil, World Premiere)
  • RESTLESS WATERS, SHIVERING LIGHTS (dir. Ángeles Hernández. 2023, Spain, International Premiere)
  • ROAD TO THE MOUTH OF HELL (dir. Julio Cesar Napoli. 2024, Brazil, World Premiere)
  • SATRANIC PANIC (dir. Alice Maio Mackay. 2023. Australia, Latin American Premiere)
  • THE SHADOW OF THE SHARK (dir. Gonzalo López-Gallego. 2024, Spain, Latin American Premiere)
  • SHIT HAPPENS AND MIRACLES TOO (Dir. Máncel Martínez. 2024, Colombia, World Premiere).
  • THE SLEEPING WOMAN (dir. Laura Alvea. 2024, Spain, Latin American Premiere)
  • A STRANGE PATH (dir. Guto Parente. 2023, Brazil, Regional Premiere)
  • THE TENANTS (dir. Eun-kyoung Yoon. 2023, South Korea, Latin American Premiere)
  • TRENQUE LAUQUEN (dir. Laura Citarella. 2023, Argentina, Germany)
  • VISITORS – COMPLETE EDITION (dir. Kenichi Ugana. 2023, Japan, Latin American Premiere)
  • THE WAIT (dir. F. Javier Gutierrez. 2023, Spain, Latin American Premiere)
  • WAKE (dirs. Thom Arizmendi and Austin Parks Stewart. 2024, United States, International Premiere)
  • THE WEIRD KIDZ (dir. Zach Passero. 2023, United States, Latin American Premiere)
  • WHEN EVIL LURKS (dir. Demian Rugna. 2023, Argentina)
  • THE WICKER MAN (dir. Robin Hardy. 1973, United Kingdom)

Head over to the official Fantaspoa website to learn more.

Devon Sawa in ‘Consumed’

Continue Reading