Movies
Get a Sneak Peek at ‘Kong: Skull Island’
The MTV Movie Awards held a slew of new teasers and trailers for upcoming films and Legendary decided to show off a behind-the-scenes look at Kong: Skull Island amidst that chaos. The footage is basically several interview segments with stars Tom Hiddleston and Brie Larson as well as clips of some intense action that will be seen in the movie, which is set during the Vietnam War.
Speaking with EW, Tom Hiddleston stated:
Jordan Vogt-Roberts, who directed it, had this extraordinary idea. I don’t want to spoil too much… But it’s a whole new re-conception of the mythology. It essentially follows a group of disparate travelers and explorers and soldiers who travel to an undiscovered island in the South Pacific. And it’s set in a time period where you could conceive that there are still undiscovered places on the earth. What they find on the island is surprising, and then every character has a very different response to it. It’s going to be spectacular and epic, but also the human drama is kind of interesting as well.
The movie also stars John Goodman, Samuel L. Jackson, Corey Hawkins, and Jason Mitchell. Kong: Skull Island comes out May 10th, 2017.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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