Back in mid-June, we posted that Adam Wingard had brought Hobo With a Shotgun director Jason Eisener on board as the 2nd unit director for Death Note, the live action adaptation of the wildly popular manga/anime. Now, Wingard is talking about Eisener’s influence on the film, which he seems to think is going to be very well received.

“Jason Eisener, who did ‘Hobo with a Shotgun’. I brought him on – I’m good friends with him – as second-unit director. There’s basically like three good Jason Eisner short films in there and they’re all very gory. I was able to just turn him loose sometime, and just do some crazy stuff,” Wingard tells Collider.

Wingard also talks about how working with Netflix gave him a certain amount of freedom, especially when it came to the content of the film.

We can do whatever we want. That was the cool thing about it, because it’s an anime film. So, technically, it’s a cartoon that you’re bring to life. To me, the thing about anime is that it’s so adult-oriented. I remember going to Suncoast growing up and you see Akira there with the little “Not for Kids” sticker on it. That always made an impact on me. So, doing my first live-action anime thing, to me it was important that you have those adult themes. So, it’s got nudity, it’s got swearing, it’s got a ton of violence.

The movie stars Nat Wolff (Paper Towns, The Fault in Our Stars) as Light Turner; Margaret Qualley (The Nice Guys, The Leftovers) as Mia Sutton; Keith Stanfield (Straight Outta Compton, Dope, Short Term 12) as “L”; Paul Nakauchi (Alpha and Omega) as Watari; Willem Dafoe as the Shinigami; and Shea Whigham (“Agent Carter”, “Boardwalk Empire”) as James Turner.

The film will be produced by Roy Lee (The Ring, The Departed), Dan Lin (The Lego Movie, Sherlock Holmes), Jason Hoffs (Edge of Tomorrow), and Masi Oka (“Heroes Reborn”, “Hawaii-Five-0”).

Lee and Din add, “Our vision for Death Note has always been to bring this captivating story to the screen for its longtime manga fans and to introduce the world to this dark and mysterious masterpiece. The talent and diversity represented in our cast, writing, and producing teams reflect our belief in staying true to the story’s concept of moral relevance — a universal theme that knows no racial boundaries.”

Wingard Blair Witch, which reunited him with frequent writing collaborator Simon Barrett, hits theaters tonight. The duo had segments in V/H/S and its sequel.