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5 Horror Main Characters We Shouldn’t Be Cheering For

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Movies are a great way to see certain characters and feel inspired to be more like them. We watch movies like Apollo 13 and want to have the leadership of Ed Harris’ Gene Kranz. We see Amelie and think that it’d be nice to do good things for other people for no other reason than to see them smile. Hell, when I watch “Hannibal”, I find myself wanting to be more like Dr. Lecter, in that he is well read, educated, urbane, charming, and elegant. Apart from his strange diet, he’s kinda admirable.

But there are also movies where the main character is an anti-hero, someone that we shouldn’t be cheering for because godDAMN are they an asshole! While I love many of these characters and want to cheer their survival, I also recognize that I shouldn’t approve of their behavior. After all, some of these people are flat out dicks.

So let’s look at a few of these characters that go about things in all the wrong ways!


THERE ARE SPOILERS AHEAD, SO VENTURE FORWARD AT YOUR OWN RISK!


Mary Mason – American Mary

Rape revenge movies aren’t a genre that I particularly enjoy. Honestly, I tend to avoid watching them simply because I find myself getting disgusted and I lose interest in the story. There’s a rape, the rape victim kills the rapist, usually through some horrible method, and that’s that. However, I didn’t know that American Mary was essentially a rape revenge film, so I went into it unaware of what was to come.

While I fully respect where she’s coming from – seriously, fuck that professor – the actions she took went beyond justice and dove right into the deep end of depravity and torture. Mary Mason is not a good person, plain and simple. Her death at the end of the film doesn’t bring satisfaction, it simply helps alleviate the sour taste in my mouth that built throughout the movie.


Snake Plissken – Escape From New York

Okay, hear me out here for a second before crucifying me, alright? Snake is pretty much the perfect example of an anti-hero. He was a decorated military man before turning to a life of crime, using his skills against the government. He’s also a surly prick who doesn’t give a damn about anyone but himself. Sorry, but it’s true and we all know it. People die left and right around Snake and he carries on because he has to save his own neck. Even at the end of Escape From New York, Plissken fucks over a summit that would’ve brought peace between the US, China, and the Soviet Union. It wouldn’t have really affected Snake in any way, shape, or form to allow the summit to carry on. He sabotaged it out of pure spite. What a dick.


Blade – The Blade Films

Blade is an interesting character because his heart is absolutely in the right place (he saves people left and right) but he’s an absolute asshole as a person. So, while he may do the right thing, he does it in a way that makes people go, “…thanks?

I get it. I really do. He’s pissed at vampires for what they did to him and his family. But you would think that after a certain amount of time that he’d learn how to cut loose and have a good time every once in a while. At least in a way that doesn’t involve slaughtering dozens of vampires at a time. Just give me one scene where Blade is not only genuinely grateful to those around him but also goes into his room and instead of meditating in front of his sword he puts on a record and maybe lights up a joint. Give me that and I’ll suddenly have so much more respect for the guy.


The Gecko Brothers – From Dusk Till Dawn

These guys are bank robbers and Richie is a rapist and murderer. Seth isn’t exactly the nicest of individuals either, happily waving his gun around and threatening the lives of pretty much everyone he comes into contact with. Just because Seth helps protect the Fullers doesn’t mean that he’s a good person. He’s still a scumbag who just happened to fall into a situation where he needs as many around him alive as possible so that they can last until morning. He evens says at the end, “I may be a bastard, but I’m not a fucking bastard“, as though that absolves him of his past.

The only person we should be cheering in this film is Tom Savini’s Sex Machine because he’s got a cock gun. End of story.


Ash Williams – Army of Darkness

I have a feeling this is the one where I get my ass handed to me…

Okay, so Ash in Evil Dead is totally fine. He’s a sweet guy who gets caught up in a horrible situation. Ash in Evil Dead 2 is a bit more of a jerk but he’s just a more revved up version of Evil Dead Ash. Army of Darkness and “Ash vs Evil Dead” Ash? Yeah, he’s a prick. He’s a total asshole and what’s even worse is that he knows it and embraces it! His bravado and machismo is there to protect only one person: himself.

Look, I realize that Ash has these great one-liners and Bruce Campbell plays the characters MAGNIFICENTLY! Hell, I love these movies and will happily watch them pretty much any day of the week. But that doesn’t change the fact that Ash is a total dick. I appreciate that he dispatches Deadites with total ease but does he have to be such a bottom-of-the-barrel kinda guy doing it?

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Editorials

‘Backrooms’ Lore Explained: Async Research Institute and the Complex

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Backrooms lore explained

The iconic line “If you build it, they will come” may have originally referred to a baseball field, but I’d argue that the record-breaking success of Kane Parsons’ Backrooms is proof that the line could also refer to well-crafted movies about ideas that young cinemagoers actually care about.

Yet, despite being based on Parsons’ existing ARG/Webseries, the A24-produced film is more of a standalone tale exploring the personal implications of the titular rooms rather than a traditional examination of the hard sci-fi elements present in the source material.

This less lore-reliant approach was a genius move, as the resulting film ended up being equally accessible to both existing fans and newcomers alike. That’s not to say that Backrooms doesn’t engage with the existing mythology in new and interesting ways, however, as the film heavily expands on the Async Research Institute and the cryptobiology of the rooms themselves. With that in mind, I’m diving a little deeper into these connections in order to help fledgling Backrooms enthusiasts find their way around the yellow labyrinth.

As is to be expected from this kind of article, there are major spoilers ahead, so proceed at your own risk if you’ve yet to see the movie!

Who is Async Research Institute in the Backrooms Movie?

backrooms sequel kane parsons a24

Backrooms. Courtesy of A24.

Of course, if we’re going to discuss the connections between the series and the film, a good place to start would be Async itself. The California-based Foundation plays a brief yet pivotal role in the film as outside observers that only really interfere with the main plot during the final act. While the Foundation is the main focus of the ARG, they’re mostly hinted at in the film. 

Chiwetel Ejiofor’s Clark runs into several Async-built “anomaly lures” during his exploration of the liminal space (mostly in the form of human-shaped cut-outs accompanied by audio recordings inspired by the 1977 Voyager Golden Record), as well as surveillance cameras and evidence that at least one of their agents has become trapped in the rooms – though we’ll get to this last detail later.

It’s only towards the end of the flick that Foundation agents finally show up in their iconic yellow protection suits and “rescue” Renate Reinsve’s Mary by pulling her back to “reality” through a familiar portal, though it’s heavily implied that they might not be all that concerned with her well-being.

After all, long-time fans are aware that Async has been researching the “Complex” (their official name for the Backrooms phenomenon) since at least the late 1980s, with their Threshold experiments being based on a Low-Proximity Magnetic Distortion System prototype developed by Oak Ridge National Laboratory in 1982. Unfortunately, their experiments have likely resulted in hidden portals appearing more frequently in the outside world, which consequently leads to more people accidentally “no-clipping through reality”. And that’s not even mentioning the occasional earthquake caused by unstable Thresholds!

Where the Backrooms Fits in the Original ARG Timeline

The Backrooms Lifeform horror

Kane Parsons’ “The Backrooms” horor short

Though the film takes place in 1990, the ARG’s timeline actually begins in 1996, with the original found footage upload and the ensuing research sparked by the video serving as sequels to the A24 production. Not only that, but film’s Still Life monsters (“misremembered” versions of real people who wandered into the rooms) appear to be precursors to the Lifeform from the series.

In the original videos, it’s speculated that the humanoid predator inhabiting the Complex is the result of a novel strain of hay bacillus forming a human-shaped colony, though the addition of the Still Life mythology may very well mean that the mutated hay bacillus itself is a Still Life reproduction of an existing bacteria that somehow fell into the Complex.

The film also offers us an interesting clue into the history of the Foundation when Mark Duplass’ Phil talks about how the company used to work with MRI machines. This seemingly innocuous origin for the secretive organization implies that the Complex itself might be the result of some advanced form of neural imaging – as if the Threshold is somehow opening a portal to the universe’s -or even God’s- subconscious mind.

Who is Naren Warne and Why is He Important to Backrooms Lore?

Async researches in “Backrooms” web series

One of the more direct connections between the film and the series happens to be Avan Jogia’s Naren Warne, an unfortunate Async Institute scientist who shows up in the movie’s found footage prologue. A now-deleted Discord post by Kane Parsons himself suggests that Warne was originally a part of the Missing Persons survey team that discovered a dead body taken over by “mold” (the aforementioned hay bacillus).

At some point during the expedition, Naren appears to have been separated from the rest of the team and wound up wandering alone in the Backrooms. The film opens with the desperate scientist’s VHS footage as he records his attempts to contact his superiors and is ultimately chased down by an unseen Lifeform.

While this prologue mostly serves to establish that the Backrooms contain more than empty hallways, it’s fun to see Parsons include a trail of breadcrumbs leading back to the lo-fi source material even when working on such a high-profile production.

Naturally, there are other curious connections to be found here, such as a faithful recreation of the original photo that spawned the Backrooms creepypasta in the first place, as well as audio cues harkening back to the various TikTok musical trends that often accompany liminal horror content.

However, half the fun of engaging with lore-heavy material comes from discussing theories with fellow fans, so I’d like to invite readers to comment below with your own favorite additions to the lore/references to the ARG! Just be sure to watch out for suspicious-looking furniture salesmen – especially if they’re dressed up like a pirate.

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