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Celebrating the 15th Anniversary of ‘Donnie Darko’ With a Look Back at the Acclaimed Cult Classic

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Fifteen years ago, director Robert Kelly’s sci-fi fantasy/thriller, Donnie Darko, premiered. At the time, I was at the young age of 18 and had just graduated from High School. Having watched the film when it came out, I remembered that I didn’t quite understand exactly what was going on. I mean sure, I loved Jake Gyllenhaal (who doesn’t??) and I loved the unsettling visions of Frank the Bunny, but overall, I couldn’t have begun to tell anyone what the film was about. Fast-forward 15 years and the movie is getting the special 4K release from Arrow Films on Blu-ray + DVD that includes both the Theatrical and Director’s Cut. For the release, I decided that maybe, at the ripe age of 33, it would be a good idea to revisit this highly acclaimed cult classic and try to piece together the mystery surrounding it.

There’s a lot of conflict between which is better: the Theatrical or the Director’s Cut. Since I remember next to nothing about the Theatrical version, I can only assume it’s just as good as the Director’s Cut. The movie, on the surface, centers around the main character Donnie Darko, a troubled young man who has visions of a man in a bunny suit that informs him of the world ending in 28 days. Moving past the outward synopsis, the film really deals with time travel, mental illness, and teenager angst. The film has an exceptional cast that includes Jake Gyllenhaal, Maggie Gylleenhaal, Jena Malone, Mary McDonnell, Daveigh Chase, James Duval, Drew Barrymore, and Patrick Swayze.

What the Director’s Cut offers that the Theatrical version does not, is some much-needed answers. Sure, there is a mystique that surrounds the original film, especially in terms of leaving the movie up for interpretations, but I enjoyed seeing some of the loose ends tied up. Kelly has stated in the director’s commentary that the film is a study on time travel and alternative universes, I can’t help but think that it’s also an examination on mental illness. There is such an unfortunate stigma that surrounds mental illness, especially those diagnoses that people don’t understand, and I think Donnie Darko does a fantastic job of highlighting how those people that suffer from depression/schizophrenia/etc are treated. As someone who suffers from depression, I could see parallels between my life and Donnie’s, especially in regards to having to constantly take medication and the concern that arises when you convince yourself that people will think you are crazy if you talk openly about your illness.

At the heart of the film, though, is this theory of time travel. I think the reason I had such a difficult time comprehending the movie when I first watched it was because I knew nothing about time travel (they don’t talk about that at a Christian High School) or alternative universes. Watching it fifteen years later, I can’t say I know that much more, but I have a better grasp on what the film was trying to convey. I could go on an on about the details of this film being primarily about a Primary Universe vs. a Tangent Universe, God and Free Will, and how the universe will fold in on itself unless Donnie does what Frank says, but I would probably bore you all to death. Ultimately, this film is just as much about time travel as it is about mental illness, only that the Director’s Cut finally gives us insight into the time traveling aspects.

Overall, Donnie Darko is a film that is much larger than what I think Richard Kelly even intended. The acting is superb, the storyline is thought-provoking and unique, the visuals are incredibly striking, the musical choices are exceptional and still to this day, the image of Frank the Bunny sends chills down my spine. Regardless of Kelly’s views on the film, in terms of what he thinks the movie is about, the amount of subtext and theories run so rampant that I don’t think there is one answer to what the film is truly trying to convey. To me, that’s what makes Donnie Darko so beautiful. I took away from the movie the stigma associated with mental illness and how there are devastating consequences that occur when untreated. I also found the theory of time travel, and how every person Donnie comes in contact with push him to his inevitable end, to be utterly fascinating.

All in all, if you haven’t seen Donnie Darko, I encourage you to give it a watch and to let us know what your thoughts are on the film. If you are a huge fan of the Theatrical Version and have some trepidations in watching the Director’s Cut, I would suggest giving it a chance and to watch it with Richard Kelly’s commentary, as it will give some insight into the overall plot of this masterpiece of a film.

Donnie Darko will be available to own on Blu-ray + DVD April 18th through Arrow Video.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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