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[Review Repost] ‘Hounds of Love’ is a Tense Abduction Story From a New Perspective

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Stephen Curry as John in Ben Young's Hounds of Love (2016). Photo by Michael McDermot.

Having domestic abuse in my family history makes it a sensitive subject. It’s not just that abuse was normalized decades ago, it’s that a woman wasn’t even believed if they had reported it. While the idea of a Bonnie and Clyde is romanticized by modern film (i.e. Natural Born Killers), it’s actually terrifying to think of the fear and hopelessness many women have experienced. This is why I love Ben Young’s Hounds of Love, an abduction story that also shines a light on not one, but two victims.

The Australia feature, which has already won various awards, follows a young girl, Vicki Maloney (Ashleigh Cummings), who is kidnapped by a serial killer couple, John (Stephen Curry) and Evelyn White (Emma Booth). The duo torment Vicki as they struggle with their own domestic issues.

What really struck a chord within me is that Young made the conscious decision to tell the story from the perspective of Evelyn, not Vicki. In turn, Hounds of Love is about a woman freeing herself from the abuse and torment of her “lover”, who has been manipulating her since she was 13 years old. While this doesn’t negate being an accessory to murder, it does allow the viewer to experience an abduction story from a sympathetic angle, one that I’m quite sure I’ve never seen before.

Booth’s performance is so powerful that it’s hard to watch, only adding more tension behind Curry’s manipulative persuasions. It’s all glued together, however, by Young’s excellent writing and directing, which gives this ensemble a morbid sandbox to play in.

There are no twists or turns in Hounds of Love, only good old-fashioned storytelling in the vein of the most compelling “Unsolved Mysteries” or “Forensic Files” episodes. It’s an important movie, however, that I can only hope opens people’s eyes to the different kinds of abuse that happens daily right under our noses.

Hounds of Love is now on VOD and in select theaters.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mad Max: Fury Road’ Prequel ‘Furiosa’ Rated “R” for “Strong Violence” and “Grisly Images”

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Anya Taylor-Joy fights the world in George Miller’s hotly anticipated Furiosa: A Mad Max Saga, the upcoming prequel to Mad Max: Fury Road that’s coming next month.

Warner Bros.’ Furiosa has been rated “R” this week for…

“Sequences of strong violence, and grisly images.”

Furiosa will release in theaters on May 24, 2024. The film will tell the origin story of the character Charlize Theron made famous in Fury Road, also directed by George Miller.

“As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland they come across the Citadel presided over by the Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.”

Chris Hemsworth co-stars as Warlord Dementus.

Whereas Fury Road essentially happened over three days and two nights, this happens over many years,” Miller had teased during a press conference last year.

Miller is co-writing and directing the movie for Warner Bros.

Back in 2015, Mad Max: Fury Road grossed nearly $400 million worldwide at the box office and won SIX Oscars, while also scoring rave reviews nearly across the entire board.

Last we heard, Miller also intends on making sequels centered on Tom Hardy‘s Mad Max.

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