Movies
Kevin Smith Was Offered ‘Toxic Avenger’ Remake But Left Due to Studio’s Strange Plans
A remake of Troma’s The Toxic Avenger has been thrown around for nearly a decade now – at one point, oddly enough, Arnold Schwarzenegger was seemingly attached! – but at this moment in time, it doesn’t appear that any concrete plans are in motion.
But what *almost* became of the remake? As it turns out, Kevin Smith was recently offered the chance to bring Toxie back, as he just revealed on Fatman on Batman.
Via AITH:
“I don’t really deal in that world that much anymore, I don’t have to sit with people that are corporate and have interests to protect, like, I’m in the walrus movie phase of my career,” Smith began the story. “The last thing, and it wasn’t even a big deal, it wasn’t like ‘I’m outraged!’… somebody asked me, ‘Hey man, we’ve got THE TOXIC AVENGER and we’re gonna remake it, do a reboot, and hey, you’re from Jersey.’ And you know, I always kind of dug what Lloyd Kaufman and the Troma people do, it was right in Jersey, I remember seeing them on the news all the time – ‘Hollywood, motion pictures in New Jersey? Right here at Troma!’ And TOXIC AVENGER was insanely well known. So I always respected the Troma world and Toxie franchise. So I was like, all right, I’ll go down the rabbit hole a bit and see what’s what.”
He continued, “And we parted ways fundamentally on the budget, because I was just like, ‘Part of the charm of the TOXIC AVENGER is that it was made for two nickels. If you’re gonna do it again, don’t spend a lot of money.’ But they were like, ‘No no no, it’s a 35 million dollar movie.’ And I was like, ‘It’s a f*ckin’ remake of THE TOXIC AVENGER, the guy in a tutu with a bad makeup job, what are we gonna spend all the money on?’ So right then and there, I’m clearly not on the same page. In my head, if I need to see a TOXIC AVENGER remake, it should be done in the spirit of the original. Instead, they were literally trying to start a franchise, Marvel-ize it and stuff like that. And I’m like, ‘I don’t know if you guys saw that movie.’ So I just quietly stepped away. I understand what they were going for, but I would never want to see that version of the movie. It would be like somebody doing a 35 million dollar version of CLERKS. Why would you bother?”
Last we heard, Conrad Vernon (Sausage Party) was attached to the remake.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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